Xie Gong, an ancient calligrapher, spared no effort to explore the source, practiced thousands of poems, then recognized the sounds, and then viewed Wan Jian. He asked many teachers for help, not sticking to one pattern, and took pictures of everything after the meeting regardless of the specific complexity. Reading his books is not limited to the formation of formation, but the brush array is muddy, the spirit is stirring, the spirit is light and rhyme, and the elegance and vulgarity alternate. Especially the running script, its style is simple, arbitrary and bold, and it is unique.
Mr. Xie is well-read, rational, strong-willed and pragmatic. His scholarship includes English words, poems, songs, poems and opinions, and he has made great achievements. He integrated the cicada slough of Zhuangzi and Long Bian's theory with his heart. He has learned Tao, and he has done it.
Mr. Kong Bin is currently the executive director of Shandong University Calligraphers Association, the vice chairman of Heze Calligraphers Association and a member of China Calligraphers Association. During the ten years of calligraphy education in colleges and universities, monographs such as Calligraphy Course, China's Calligraphy Principles, Xie Calligraphy Collection and How to Write have been published successively, and many calligraphy papers and literary works have been published. 1993 won the first place in the national calligraphy competition at the request of Tianma Mountain Villa in Guangdong. Calligraphy works have won many awards in national calligraphy competitions and have been selected into the collection of works. There are many works published in the forest of steles all over the country. 1992 and 1993 were introduced by special issues of Philippine Business Daily Art Museum. His life and works have been included in more than ten dictionaries, such as Dictionary of Contemporary Painting and Calligraphy, Dictionary of Contemporary Painters in China and Who's Who of Contemporary Art in China.