1 architectural emotion
The word "emotion" is more often understood as the occurrence of emotions between people. With the change of social concept, the word "emotion" is widely used in all kinds of figurative things, and is also increasingly used to express architecture and space. This is because the social division of labor has designed our life into a pattern that is more and more connected with architecture. Whether we are working, studying, shopping or having fun, we are all in the architectural space. The theater provides people with a place to tolerate and watch emotions, and gives people rich emotional comfort in a limited space; Memorials, former residences, ancestral halls, tombs and other spaces can naturally guide people's thoughts and immerse people in mourning for the past. This is the charm of emotional space. It is the fusion of emotions that makes the space full of vitality and emotion.
There are many emotional factors in architecture. In the design process, we must first meet the humanistic scale and humanistic scale of architectural space to make it harmonious. The harmony between them is a kind of harmony of "people and things, things and environment, things and culture", and "people" refers to the behavior subject of architectural space. Users and aesthetic subjects, "things" refer to the architectural space itself, "environment" refers to the natural and social environment and living space on which human beings depend, and "culture" refers to the influence of different cultures, religions and customs that designers must consider on the architectural space. Only by grasping this scale can space be full of emotion, harmony and richness. Changde Poetry Wall and Conservation Corridor In China and Changde City, the harmony between people and things, things and environment, things and culture is vividly displayed (Figure 1~6).
The flood control wall was built and a Changde poem wall was built. Can we build another Changde city wall by heightening the flood control wall? For a long time, the ancient city wall of Changde, which is characterized by "Gaby City", has a long-standing reputation and has become a landscape of Changde City, firmly standing in the hearts of Changde people. Efforts have been made to protect and save the people of Changde, the ancient city wall. Heightening the flood control wall has the opportunity to integrate the flood control wall, the poem wall and the "city wall", integrate people's emotions into the flood control wall, and build a classical protection corridor to set off. While enjoying the poem wall, people learn many outstanding deeds that Changde people have paid for this city. The poem wall protection gallery not only protects the poem wall from the sun and rain, but also protects the tourists who stand in front of the poem wall and enjoy the scenery.
2 human body scale
Human body scale mainly includes human physiological function and psychological function, which is the design basis of architectural space. The size, height, layout and display of indoor space all depend on the human body scale. The human body size here refers to the relative relationship between building size and human body size, involving specific size. Consider how to correctly reflect the real size of the building, avoid the phenomenon of big but not big, small but not small, and grasp this sense of scale from the most basic living function of the human body. Under different circumstances, the standard of human body scale is different, and the psychological and physiological needs are also different. Kindergarten should have the space scale of kindergarten, first of all, it should meet the physical needs of children who are not enrolled in school, but also meet the psychological needs of kindergarten people and the subtle influence of the whole space on children. Interior design mainly depends on the size of indoor space, activity space, indoor setting, color orientation, indoor brightness and other issues. Different functional spaces have different requirements for human body size and different psychological feelings. In addition to the most basic physiological scale, the ordinary workplace should also consider a series of psychological needs such as the relative privacy of personal space, which will not affect each other and facilitate communication. However, the exhibition hall requires sufficient exhibition space, the art gallery requires relatively free space, and the library requires relatively rigorous and quiet space. In every space, the dimensions of the human body are changing at any time. Therefore, while designing the space, we must fully investigate and understand the space users, and create an emotional space that meets the needs of modern people from the users' own needs. 3 humanistic scale
Another aspect is the humanistic scale. The humanistic scale has many meanings. The most important thing is the regionality of the building. All buildings grow in specific areas. Different regional cultures will create different architectural forms and spatial styles. Regional culture covers many factors, including regional characteristics, lifestyle, national culture, topography, climate conditions, the origin of building materials and so on. Regional culture is often branded in residents' spiritual pursuit and lifestyle, which makes the spatial layout, usage and architectural characteristics of buildings different. A deep understanding of the architectural tradition of a place and a careful study of space are conducive to the formation of regional characteristics of architectural design. There is more rain in the south of China, which requires more open and transparent buildings, such as bamboo buildings. The climate in the north is cold and dry. Considering the thermal insulation requirements of the building, the building looks vigorous and dignified.
The beauty of architecture comes from nature and life. In different times and historical backgrounds, people's aesthetic values are different, which directly affects the architectural space. Langxiang Church is one of le corbusier's most striking works after World War II. It is located at the top of the French ruins. Its rough architectural appearance and rich material texture directly bring people into the artistic emotion hall. Notre Dame de Paris was born in medieval European feudal society. The spiritual pillar of this period was Christianity. The Middle Ages were the era dominated by God and the darkest time when God destroyed people. The architectural space of Notre Dame de Paris is a tool for the feudal ruling class to paralyze and poison the people by using Christianity. The whole church space is dignified, gloomy and dark, which more reflects the political interests in the ruling stage. Therefore, we say that architecture is perceptual, and the architectural space reflects the realistic society and realistic religious thought, which is also the different orientation of people's aesthetic value under the influence of different times and different social and historical backgrounds.
When people use the city and architectural space, they will communicate unconsciously, so as to get different feelings, such as emotion, because architecture is emotional, space is emotional and environment is emotional. As long as emotion is regarded as the main factor of space, and people's real feelings about space are taken as the starting point for design practice, it is the real "people-oriented" design idea. Only by injecting more emotions into our living space can our social life be more vivid and full of vitality. On the flood control wall in Changde city, there are 1267 poems written by calligraphers and 43 stone murals, which are called "the longest artistic wall of poetry, calligraphy and painting carving in the world". It combines urban flood control construction with cultural leisure, which can not only enhance urban flood control capacity, but also enhance the cultural taste of the city, making the life of Changde people more vivid and full of vitality.
As long as emotion is the main factor of space, you will find that emotional space is everywhere, and designers will use emotion to create space, which will be refreshing. Although there is a huge contradiction between the emotional state of modern people and the traditional spirit, it has continued this vein. For the design of emotional space, we need to get it with great enthusiasm. Everything is there, and everything depends on our efforts and our grasp of emotions.
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