An important means to improve the level of hard-pen calligraphy - change skills
201912.2 hours outline)
Wang Xuewen
1. The basics of "change" Concept
The changing technique of hard-pen calligraphy refers to the method of making appropriate adjustments to the pattern, structure, and layout of the calligraphy to make the calligraphy works more artistic, while adhering to the norms of Chinese character writing and calligraphy. The essence of changing it is to break the balance. The strokes divide the space evenly. The forms of calligraphy changes are diverse. At the same time, there will be different manifestations according to the aesthetic consciousness of the writer. The main ones include tight and loose changes, combination changes, etc. To sum up, All changes are reflected in changes in strokes, structure, and composition.
Due to the different tools and brushstrokes, the running methods and trajectories of hard-pen calligraphy strokes are also different: However, in terms of structure, layout, style, etc., hard-pen calligraphy and brush calligraphy are generally consistent in theory.
Basic skills of transformation
Tang Sun Guoting (Shu Jin) said: "If you draw several wells, they have different shapes: all the points are lined up, which is
"The bodies hang down from each other" shows that ancient calligraphers attached great importance to and in-depth research on the changes in calligraphy. Today I would like to talk about the main form issues of calligraphy changes from three aspects.
1 , stroke changes.
The same strokes within a character need to be changed
2. Structural changes (three are grasped well)
(1) Grasp some features. The changing rules of representative and typical structures
(2) Grasp the changes of tightness and looseness
Choose several types:
Tighten up and loosen down. Loose at the top, tight on the left and loose on the right, tight on the right and loose on the left, tight on the inside and loose on the outside
Artistic content, changes in shape
Three Points of Water
Living words, The change of shape brings vitality, vividness and interest.
The pen is slightly frustrated.
It has a sense of rhythm, strength and regularity.
Character, typicality, the changing pattern of Chinese characters.
Tight on the top and loose on the bottom, tight on the bottom and loose on the top, tight on the left and loose on the right, tight on the inside and loose on the outside,
1. Small on the left. Up top
2. Small right side down
3. The middle horizontal line should be long
4. Both horizontal lines should be long at the bottom
5. The upper width should be covered
There are vertical hooks at the bottom to extend beyond
6. The lower width should be supported
7. The two vertical ones are short on the left
It is the same whether there is a hook or not
8. Fully surround and move aside
General rule
9. Spare left and right
How to write counter-text
The starting point is the key
10. Tight at the top, middle, bottom and middle
Tight and loose changes
1. Tight at the top Loosen at the bottom
2. Tighten at the bottom and loosen at the top
Can be viewed dialectically and combined flexibly
3. Tighten on the left and loose on the right
Tighten on the left and loose on the right Tightening at the top and loosening at the bottom.
The rhythm and impact of tightening first, then loosening, then slowing down, is the beauty of calligraphy.
3. Tighten on the right and loosen on the left.
The more strokes, the tighter, the fewer strokes, the looser.
4. Tight on the inside and loose on the outside
(3) The relationship between lifting the mouthpiece and publicity
The relationship between collection and release can only be put aside.
What to do if both parties are released? To remedy,
Just put it aside, it is wonderful! < /p>
3. Changes in the rules and regulations (the rules and regulations are the layout; pay attention to 4 changes)
China’s information must be changed to show its flexibility.
(1) The same radicals should be changed to show flexibility.
The same words should be changed.
Don’t use the drag pen casually, and use less typing
1. Work hard on the ancient calligraphy (pen copywriting, calligraphy copywriting, research-based copywriting).
2. Work hard to draw inferences from one instance to other cases (Be a thoughtful person and draw parallels by analogy.).
Be optimistic that good words will come again
3. Work hard on excellence (self-knowledge, feelings in enjoyment).
The clearer is better
4. Work hard on continuous summary (staged thinking)
Think about it after showing the work