Peeking from the orderly calligraphy of past dynasties, most of them are original works. However, judging from the remains of Hanyuan Mo Bao in the Jin Dynasty, many famous relics are mostly "hook books" in the Tang and Song Dynasties, which is what we call "double hooks".
It is not easy for Emperor Taizong to get the original work of Lanting Gathering. Song Dynasty and Chronicle of Momo said: "The wise and brave Zen master lived in Yongxindian Pavilion for 30 years, fled seven generations of grandchildren, inherited the family law, and lived in Yongxindian Pavilion for 30 years." Choose 800 copies and spread them in Zhejiang and Beijing. Later, he passed on his disciples' discriminating ability in "Mao Tie". Emperor Taizong called it three times, which was very generous. He asked the "Mao Tie" to end. Emperor Taizong also ordered Feng Chengsu, the minister, to copy some precious posts and distribute them to relatives and friends. "。 Feng? Nbsp Du Ji punished sledding, teasing bags, copying gardens and stealing eight games. "
Calligraphers in ancient and modern times usually fill in ink after writing the "double hook" font in order to look like it. However, there are only a few forms to create calligraphy directly with the "double hook" method.
This is a kind of "marginal" calligraphy art different from traditional calligraphy, and it is the inevitable product of the development of modern calligraphy art today. The scientific nature of art is the naturalness of art, for example, Ye Genyou's 300-meter long scroll Thirty-six Plans in Lian Bi was written in Lian Bi with such hollow characters.
Chinese characters are pale and boundless, like a galaxy; China's calligraphy books are vast;
China's 5,000-year history has a glorious chapter. The development of Lian Bi's double hook calligraphy is the inevitable product of China's calligraphy art, which will bring you another aesthetic culture of calligraphy art!