It refers to the shape of words in the process of practicing calligraphy, which means the intention hidden in words. Don't worry about whether the shape of the word is written or not, whether the strokes are similar or not. But follow your heart. But beginners should not realize that in the process of practicing calligraphy, they will gradually have their own style, and their meanings are hidden between the lines.
Calligraphy terms for writing.
The posture of writing is very important for practicing calligraphy. Correct writing posture can not only ensure writing freedom, reduce fatigue and improve writing level, but also promote the normal development of children's bodies and prevent diseases such as myopia, strabismus and spinal curvature. Therefore, we must pay attention to it. The correct writing posture is: sit up straight with your shoulders flush; Head straight, slightly forward; Back straight, chest upright, chest about a punch from the edge of the table; Feet flat on the ground shoulder width; The left arm and the right arm are flat on the table, the left hand presses the paper and the right hand writes. The distance between the eyes and the paper should be about one foot. Whether the writing method is correct or not is related to the control ability, flexibility and writing speed of the pen, which directly affects the writing effect. Good writing methods must be cultivated from an early age, otherwise, once habits are formed, it will be difficult to correct them. The correct writing should be three-finger writing. The specific requirements are: hold the pen with the right hand (some people write with the left hand), and hold the pen tip about 3 cm away from the pen tip with the thumb, forefinger and middle finger from three directions respectively. The index finger is slightly in front, the thumb is slightly behind, the middle finger is pressed on the pen inside, and the ring finger and the little finger are naturally placed under the middle finger in turn, bending in the direction of the palm. The upper end of the pen rests on the bone with the highest index finger, and the pen forms an angle of 50 with the paper. About. When you start writing, you should "hold your fingers firmly, and your hands are empty", so that you can write flexibly. As the saying goes, words are like people. So how do you write beautiful and good words with your own pen? If it is a pen, you can buy a copybook and write a paste, and copy it slowly. Words, like people, have a center of gravity, and they are all in a straight line from head to toe, so people don't seem to fall. Then beginners can use this principle to write and write when they write. On the basis of copying, first keep the words from' upside down', especially for children. If children want to write well, they must first write neatly and correctly, and then practice their skills to look good. Then if you want to practice calligraphy, you have to start from an early age, not only to grasp the characters, but also to grasp the posture, so that children can practice calligraphy well on the basis of health. Meng Tian is a story written by Meng Tian, a general of Qin State in the Spring and Autumn Period. In 223 BC, Meng Tian went out to war, and he regularly wrote battle reports and presented them to the king of Qin. It was inconvenient for people to write with bamboo sticks at that time. A word was dipped in ink without writing a few strokes, but it took a long time to write a report. One day, while hunting, Meng Tian was inspired when he saw a rabbit's tail dragging blood on the ground. He immediately cut off some rabbit tail hair, put it on a bamboo tube and tried to write with it. But rabbit hair is shiny and does not absorb ink. Meng Tian tried several times, but the effect was still not good, so he threw the "rabbit brush" into the stone pit in front of the door. One day, he happened to see the brush he had thrown away. After picking it up, he found that the wet rabbit hair became whiter. He dipped the rabbit's brush into the ink tray, but the rabbit's tail became "obedient" and he wrote fluently. It turns out that the water in the sinkhole contains calcium. After soaking in alkaline water, the grease of rabbit hair is removed and becomes soft. Legend has it that this is the origin of the brush. There are some records in history about Meng Tian saying that he made pens. "Taiping Yulan" quoted the Natural History as saying, "Meng Tian made a pen. Cui Bao also said in Notes on Ancient and Modern Times: "It was written in Meng Tian, that is, Qin Bier. Take dead wood as a tube, deer hair as a column and wool as a quilt. The so-called Cang Xie is not a rabbit's bamboo tube. But in fact, the unearthed cultural relics have proved that the writing brush existed long before Meng Tian made it. Xu Shen's Shuo Wen Jie Zi in the Eastern Han Dynasty said: "Qin refers to the pen, Chu refers to Yu, Wu refers to the wrong, and Yan refers to Fu. There is no "pen" in pre-Qin books, but the word "pen" appeared as early as Shang Dynasty. Qin Shihuang just unified the name of the pen, indicating that there was a pen before Qin. Zhao Yi, a scholar in the Qing Dynasty, wrote in the article "Writing doesn't begin in Montaigne" in Children's Congkao: "Writing doesn't begin in Montaigne. It is still created by the field, which is better than the predecessors, so it is good for its name. It seems that this comment is well founded. In the Tang Dynasty, Han Yu's Biography of Mao Ying personified people with a pen. It is also mentioned that Meng Tian attacked Zhongshan State and captured Mao Ying, which was favored by Qin Shihuang and made Mao Ying a "Guanchengzi". Later generations took Heguan as their pen name. In addition, the brush has other aliases, such as Mao awl, Zhong Shujun, Chang and Jian Nu. This is another story. Modern people write less and less with a brush, replaced by later pens and ballpoint pens, and advanced to the mouse in the 1990s. I remember when I was studying in the 1980s, it would be great if I got a pen because of my good grades. Ironically, in the 2 1 century, some of our children didn't even know what pens looked like. ......
A person who writes while dancing while flying is vigorous and powerful. Please analyze his character. The other person's handwriting is very small and ugly. What is his personality?
Lonely people: the distance between words is very small.
Bold: The font is large and the strokes are elongated.
Vanity: the pen is unstable and the font is erratic.
Laissez-faire: the handwriting is like a dragon and a phoenix dance.
Caution: the font is small, and you can hardly write or scribble.
Perseverance: It's very stressful to use a pen.
Rude: disorganized.
Enthusiast: large font, soft strokes and smooth writing.
Stubborn people: strong moves.
Simple people: the font is not beautiful and the strokes are stiff.
People who have no opinions: the brushwork is understated, the brushwork is not strong and the structure is loose.
Wit: Clever strokes and unique writing style.
Ambitious person: The characteristic of a person who is bold and stubborn.
Featured: the font is weird.
Rich people: those who are full of ambitions have soft brushstrokes; Turtle domineering person's brushwork is blunt.
Keep a secret: the pen is heavy and the writing speed is slow.
Open your mouth: the font is large and the pen pressure is light.
Jealous person: small font, unstable structure and distorted shape.
Narrow-minded people: fonts are generally smaller.
Smart people: write fluently.
Quick-thinking person: fast writing.
Honest man: dignified font.
People who don't like to think: the handwriting is scrawled.
Honest person: The brush strokes are stiff and angular.
Brave and fearless person: strong pen.
Corrupt people: large font, heavy pressure with pen, and steady action with pen.
Rogue people: big fonts and gorgeous glyphs.
A troublemaker: scrawled, powerful with a pen.
People who commit theft: heavy pen and slow writing speed.
People with tricks: the pen pressure is light and the writing speed is fast.
Cheating: Skillful brushwork.
Bold people: big font and strong pen.
Bloody people: the font is large or medium, the font is gorgeous and the strokes are soft.
Sticky: small font and heavy pen.
Depressed person: The font is very strange and small.
The separation between (1) words clearly shows that:
(a) The author has good judgment and can do anything independently.
(b) Personal organizational ability.
(c) Clear-headed and able to use logic.
(2) word spacing is unclear, indicating:
The author works anticlimactic and top-heavy.
(b) People lack organizational skills.
(3) Pride is easy to hold back and lacks endurance.
(4) resourceful.
(e) On the other hand, it also shows that he is good at commenting, talkative, and keeps his word.
(3) slow font representation:
(1) The author lacks judgment and is timid in doing things.
(2) Treat people casually and carelessly.
(c) Easy to complain and strong personality.
(d) On the other hand, it can also indicate that he is short and jealous.
(A) the font is huge
1. indicates that the author is confident, proactive and adventurous.
2. Strong personality and impartiality.
3. Be open and aboveboard and have the courage to uphold justice.
4. I don't think carefully enough, but there is a bold wind in doing things.
He is generous, but he has a "Shanghai style". Style. If the font is too large, it shows that this person is impetuous and vain.
Small font
1. It means that the author lacks self-confidence, but he is very careful.
2. Careful thinking, strong attention and high alertness.
3. Strong endurance and observation.
On the other hand, the small font also means that the person is small.
5. Selfish, but a little smart,
6. He doesn't like wasting money and knows how to be frugal. On the other hand, it also shows that he is stingy and greedy for petty gain.
(3) The font should be neither too big nor too small.
1. It means that the author has strong adaptability, is temperate in doing things, and can improvise when things happen.
2. Treat people and behave gracefully.
It is easy to go back on one's word and sometimes contradict oneself.
Different font sizes
1. means that the author is moody, even moody.
2. Flexible mind, good at adaptation, but lack of self-control.
3. Emotional change is like a rope, which will be knotted in the middle.
Sometimes, I will ask for trouble.
(1) well-structured fonts
1. indicates that the author is honest.
He is a "conservative" talking and laughing, and can keep a secret.
He is cautious and thoughtful.
He has a heavy sense of responsibility and will not perfunctory everything.
(2) Give a loose font
1. indicates that the author is frivolous.
Carelessness and impatience.
3. Casual and informal.
He likes to let nature take its course, but he doesn't like to force everything.
(3) There is a drag pen-
1. It shows that he is full of curiosity.
2. Lack of patience with respect for things.
3. Flexible thinking and strong adaptability.
4. Because ......
What's the effect of holding the pen incorrectly?
Well, there will be some impact, but it's not a big problem. When I was a child, I thought that writing with the correct posture would make the pen stand up and the words would not look good, so I fixed the pen body with my thumb, and the writing looked good. Later, I won three prizes in the competition. However, although my handwriting will look good, it is difficult to control. When you put pen to paper, you should control what kind of words you want to write, whether they are long or round. I don't know. It's easy to turn around for a while.
At present, many students hold the pen in the wrong position, and most of them write in my pen holding position, but often the best in our class write like this.
Actually, it's good to hold the pen correctly, at least I'm not tired when I write. At that time, I wrote in my own way and often got tired easily. The words in the correct pen holding posture are closely arranged, and if I use the pen incorrectly, it will be wider. Personal experience, I hope I can help you.
Why do people often write a few words involuntarily as soon as they pick up a pen?
You are timid because you have psychological problems. Look at my so-called fear, which is a strong and depressed emotional state deeply felt by individuals or groups in real or imagined dangers. Its performance is: nervous, full of fear, unable to concentrate, blank mind, unable to correctly judge or control their own behavior, impulsive.
Due to lack of exercise in social occasions, young soldiers are new here. When they are in contact with strange leaders and comrades-in-arms, in full view, especially when they need to answer questions or make technical demonstrations, they will appear abnormal phenomena such as blushing, heartbeat, incoherent speech and stiff movements due to excessive tension. Usually he talks a lot, but when it comes to formal occasions, he is very nervous and speechless. Some comrades suffered from insomnia before the exam, fainted after entering the examination room, some comrades got stage fright, and did not play their normal level when participating in major competitions. Some comrades were panicked and nervous during the initial projectile training.
The emergence of fear is related to past psychological feelings and personal experiences. As the saying goes, "once bitten, twice shy." Some comrades-in-arms have been tortured by some kind of * * * in the past, and a sense of excitement has formed in their minds. When they encounter the same scene again, the past will be aroused by experience, thus generating fear. Fear is also related to people's personality. Most people are shy and timid from childhood and unsociable when they grow up. Lonely and introverted people are prone to fear.
How do we overcome fear? Mainly by improving the cognitive ability of things, expanding the cognitive horizon and judging the source of fear. Understanding some laws of the objective world, understanding the relationship between people's own needs and objective laws, establishing correct goal judgment, improving foresight and making full mental preparations for possible changes will enhance psychological endurance. Secondly, we should cultivate optimistic interest in life and strong will, and inspire our courage with the brave and tenacious spirit of heroes by learning from their deeds. In the usual training and life, consciously temper yourself in a difficult environment and cultivate a brave and tenacious style. In this way, even if you are really in a dangerous situation, you will not panic for a while, but will be calm and resourceful. In addition, I usually take an active part in strengthening psychological training to improve various psychological qualities. For example, by simulating dangerous situations, setting various possible situations and carrying out targeted psychological training, negative emotions such as nervousness and anxiety can be effectively overcome, psychological adaptation and balance ability can be improved, confidence and courage can be enhanced, and fear can be overcome with fearless spirit.
In addition, fear can be overcome through self-regulation and self-training, and the specific methods are as follows:
Step 1: List all kinds of scenes that can make you nervous (the more specific the better, the more details), copy them to different cards, put the scenes that will not scare you the least at the front, put the scenes that scare you the most at the back, and arrange the cards in order.
Step 2: Do relaxation training. The method is to sit in a comfortable seat and take deep breaths regularly to relax the whole body. After relaxing, take out the first card in the above series and imagine the scene above. The more vivid you imagine, the better the image.
Step 3: If you feel a little uneasy, nervous and scared, stop imagining, take a deep breath and let yourself relax again. After completely relaxing, re-imagine the scene of failure just now. If anxiety and tension happen again, stop and relax, and so on, until the scene on the card doesn't make you uneasy and nervous anymore.
Step 4: Go on to the next scene (the next card) and make you more afraid in the same way. Note that every time you enter the imagination of the next card, you should take it as the standard that you no longer feel uneasy and nervous when you imagine the last card, otherwise you may not be able to enter the next stage.
Step 5: When you imagine the scene that scares you the most and you don't feel blushing, you can exercise on the spot in the order from light to heavy. If you feel uneasy and nervous at the scene, you can also take a deep breath and relax to fight it until you are no longer afraid and nervous.
I hope it helps you.
I can't write straight anyway. How should I train?
Pupils and young people with amorphous fonts are generally easier to practice pen writing than adults. This is because they are easy to accept new fonts. Once they have the right guidance, the right font, the right method and a persistent attitude, they can achieve good results in a short time. It is not so easy for adults whose fonts have been finalized to practice pen writing well. Because we didn't pay attention to the quality of words before, some ugly or even misspelled words have become a bad habit, which is difficult to correct. They want to practice calligraphy now, but they often just tinker with the existing fonts and choose fonts similar to their own. This is often because they have not learned the good ones, lost the bad ones, and the more they practice, the uglier they become. So how do you get these people to practice calligraphy? My experience is: first of all, let them completely forget the previous fonts, start from scratch, and start practicing from the most basic point strokes. Then practice the structure. For pen words, the most important thing is structure, and the quality of structure directly affects the aesthetic feeling of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into the new fonts in the process of posting. To change this situation, the best way is to choose block letters different from your previous fonts for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. In the right shape, I also want to choose a running script copybook that is completely different from my original font and I think it looks good to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose a solid copybook; If the font is bloated, choose exquisite copybooks ... If you practice for two to three months, you can learn new fonts. I often encounter such problems in my study. I made rapid progress in the first few days, but after a while I felt that my writing was getting worse and worse. This is a normal phenomenon. At this time, as long as you just hold your horses and keep practicing, after a period of hard work, you can get out of the predicament and get on the right track. The purpose of copying is to forget the previous words, remember the words in the copybook and use them. After that, we should sort out the relationship between words and lines, which is the so-called composition. Yes, you just want to write beautifully. You can't achieve something in the art of calligraphy overnight. We should not only learn to use the pen, structure, composition, charm, etc., but also give full play to the inherent characteristics of the pen. Only in this way can the art of pen calligraphy flourish and make her have strong and permanent vitality. Otherwise, pen calligraphy can only be a vassal of brush calligraphy, and it will not develop and innovate, and it will not have strong and permanent vitality. Pupils and young people with amorphous fonts are generally easier to practice pen writing than adults. This is because they are easy to accept new fonts. Once they have the right guidance, the right font, the right method and a persistent attitude, they can achieve good results in a short time. It is not so easy for adults whose fonts have been finalized to practice pen writing well. Because we didn't pay attention to the quality of words before, some ugly or even misspelled words have become a bad habit, which is difficult to correct. They want to practice calligraphy now, but they often just tinker with the existing fonts and choose fonts similar to their own. This is often because they have not learned the good ones, lost the bad ones, and the more they practice, the uglier they become. So how do you get these people to practice calligraphy? My experience is: first of all, let them completely forget the previous fonts, start from scratch, and start practicing from the most basic point strokes. Then practice the structure. For pen words, the most important thing is structure, and the quality of structure directly affects the aesthetic feeling of words. Therefore, it is most important to write a good pen and ink structure. But now there is a difficult problem to solve, that is, it is difficult to forget the previous fonts, and old habits are often brought into the new fonts in the process of posting. To change this situation, the best way is to choose block letters different from your previous fonts for copying. Practice orthography in block letters. Practice for a week or two or more, and you can achieve orthomorphism. In the right shape, I also want to choose a running script copybook that is completely different from my original font and I think it looks good to copy. If the font was stiff before, choose a bold copybook; If the font is sloppy, choose a rigorous copybook; If the font is plain, choose smart copybook; If the font is soft and smooth, choose strong words. ......
Am I ugly?
Is this a show off?
Your promise,
Many people will be ashamed to death.
Why is the pen holding posture different between sketching and writing? What are the advantages and disadvantages of the two postures? ...
When painting, you must let go of the action, control the brush with the strength of the whole forearm, and change the posture of holding the pen to draw a long line.
Especially in the practice of drawing a large frame, only the movements and strength of the forearm can draw the figure quickly and relatively accurately. On the contrary, the use of the wrist is very limited.
Painting, especially important, is to put it down.
Holding a pen in sketch is actually to avoid the formality of "drawing". Because holding the pen in this way is to draw lines with the strength of the wrist, and using lines with longer strokes requires the strength of the arm to better "open" and draw ideal lines.
The grip of the pen for writing is a little too "careful"
You can try to draw a long line on a piece of A2-sized paper by holding the pen. The whole movement must be "blunt".
Of course, the factor that the drawing board is perpendicular to the ground should also be taken into account.
When writing, I pay more attention to writing the words neatly, so that I can handle the stroke length and shape of the words more carefully without making big mistakes, that is, I mentioned earlier to better "describe" the words in your mind.
The two methods are actually the difference between "boldness" and "caution".
Therefore, the painter will still hold the pen when drawing particularly fine parts, and there will be more sketches.
I have been practicing calligraphy for almost half a year. What do you think of my calligraphy? 30 points
After half a year's practice, it should be said that the understanding is good, and follow the hand when you see it. Because:
First, your handwriting is full of pen power, unlike many novices who write carefully. The overall style is relatively broad and atmospheric. Of course it has something to do with your copybook.
Second, the ability to combine with the body is preliminary. For example, the characters "Hua" and "Mei" are well written, and each stroke is placed in a proper position, which looks stable and beautiful and conforms to the calligraphy norms.
Third, it should be noted that a triangle should be formed next to the three points of water as a whole; Some words dare not stretch their pens, such as the word [sand] extending upright and upward, which is more dynamic; The method of individual word structure needs to be refined, such as the month of the word [lake] is wider; Some words need to highlight the main pen, such as the word [most], to highlight a long horizontal line and so on.
Let's just say. Generally speaking, it is good to reach this level in half a year. I hope I can read more posts, read them carefully, and study the laws of the structure and stippling, so that I can make great progress in the designation. Please continue to work hard!