Zhang Yanyun (Tian Bai) is a painter, calligrapher, academician and professor in China. Founder of China Yijing Landscape Painting, Dean of China Yijing Landscape Painting Culture Research Institute, and Deputy Director of Laozi Painting and Calligraphy Workshop of the Organizing Committee of Walking with Laozi.
Chinese name: Zhang Yanyun.
Alias: Tian Bai
Nationality: China.
Place of birth: Chengdu
Occupation: painter, calligrapher
Main Achievements: Founder of China Yijing Landscape Painting.
Masterpiece: Walking with Laozi
Gender: male
outline
Zhang Yanyun (Tian Bai) is a painter, calligrapher, academician and professor in China. Founder of China Yijing Landscape Painting, Dean of China Yijing Landscape Painting Culture Research Institute, and Deputy Director of Laozi Painting and Calligraphy Workshop of the Organizing Committee of Walking with Laozi.
Brief introduction to art
Zhang Yanyun, whose name is Tian Bai, is the son of Zhai Yi, a native of Chengdu, and his name is Chang Ming under the door of Benedict XVI Benhuan. The pen and ink are dignified, elegant, fresh and elegant, creating the "Zhang splash ink method". Now he is the founder of China Yijing Landscape Painting, the president of China Yijing Landscape Painting Culture Research Institute, a national first-class artist, an adjunct professor at Renmin University of China, an academician of China Painting and Calligraphy Research Institute, and the chairman of Confucius couplet history and culture research society.
He has won the National Artist with Virtue and Art, Outstanding Contribution Award of Calligraphy and Painting Art in 60th Anniversary of the Founding of the People's Republic of China, Artist of the Year in China, Painter with the Most Academic Value and Collection Value, National 100 Painter and China Contemporary Outstanding Artist.
CCTV's "Pioneer of the Times" and CCTV's painting and calligraphy channel "Pinshuo" are both special reports.
Some of his works have been collected by China Art Museum, National Museum, Great Hall of the People, China People's Revolutionary Military Museum, Yanhuang Art Museum and Xu Beihong Art Museum.
He has published Zhang Yanyun's Painting and Calligraphy Collection, Tian Bai's Painting Collection, Tian Bai's Painting and Calligraphy Collection, Kung Fu Couplet Grand View, etc.
Zhang Yanyun's View on Painting and Calligraphy Art
Mr Zhang Yanyun's calligraphy is a combination of inscriptions and superb skills. The works are natural and delicate, free and easy, with vigorous brushwork and heroic spirit. His pen is open-minded, rich, subtle and changeable; The pen contains many details, and the pen echoes the expectation of God. Back to Tibet, holding it down and collecting it vertically; Strong pen and ink, such as iron painting silver hook, moist and powerful; Occasionally, Cao Zhang's brush strokes are used to add to its ancient charm. Its posture is open and broad, with the posture of eagle stork leaping; Mohism is spiritual, dry, moist and false; The uneven layout is natural, and the size depends on the appropriate density. Illness is like wind and rain, agility is like a dragon; Standing like a falling rock, winding like Gu Teng; There is accommodation in ups and downs, and it is calm and dignified in vertical and horizontal galloping; Charm connected, strong bones and muscles; I'm so angry, Shubo. Endless rhyme. Throughout, the atmosphere is majestic and the wind is shocking.
Mr. Zhang Yanyun's Chinese paintings are rich and colorful, with profound artistic conception. With the accumulation of years of research and creation, his thoughts and art have gradually entered the realm of interest. He painted with books, emphasizing "potential" and "quality". Pen and ink are smooth and rich in color; The composition of the atmosphere is magnificent and the realm is high; The colors are bright but not dull, the picture is distinct and the charm is rich, which makes the natural scenery and artistic realm reach a high degree of harmony and unity. His ink painting is as elegant as Bai Yang's, with long hair fluttering, rich in ink rhyme, elegant and charming. The combination of the essence of traditional literati painting and calligraphy with the western landscape painting method combining point, line and surface makes its picture richer and deeper, and shows the exquisiteness of images in bold and unrestrained brushwork. Its spectacular weather and earth-shaking spirit give people a strong spiritual shock and beautiful enjoyment.
The natural realm of pen and ink verve ── An interpretation of Zhang Yanyun's artistic spirit of taking nature as the religion.
"The brushwork is natural" means that the painter's skill has reached the realm of mastery of knowledge and detachment from the secular; Even if it is handy, the expression of behavior is still a natural trace of Taoism. This is the expression of the artist's creative mood. Proficient in learning, game samadhi, the method of pen and ink, fascinated. With the idea of "Zen", you can realize your heart and purify your spirit; With the meaning of "Tao", dust removal and purification, innovation, quiet sublimation, seclusion and ultimate taste, and contingency in the golden mean dominate the artistic conception, which can be wonderful and eternal.
I have known Tian Bai for several years, and I know that his calligraphy and painting creation, whether it is real cursive seal cutting, whether it is landscape flowers and birds, no matter how meticulous, is full of enthusiasm and pen and ink; Follow the script and enter the country one by one. He is good at books, his brushwork is flat, round, reserved, heavy and changeable, and he emphasizes the past without indulging in it. He combines the strengths of his predecessors, brings forth the new, and his style is Zhuo Ya and chic. It is no exaggeration to describe his calligraphy as "windy, warm, dry, peaceful and elegant". As for his traditional Chinese painting, it has also reached the realm of having me without me. Landscape works are full of curiosity, and flower-and-bird works are full of life interest. He pays attention to the expression of pen and ink charm and poetic meaning, and expresses his pursuit of elegance with mountains and rivers, sitting alone in a boat and Lin poetry. The majestic atmosphere of mountains and rivers, the exquisite and fresh freehand brushwork of small scenes, the determination of traditional inheritance and innovation, and the smart and free style can satisfy the audience. His classical poetry works are implicit. Although concise, they all create the rich charm and exquisite artistic conception of ancient poetry. He integrated poetry, calligraphy, painting and printing, and combined calligraphy and painting to build his own unique artistic world.
Foreign teachers are lucky, and their hearts come from China. The beauty of Chinese painting is natural and simple, so it is necessary to open the window of one's soul during the creative period, let the laws of nature permeate into calligraphy and painting, and achieve the "harmony" between man and nature and the unity of man and nature. Most of Tian Bai's landscape works are based on Mount Tai. Throughout his life, he "worshiped" Mount Tai as a teacher, painstakingly explored, profoundly realized, grasped the mystery of mountains and rivers, and created fresh artistic language and distinctive personality beauty. Looking at his works, it can be said that "there are hills and valleys in the chest, and the pen is full of smoke."
Artistic creation is the sublimation of the artist's spirit and thought. Tian Bai converted to Buddhism in his early years, and Elder Ben Huan preached to the teacher for the conversion, and gave the dharma name an unchangeable name. Over the years, he has won the praise of Buddhists, "becoming a Buddha and being open-minded." He tried to find the combination of Zen and calligraphy and painting. "Calligraphy and painting should have pen and ink, dry and wet depth, proper use of priorities, proper composition and proper management; Just as the Buddha's heart is broad, broad and broad; The Buddha's heart remains the same, and he is compassionate, steady, mellow and natural "; He examined and realized the philosophical charm of China's traditional calligraphy and painting with the spirit of "law and nature". He deciphered the mystery of the pen and ink of the giants of painting and calligraphy in the Northern and Southern Dynasties, all of which were accurate. He opened his own door, wrote with a very distinctive pen and ink meaning, and devoted himself to the artistic conception of Danqing's landscape, to the point of "harmony between man and nature".
Mr. Tian Bai's traditional cultivation of pen and ink kung fu is hard-won. In the long-term combination of "Tao" and "Zen", I realized the realms of "letting nature take its course", "letting nature take its course" and "doing nothing without doing anything", and integrated them into my own creation, painting and calligraphy, entertaining education, subtly talking about words, and taking escape as the right path. Now that Mr. Wang is over 30 years old, one after another, readers should take the lead.
works appreciation