Children Fishing is a poem written by Hu Lingneng, a poet in the Tang Dynasty. This poem describes a child's concentration in fishing by the water. Through the description of typical details, the children's earnest innocence and childlike interest are vividly reproduced. The following are the ancient fishing poems I compiled for children. Welcome to read!
original text
Children fishing
Hu Lingneng
Hairy heads, young children, learn to hang on vines and sit on the side where raspberries, moss and grass reflect their bodies.
Passers-by ask ⑤ Wave in the distance, and the fish will be scared. ⑧ Don't be embarrassed.
To annotate ...
1 unkempt hair: unkempt hair.
2 children: children.
3 hang down: fishing. Nylon, fishing silk thread.
④ Berry: a kind of grass.
5 Bryophytes: Bryophytes.
6. Excuse me: Ask someone.
⑦ Fish is afraid: Fish is afraid.
8 should: respond.
Translation, poetry
A unkempt child learns to fish like an adult, sitting sideways on strawberry moss, hiding in the weeds. Hearing the voices of passers-by, people asked for directions and waved at a distance, afraid to disturb the fish and dare not respond to passers-by.
works appreciation
This is a poem about children's life. In Tang poetry, there are few themes about children, so they are valuable. This poem about children's fishing has a special interest. The first two sentences of narration and description are written from appearances and are real words. The last two poems focus on expression. This poem has no gorgeous colors and deliberate carving, just like a beautiful hibiscus, which reveals a bit of innocence and infinite childlike interest in its plain and simple narrative.
One or two sentences focus on writing, and three or four sentences focus on vividness. Young children, children also. "Pengtou" describes its appearance and highlights the innocence of children. "Nylon" is a fishing line, and "hanging nylon" means "fishing" in the title, which means fishing. The poet did not whitewash the fisherman's appearance, but wrote the true face of Shan Ye's unkempt hair, which made people feel natural, lovely and authentic. The posture of "sitting sideways" when fishing reflects the physical and behavioral scenes, and it is also the case at present. "Sitting sideways" means sitting down at will. It is also conceivable that children are absorbed in fishing in an informal way. "Berry moss" generally refers to low-level plants that grow in wet places near the ground. From Berry Moss, we can not only know that the fishing place chosen by children is a place where the sun is scarce and inaccessible, but also an ideal fishing place where fish are not frightened and people are not exposed to the sun, which paves the way for the later saying that "people should not be frightened by fish". "Grass mirror" is not only a portrait of a child, but also has a direct connection with the next sentence "passers-by ask questions"-passers-by ask questions to him just because they can see him.
The subject of the last two sentences of "remote waving" is still a child. Passers-by asked, the child was afraid of the fish to answer, and waved his hand from a distance without answering. This is a psychological description of children, with calculation, strategy, alertness and intelligence. The reason why he wants to use action instead of answer is that he is afraid of scaring the fish away. His action is "waving from a distance", which shows that he is not indifferent to passers-by's questions. How did he whisper to passers-by after he waved? This is the reader's imagination, and there is no need for the poet to explain it. Then, after explaining the reason of waving in the distance, his poem came to an abrupt end.
Through the above brief analysis, we can see that although the first two sentences focus on children's postures, "Sitting aside" and "Raspberry Moss" are not simply descriptive pens; Although the last two sentences focus on the child's expression, the third sentence still has vivid pen and ink to describe the action. It can be said that it is a masterpiece describing children with a blend of scene and spirit.
What is the poetry of the ancient poem "Children Fishing"?
Translation:
A child with unkempt hair and tender face is learning to fish by the river, sitting sideways in the grass, his figure covered by weeds. Hearing passers-by asking for directions, the child waved indifferently, afraid to disturb the fish and dare not respond to passers-by.
Original text:
Children fishing
Tang Dynasty: Hu Lingneng
A child with unkempt hair and immature face is learning to fish by the river. He is sitting sideways in the grass, and his shadow is set off by weeds.
Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.
Interpretation of Children's Ancient Fishing Poems
Children Fishing is a poem by Hu Lingneng, a poet in the Tang Dynasty. Its content is:
A child with unkempt hair and immature face is learning to fish by the river. He is sitting sideways in the grass, and his shadow is set off by weeds.
Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.
The whole poem means: a child with unkempt hair is learning to fish, sitting sideways on the moss, and the green grass sets off his figure. When someone asks for directions, he waves at a distance, afraid to answer loudly for fear that the fish will be scared away.
This poem was written after the author went to the countryside to find a friend and asked the fisherman for directions. The whole poem describes a child who concentrates on fishing by the water. Through the description of typical details, the children's earnest innocence and childlike interest are vividly reproduced, and the poet's admiration for the serious and dedicated fishing children is expressed.
The significance of the poem "Children Fishing"
The poem "Children Fishing" is about a child with unkempt hair learning to fish, sitting sideways on the moss, and the green grass sets off his figure. When someone asks for directions, he waves at a distance, afraid to answer loudly for fear that the fish will be scared away.
The original text is as follows:
Children fishing
Author: Hu Lingneng
A child with unkempt hair and immature face is learning to fish by the river. He is sitting sideways in the grass, and his shadow is set off by weeds.
Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.
Children Fishing is a seven-character quatrain written by Hu Lingneng, a poet in the Tang Dynasty. This poem describes a child who is addicted to fishing by the water. By describing typical details, the poet vividly reproduces the children's earnest and innocent childlike innocence and interest.
The first two sentences of narration and description are written from appearances and are real words; The last two poems focus on expression. The whole poem depicts the vivid image of the fisherman from both form and spirit. The words are fluent, fresh and lively, and a few words draw a picture full of childlike interest, which is quite interesting in life.
Brief introduction of the author
Hu Lingneng, a poet in the Tang Dynasty, lived in seclusion in Putian. Tang Zhenyuan and Yuanhe live in Hu Lingneng. My family is poor. When I was young, I made a living by repairing pots and pans. I'm called "the hinge with a nail". Legend has it that a poet dreamed of having a caesarean section, and he could recite it in a book. His poetic language is simple and ingenious, and he has a strong interest in life. Now there are only four poems left.
The Significance of Ancient Poems on Children Fishing
The meaning of ancient poetry: a child with unkempt hair and tender face, learning to fish by the river, sitting sideways in the grass, his figure covered by weeds. Hearing passers-by asking for directions, the child waved indifferently, afraid to disturb the fish and dare not respond to passers-by.
A unkempt little boy learned to play the violin and sat beside him with raspberries and moss. Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.
Children Fishing is a poem written by Hu Lingneng, a poet in the Tang Dynasty.
This poem describes a child's concentration in fishing by the water. Through the description of typical details, the children's earnest innocence and childlike interest are vividly reproduced. Although the first two sentences focus on the child's posture, neither Sitting on the Side nor Raspberry Moss are simple paintings. Although the last two sentences focus on the child's expression, the third sentence still has vivid pen and ink to describe the action.
The whole poem vividly depicts the image of the fisherman from both form and spirit. The words are fluent, fresh and lively, and a few words draw a picture full of childlike interest, which can be called a masterpiece describing children with both form and spirit.
Extended data
In Tang poetry, there are few themes about children, so they are valuable. This poem is divided into two layers: fishing and asking for directions. The first and second sentences focus on writing: fishing, while the third and fourth sentences focus on expressing the spirit: asking for directions.
In the first sentence and the second sentence, "unkempt head" describes the child's appearance and highlights the child's innocence. "hanging theory" means "fishing" in the title, which means fishing The poet did not whitewash the fisherman's appearance, but wrote the true face of Shan Ye's unkempt hair, which made people feel natural, lovely and authentic. "Learning" is the eye of this poem. The child is a beginner in fishing, so he is very careful. The posture of "sitting on the side" when fishing reflects the physical and behavioral scenes, such as in front of you.
"Sitting sideways" means sitting down at will. Sitting on the edge, rather than sitting firmly, is in line with the mentality of children learning this way for the first time. It is also conceivable that children are absorbed in fishing in an informal way. "Berry moss" generally refers to low-level plants that grow in wet places near the ground. From Berry Moss, we can not only know that the place where children choose to fish is a place where the sun is scarce and inaccessible, but also an ideal fishing place where fish are not frightened and people are not exposed to the sun, which paves the way for the following sentence "People should not be frightened by fish".
"Grass mirror" is not only a portrait of a child, but also directly related to the next sentence "Passers-by ask for directions", because children can be seen.
The subject of the last two sentences of "remote waving" is still a child. When passers-by asked, the children did not dare to answer the fish, waving at a distance and not answering. This is a description of children from two aspects: action and psychology, with calculation, strategy, alertness and intelligence. The reason why children use actions instead of answers is that they are afraid of scaring the fish away. The child's action is "waving from a distance", which shows that the child is not indifferent to the questions of passers-by.
How children whisper to passers-by after "waving" is the imagination of readers, and there is no need for poets to explain. So after explaining the reason of "waving from afar", this poem came to an abrupt end.
This poem about children's fishing has a special interest. There is no gorgeous color and deliberate carving in the poem, just like a beautiful hibiscus, which reveals a little innocence, infinite childlike interest and a little concentration in the plain and simple narrative.
References:
Children Fishing-Baidu Encyclopedia
Interpretation of the ancient poem "Children Fishing"
Introduction: Children Fishing is a poem written by Hu Lingneng, a poet in the Tang Dynasty. This poem describes a child's concentration in fishing by the water. Through the description of typical details, the children's earnest innocence and childlike interest are vividly reproduced. The following is the explanation of the ancient poem "Children Fishing" compiled by me, hoping to help everyone.
Children fishing
Author: Hu Lingneng
A child with unkempt hair and immature face is learning to fish by the river. He is sitting sideways in the grass, and his shadow is set off by weeds.
Hearing the voice of passers-by, the child waved, afraid to disturb the fish and dare not respond to passers-by.
To annotate ...
Hairy: Having unkempt hair.
Toddler: A young child.
Terry: Fishing. Nylon: silk thread for fishing.
Berry: a kind of grass.
Bryophyte: Bryophyte.
Ask someone.
Fish is afraid: the fish is afraid.
Answer: respond, promise.
Shadow: shadow
Translation:
A unkempt, childish child, learning to fish as an adult, leaned over and sat in the weeds, where his body was hidden. Hearing passers-by asking for directions, I quickly waved my hand far away, afraid of disturbing the fish and afraid to respond to passers-by.
Appreciate:
This is a work with the theme of children's life. There are few themes about children in Tang poetry, so it is valuable. This poem about children's fishing has a special interest. The first two sentences of narration and description are written from appearances and are real words. The last two poems focus on expression. This poem has no gorgeous colors, no deliberate carving, just like a beautiful hibiscus, which reveals a little innocence, infinite childlike interest and a little concentration in a plain and simple narrative.
One or two sentences focus on writing, and three or four sentences focus on vividness. Young children, children also. "Pengtou" describes its appearance and highlights the innocence of children. "Nylon" is a fishing line, and "hanging nylon" means "fishing" in the title, which means fishing. The poet did not whitewash the fisherman's appearance, but wrote the true face of Shan Ye's unkempt hair, which made people feel natural, lovely and authentic. The posture of "sitting sideways" when fishing reflects the physical and behavioral scenes, and it is also the case at present. "Sitting sideways" means sitting down at will. It is also conceivable that children are absorbed in fishing in an informal way. "Berry moss" generally refers to low-level plants that grow in wet places near the ground. From Berry Moss, we can not only know that the place where children choose to fish is rare and inaccessible in the sun, but also an ideal fishing place where fish are not frightened and people are not exposed to the sun, which paves the way for the later saying that "people should not be frightened by fish". "Grass mirror" is not only a portrait of a child, but also has a direct connection with the next sentence "passers-by ask questions"-passers-by ask questions to him just because they can see him.
The subject of the last two sentences of "remote waving" is still a child. Passers-by asked, the child was afraid of the fish to answer, and waved his hand from a distance without answering. This is a psychological description of children, with calculation, strategy, alertness and intelligence. He used actions instead of answers for fear of scaring the fish away. His action is "waving from a distance", which shows that he is not indifferent to passers-by's questions. How did he whisper to passers-by after he waved? This is the reader's imagination, and there is no need for the poet to explain it. Then, after explaining the reason of waving in the distance, his poem came to an abrupt end.
Through the above brief analysis, we can see that although the first two sentences focus on children's postures, "Sitting aside" and "Raspberry Moss" are not simply descriptive pens; Although the last two sentences focus on the child's expression, the third sentence still has vivid pen and ink to describe the action. It can be regarded as a masterpiece describing children with a blend of scene and spirit!