Four-character idioms about calligraphy works: A sweeping army describes poetry, calligraphy, etc. with great momentum and great boldness, and a dragon snake describes calligraphy as vivid and imposing. A swallow-tailed silkworm head describes calligraphy as a dignified pen with a light stroke. Abundant muscles and strength are used to describe the solid and full font structure and strong brushwork. Or graceful dancing through the back of the paper, calligraphy is vigorous and powerful, and the brushstroke is almost penetrating through the back of the paper. Calligraphy is characterized by great brushwork. Nowadays, many metaphors are very profound. Iron-painted silver hooks describe calligraphy as soft and soft. Fairy dew pearls describe calligraphy as elegant and mellow. Calligraphy works are a relatively complete form of expression of calligraphy art and a way of entertainment.
The main styles of calligraphy works are nave, banners, horizontal shawls, couplets, plaques, long scrolls and fan faces, etc. 2. A complete collection of four-character idioms in calligraphy
The dragon snake at the bottom of the pen still says that the pen goes away. Describe calligraphy as vivid and imposing.
source: Ming Lanling Xiaoxiaosheng's "Jin Ping Mei Ci Hua" back to the thirty-first chapter: "I have learned a lot from the public, and I am really talented."
The calligraphy is vivid and imposing.
Origin: Tang Li Bai's "Cursive Songs": "I always see dragons and snakes walking, and I am shocked."
The swallow-tailed silkworm head describes calligraphy as a dignified stroke and a light stroke.
Source: Song Zhao Ji's "Xuan He Hua Pu Yan Zhenqing" "Only he is loyal to the daytime and knows the world, so his spirit is seen in the calligraphy, which is unique and inclusive. ..... after the popular science, it is to seek the end of its shape, which is called the swallow-tail of the silkworm head, and it is only obtained. "
sinking is vigorous and fluent, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: The Book of Dharma should be recorded. Volume I quotes Yang Xin's Book of Names from Ancient Times: "The emperor of the Wu Dynasty is like a grass, and the world is called heavy and happy."
calm, happy, firm and fluent, vigorous and hearty. Describe the fluency of poetry and calligraphy.
Source: Song Yanyu's Poems on Canglang Poetry Debate: "There are two things about it, that is, you are not forced to travel, and you are calm and happy."
Full of muscle and strength: plump and plump; Tendon: a ligament on a tendon or bone; Many: redundant. Calligraphy has bones and muscles, and its brushwork is vigorous. Metaphor font structure is solid and plump, and the brushwork is more than strong.
Source: Song Anonymous's Xuan He Shu Pu: "At the beginning of the Three Kingdoms, the study of Chinese characters was lacking, so it became a family law, and the discussants said that it was full of strength and strength, and there was a tendency to travel in clouds and rain."
Feng Bo Luan drifts and parks: drifts with the current. The original description of calligraphy is chic and elegant, and later it is compared with the separation of husband and wife or the frustration of literati.
Source: Tang Hanyu's poem "Ga Shen Shan" reads: "Kodou's fist is thrown upside down, and the phoenix flies and the tiger flies."
While dancing like a phoenix, a dragonfly describes calligraphy as powerful and flexible.
Source: The Legend of Heroes of Children, the tenth time: "Only this calligraphy can be written like this, which is really admirable."
the phoenix flies high. Metaphor calligraphy strokes flying stretch.
Source: Jin Luji's Fu on the Floating Clouds: "Luan Xiang Feng Ji, Hong Jing He Fei, Whale Catches the Waves, and Cedar Catches the Road."
The fat in the past and the barren in the present are metaphors of different styles of calligraphy.
source: Tang Zhang Yuanyan's calligraphy to be recorded, volume 2: "impermanence is called ancient fat, and Zi Jing is called barren today. Ancient and modern times are different, and fat and thin are quite opposite. "
crane knee and bee waist ① This refers to two kinds of eight diseases of poetic temperament. Generally refers to the faults made in the melody of poetry. ② Two kinds of sick pens in calligraphy.
Source: Song Wei Qingzhi's Poet Jade Chips, Poem Diseases and Eight Poems Diseases: "The third word is called bee waist, and the second word cannot be synchronized with the fifth word ... the fourth word is called crane knee, and the fifth word cannot be synchronized with the fifteenth word."
Hu Fei-zhong and thin Hu: Hu Zhao in the Three Kingdoms period; Zhong: Zhong in the Three Kingdoms period. Hu Zhao's font is fat, while Zhong Yao's font is thin. Describe the beauty of calligraphy.
Source: Tang Yanyuan's The Book of Dharma: "Liu Desheng, the Wei of the Three Kingdoms, was famous for writing running scripts, while Hu Zhao and Zhong Zhong copied their methods, while Hu Shu was fat and Zhong Shu was thin, and each had its own beauty."
Calligraphers who draw sand and ink are metaphorical about using a pen.
Source: On Books by Tang Sui-liang: "Draw sand with a pen like a cone, like sand printing mud."
Graffiti describes poor calligraphy or writing. Used as a modest word.
Source: Ming Song Lian's "Time Sequence of Giving a Gift to Han Bo": "Gu Yu is not sensitive, and he teaches useless learning. When he responds with empty words, he draws vermin and doodles, and gives it every day."