What are the contents of calligraphy seal cutting?

The period of calligraphy and painting seal cutting was Song Dynasty, and Mi Fei and Zhao Meng _ were famous artists of seal cutting earlier. Since then, the paintings and calligraphy works of later generations are basically stamped, and the Ming and Qing Dynasties have become a fixed pattern. Basically, calligraphers and painters have their own set of seals. In the later period, the seal was not only used to show identity, but also became one of the paintings and calligraphy works. The seals on some works also have the function of making the finishing touch to the works themselves. Since the Song Dynasty, seals have become a necessity for painting and calligraphy.

Leisure articles are somewhat similar to the current personal motto. Ancient literati would make their hobbies and ambitions into idle chapters to express their yearning and pursuit. The specific contents include poems and songs, Kyrgyz, and library members. For example, the leisure chapters in Song Zhai Xue, Wen Peng's Leisurely Playing the Crane on the Piano, He Zhen's Listening to an oriole in the Deep, Deng's Four Tones in the River, A Thousand Feet Break, Jiang Ren's True Water Does Not Smell, Painting Plums for Begging, Huang Mufu's Father of the Organ, and Wu Changshuo's.

When people look at famous ancient paintings, they will find a painting covered with large and small seals. These seals also confirm the spread and experience of this painting in time. How many people passed by this painting and how many places did it go? The seal tells the story of calligraphy and painting. The ancients liked to stamp their own paintings to let future generations know who had appreciated the painting. However, the principle of stamping is not to destroy the original painting. Sometimes a good seal can add luster to a work, and it can also help future generations to identify the authenticity. Usually, stamping is exquisite, and most of it will not affect the original.