What kind of calligraphy is the most collectible?
□ Text/Figure Cao Junhua's China calligraphy, with its flexible lines, expresses the writer's mood and emotion, shows the writer's aesthetic taste and conveys the writer's spiritual atmosphere. For thousands of years, it has been deeply loved by literati and people from all walks of life. It is always a pleasant thing to have a book with high charm and good form hanging in the hall, playing on the desk, hanging high in the shop, bathing in the body and mind, enjoying the scenery, meeting spiritual needs and enriching the mind. So, what kind of calligraphy works are excellent? Is the most collectible? According to my own experience and understanding, the author has many feelings. China's calligraphy has a long history, which is a long river and a chain. Tradition is the upstream of this river, the front end of this chain. The people who have been good at books in the past dynasties are all part of this long river and a link in this chain. Whether your paragraphs and your links can exist and be passed down in the long river of calligraphy depends on whether you can connect them. Otherwise, you have no reason to exist. Successful calligraphers all come from tradition, but on the basis of tradition, they show their own personality and their emotional charm. There are both problems of "sticking" and "sticking", and there are also problems of "daring to fight in and boldly fight out". The tradition of China's calligraphy is that the style of writing is elegant and the book is thick. Those so-called calligraphers who are divorced from traditional training and have a deep understanding of calligraphy lines, structures and rules must be fooling around. Only a calligrapher with profound traditional foundation, profound traditional cultural accomplishment and unique endowment can be truly called a successful calligrapher. This is what the ancients said: "law is taught by the ancients, and beauty is made by oneself"! The unique aspect means that a calligrapher should have a strong personality and his own face. Make the words in the pen glow with strong personality. A truly successful calligrapher can only show his talent, talent and aesthetic orientation on paper through the combination of rigid and flexible lines and Xu Yifang's brushwork, and form his own unique face and "this one" different from others. A successful calligrapher must have profound knowledge and even expert authority in a certain cultural field. Because China's calligraphy uses refined lines to structure his works, and his expression is expressive and expressive. Screenwriters need to have an aesthetic vision of knowing white and keeping black, and counting white is black; More importantly, there should be the ease of "waving your hand, holding a thousand miles, showing your abilities and letting all kinds of things do whatever you want". Therefore, without comprehensive and profound cultural accomplishment and profound knowledge, you will never become a good calligrapher. However, if a person has a good knowledge of writing, but lacks achievements and wider influence in the cultural field, then his fame will not be far away, his popularity will not be high, and his influence will not be strong. If you have good writing skills and make special contributions to culture and its wider influence, you can add wings to the tiger, make great contributions to the wind and enjoy a high reputation. Of course, the works of calligraphers with good traditional skills, unique charm and wide cultural influence should be preferred when collecting, that is, famous works. Because such works are full of rich scroll flavor, huge and super-strong cultural content, aesthetic value and unique aesthetic feeling, hanging in the hall, the view must be moist and silent, and it is better to look at. Calligraphy collection, the first is appreciation. Since ancient times, collecting calligraphy and painting is an elegant thing and an aesthetic spiritual activity after people need to solve basic needs such as food, clothing, housing and transportation. The important thing is to be happy physically and mentally and to cultivate one's sexual ability. Then it lies in the research, and from this, it will continuously expand its knowledge and interest, and enhance its aesthetic vision and life interest. This determines that the first purpose of calligraphy collection is to bring aesthetic pleasure, and the second purpose is his investment and appreciation. Moreover, investment is risky, and calligraphy collection is also risky. Although the basic path of excellent calligraphy is to preserve and increase the value over time. However, the authenticity and quality of the works are still ordinary works, and the author's popularity, influence and cultural achievements all determine the price fluctuation of the works. The risk of calligraphy collection requires that calligraphy collection and investment must be based on satisfying hobbies and using spare money. Because the collection and appreciation of calligraphy works is the main purpose, it is mainly used to meet the spiritual needs of collectors. No matter how good a book is, it can't be used for eating, drinking or keeping out the cold. It can only meet people's spiritual needs, so we can only use extra funds other than basic survival needs, that is, spare money to enter. Don't put all your eggs in one basket, invest in basic living expenses, and get stuck in a passive position, which is not worth the candle. The appreciation of calligraphy and painting collection has its uncertainty and the market also has its complexity. Although the market sometimes plays the role of a barometer of calligraphy and painting collection, due to various complicated reasons, the calligraphy and painting market often cannot truly reflect the true value of a book in a certain period of time. Twenty years ago, the prices of some famous books in history were often different from those of books of the times. For example, at that time, the prices of some contemporary books in our province were basically the same as those of Mr. Yu Youren because of their high popularity. However, when it comes to its skills, knowledge, achievements, qualifications, historical status and so on, they are different. At present, Mr. Yu Youren's books are basically more than 200 thousand, which has left contemporary calligraphers far behind. This is both historical fairness and market fairness. For another example, Pian Yu's works by two famous old calligraphers in our province, Liu Zidu and Wei Junxiu, are priced at nearly 10,000 yuan, but even so, they are far from their due market price.