I have an indissoluble bond with (Chinese characters)
There are not many people who can't write. Everyone wants to write beautifully. When they see a masterpiece of calligraphy, their hearts tremble, and they seem to be familiar with the author. They will never forget it for a long time. In fact, their thoughts and hobbies are the same. However, my love for Chinese characters may be even more excessive: every time I hear that someone has the word XXX, I always try my best to have a look, and after reading it, it will be like fulfilling an old wish. Whenever I see a good ink, I am always subdued by its spirit, infected by its charm and influenced by its artistic conception, and quietly communicate with the author who has never met before. While watching, I can't help but lose my mind, trying to figure it out, and I can't bear to leave. The lingering image is printed in my mind and lingering.
my love for words began in my childhood. My father studied in a private school, and his brush is fluent, and his handwriting is dignified and steady, in line with the rules, but his pen writing is stiff and eccentric. According to him, "hard pen is difficult to brush." My father taught me to write when he was free. The rules at first were really complicated: first, clean hands and face, then flat feet and shoulders, upright body, upright pen and upright heart when carrying a pen, horizontal and vertical writing, striving for change, hard work, putting and receiving, and the inside of the outer circle. Although I have a little knowledge and am specious, I never tire of imitating pictures from time to time. My father often praises me for "writing well and making progress". Later, I learned that it was just his old man's painstaking encouragement and guidance. In the first few years when I learned to write, I mostly practiced on the ground and on the wall with a brush. Only in the New Year did I have all the ink and paper to enjoy myself. The most solemn festival in rural areas is the lunar year, and the couplets posted in the New Year are valued almost like religion, and the atmosphere of reunification and Vientiane renewal is displayed when the couplets are posted. Those who are wonderful in calligraphy are praised by everyone. As long as I know that I always go far and see it repeatedly, I admire those elders who are proficient in calligraphy.
Children born in the year when the Cultural Revolution began are lucky, happy and grateful. Not only did he have a happy childhood in the era of material shortage, singing the song "Learn from Lei Feng's Good Example" and growing up as a small member of the people's commune, but also teenagers entered the period of reform and opening up and resumed the college entrance examination system. My father's slap and my mother's tears pushed me to school. From primary school, junior high school, high school to university, I have gradually formed an indissoluble bond with books and writing for more than ten years. In the process of studying, most experienced teachers are old teachers who took off their hats and rehabilitated after the Cultural Revolution. They are knowledgeable and original, proud and gentle. Many teachers have received good higher education because of their old family and scholarly family, and their calligraphy and calligraphy theory are superior. Under the influence of the teacher, my enthusiasm for practicing calligraphy has increased. At the same time, I have read some stickers, read some related books, and participated in some calligraphy competitions between teachers and students. Over time, my experience has gradually improved.
I was systematically exposed to calligraphy theory, ancient Chinese, and aesthetic theories, and devoted myself to copying and pasting, which was the time when I studied Chinese Department in university. Imitation is Europe, Yan, Liu, Zhao Zhengkai, and Liu Gongquan is the most popular. During this period, I was lucky to get the guidance of Mr. Wang Xianren (Yue Shi). Some people say that Mr. Yue Shi is a descendant of Wang Xizhi, a book sage. I haven't made any textual research or asked about him, but it's true that he is a native of Wang Xuezhong, a famous calligrapher. Mr. Wang was born in a family of calligraphy and painting, and started with painting, and his handwriting was rich and simple. At that time, he was making a transition to cursive writing, and his handwriting was wild and unrestrained. Being honest and frank, childlike innocence, words and deeds seem to tolerate no dust and sand. There seems to be no age difference for our students, and they are approachable and interesting. He often spreads the felt on the table tennis case in the staff activity room. When Four Treasures of the Study swings it, it becomes his painting and calligraphy room. In such a big room, it's just the two of us. I continue to draw ink and paper, and he says while painting and writing, a happy night is an all-nighter. A school organized a calligraphy and painting competition, and he was a judge. At the end, he smiled and said to me, "Liu Gong was copied by you, so change the writing." Then send me a copy of Wei Bei's copybook. The first time I saw Wei Bei's post, my eyes lit up, I couldn't put it down, I was infatuated, and I was moved by my husband's love and encouragement.
As the Spring Festival in 1987 approached, we spent another tireless night in the activity room. When the morning light came through the window, Mr. Wang said happily, "I'll write you some Spring Festival couplets and take them back for the New Year." When I brought the Spring Festival couplets home, I tried my best to show off to my father. The old man always shook his head. He seemed puzzled: How can China Chinese characters be written like this? It was never posted. From this, I know how far it is to be able to write-to be able to write-to be able to write, and how different it is to read-to taste words-to appreciate.
During my 26 years of working, no matter how busy I am, I always insist on taking books as my friends, taking time off from work and writing while reading. Always busy, idle, read more, write less, intermittent, and make little progress. Sometimes, on a whim, I write a few pictures casually, or stand on the case or hang on the front wall, smug and smug. However, within three or two months, you will gradually find that there are many problems in brushwork and composition, size and reality, skeletal posture, and density, which are disgusting and unsightly, and they are often burned. Sometimes, I feel that I can't write at all, I can't carry a pen, I hesitate to pick up a brush for a long time, and I feel blank and depressed. These experiences and feelings have been repeated. Fortunately, I met the ink of some famous people, such as Li Shutong (Master Hongyi), Yu Youren, Shen Congwen, Guo Moruo, Qi Gong, Wei Qihou, Shen Peng and so on, which was eye-catching, exciting and surprising again and again. In the museum, seeing Oracle Bone Inscriptions and Zhong Dingwen, seeing the thin gold body and the pavilion body is like an elephant invisible and loud, and I deeply feel that I know nothing about it, and I am pale and powerless.
I dare not say that it has something to do with calligraphy, but that it has something to do with writing. This is not an excuse, but my heart. Although he is passionate about himself and thinks that he has an indissoluble bond with writing, he is still a layman in calligraphy. Why do laymen talk about entering the room? How to see its walls without entering the room? There is a good story in the literary world. Lu Xun is called "the willing ox" because of a poem, Guo Moruo calls himself "the ox tail" and Zhou Yanggan calls it "a hair on the ox tail". In the Ming Dynasty, Xu Wei (No.Qingteng) was afraid of painting and calligraphy, but he didn't meet his talent, so he was not praised by the contemporary world. However, Zheng Banqiao and Qi Baishi, the descendants, were lucky to call themselves "lackeys under the Qingteng Gate". Then, how do the so-called calligraphers and celebrities in modern times call themselves compared with the calligrapher Wang Xizhi (Wang Youjun)? The Mohair is high, broad and profound, and monuments are unattainable. Although I can't come, I am yearning for it, and I am willing to take this hobby as an integral part of my life and spare no effort. Just like a devout pilgrim, he always holds the desire to worship at the feet of saints, and is lucky to see the temple gate and proud to be close to it.
The calligraphy and painting market is extremely prosperous. Painters, calligraphers, experts and masters come in all kinds, and the good and the bad are mixed, just like ornaments in the market, which are dazzling and difficult to distinguish between true and false. Because the inheritance is long, it may prove the old saying that "gold in troubled times, calligraphy and painting in prosperous times"; It may also be in line with the development trend predicted by some calligraphy theorists, and the art of calligraphy has reached the stage of being affectionate from respecting law-meaning-spirit. So-called "love" can't outshine others, but each has his own love and special liking. It is even more necessary to find artists and works of art that are sympathetic and emotional through analysis, identification and appreciation, so as to guide and improve himself. It is difficult for the president of the detour to straighten things out, and the superficial feeling is to make a conclusion; Pray for communication with those who are older than me, and sincerely encourage those who are younger than me:
I wish you a step-by-step promotion
I look forward to your adoption, thank you.