However, although his calligraphy is heavy, it does not lose the feeling of fullness and fullness, and it looks dignified and respectful as a whole. Yan Zhenqing's regular script is perfect but full of bones and muscles, with vigorous brushwork, calm momentum and grand overall momentum, which is the first in calligraphy.
Looking closely at Yan Zhenqing's calligraphy, we can see that his regular script changed the style of the Tang Dynasty. At the beginning of Yan Zhenqing's calligraphy practice, his family was poor. Without a pen and paper to practice calligraphy, he dipped his pen in yellow water and practiced calligraphy on the wall. I learned calligraphy at the beginning, studied under Chu Suiliang, and later studied under Zhang Xu. Finally, he absorbed the classics of four schools in the early Tang Dynasty, then absorbed the meanings of Zhuanli and Northern Wei Dynasty, and finally created his own style. Heroic and broad-minded.
The characteristics of Yan Zhenqing fonts are as follows:
First, Yan Zhenqing's calligraphy pen is calm and dignified, with the meaning of seal cutting, such as painting sand with a cone, which seems to leak marks.
Second, the knot is extended, full of founder, dignified and elegant.
Third, the regular script layout is rigorous and the overall momentum is broad. Especially the cursive lines, covered with old pens, are dry and wet, and they are natural.
Yan Zhenqing's calligraphy has the courage to innovate and explore, and he has written his own personal characteristics, creating a style calligraphy that the world can set an example for.
The style of Yan Zhenqing's works is dignified. Yan Zhenqing's original calligraphy is magnificent and dignified, and its handwriting has changed from slender in the early Tang Dynasty to square and has a centripetal force. The pen is vigorous and powerful, and the central brushwork is good. Full of bones and muscles, but also sharp. Generally, horizontal painting is slightly thinner, vertical painting, point, skimming and pressing are slightly thicker. This book is magnificent in style and momentum, and has the spirit of flourishing Tang Dynasty.