After the establishment of People's Republic of China (PRC), Fujian Music Working Group obtained the music score of Qing Xianfeng for seven years (1857) collected by Fan Shi Banshe in Chating Tingyue Building in Taijiang District, which is the same as that of Fan Shi. Fan Shi's music is lively, with strong sense of rhythm and harmonious melody. Popular in Fuzhou, Minhou, Fuqing, Changle, Lianjiang, Luoyuan, Minqing, Yongtai, Pingtan, Xiapu, Fuan, Zherong, Fuding, Ningde, Gutian, Nanping and other places, it also toured in Shanghai, Hong Kong, Nanyang Islands and other places, and was deeply loved by the masses.
Fan Shi music, also known as ten categories and five grades, is named after ten musical instruments such as silk, bamboo, leather, wood and gold. Hakka music is folk instrumental music passed down by Hakka folk artists in past dynasties, and its names mainly depict nature and Hakka life customs and interests, such as Clear Water Mountain Yard, Beautiful Lake and Willow Color, Good Flowers and Full Moon, Mei Zhu, Ying Ge and so on. In addition, Hakka Fan Shi music has also absorbed essays, arias and Quyi works from past dynasties.
There are no strict rules on the number of musicians and the use of musical instruments in Hakka Fan Shi Band in western Fujian. Generally speaking, a Fan Shi band has as few as five to seven members and as many as ten to dozens.
The most basic musical instruments of Hakka Fan Shi music are Qu Di, reed pipe, pipa, sanxian, erhu, chubby pot, chubby pot and splint. Flute is the most important musical instrument. Hakka Fan Shi music has two forms of performance: sitting and walking, and the conductor is the clapper. The flute guides the way, and the literary field and the martial field are conducted at intervals.
Unique charm
Fan Shi's music has been widely circulated among the people for nearly 300 years with its unique charm, and is deeply loved by the broad masses of the people. The unique musical instruments it uses have played an important role. Traditional musical instruments include flute, violin tube, coconut tree, cloud gong, wolf string, gong, cymbal and drum. With the continuous development of music, sheng, wooden fish and other musical instruments have been added. Fan Shi's musical instruments are very old and should be living fossils of musical instruments. As early as the Northern Song Dynasty, Chen Liang, a minqing musician in our province, had The Story of Le Shu's Wolf String Teasing the Tube. The playing forms of Fan Shi's music are divided into sitting and walking, and its playing arrangement is very particular. It is mainly used in folk activities such as welcoming gods, people's weddings and funerals, family banquets, etc. Most of the tunes of Fan Shi's music are based on the relationship between man and the natural society, reflecting a certain artistic conception, and some also show ancient legends and stories.
The representative works of Teahouse Fan Shi Music include Qin Louyue, Underwater Sky, Lotus Book, Wild Goose Cloud and Pomegranate Flower.
Teahouse Fan Shi music is not only popular in Fuzhou, but also in surrounding rural areas and five districts and six counties under Fuzhou's jurisdiction, as well as in Ningde, Jianyang, Nanping, Gutian, Fuan, Zherong and Xiapu.
Fan Shi's music in Tea Pavilion is divided into sitting and walking, and the arrangement of its playing position is very particular. Teahouse Fan Shi music is mainly used in folk activities, such as welcoming gods, people's weddings, funerals and family banquets. Qupai mostly shows the relationship between man and nature and society, or embodies a certain artistic conception, or describes ancient legends and stories.
Percussion cards are blessed card sets, land card sets, longevity card sets, hi card sets, and the card sets of Wen, Wu, Di Shui and Liu Shui. Rough and warm, elegant and lyrical, with clear rhythm and ups and downs. Each club (team) in Fan Shi has 20 ~ 30 people. Its performances can be divided into sitting, walking and dancing. It is divided into indoor and outdoor. The room is divided into front and back halls. The front hall is dominated by golden Zheng, and the back hall is dominated by silk and bamboo. Ten times, there is a big gong day between Qinggan and Jiaqing; In the same year, the vowels of Heminggao and Shi Sheng and the Moon-listening Building appeared. During Guangxu and Xuantong years, there were Lele and Putian Music (Beimen Xindian Township People's Organization); Xintianyue Building (organized by people from Tang Hong Town in the western suburbs). There are also chess and cards gambling villa, five music parties, drunken peace and so on. Guangxu 19th year (1893), February 15th, Flower Festival, 10th Competition. 1 1 (1922) The Heming high class in Fuzhou Tea Pavilion went to Hong Kong for the Queen's Celebration. In the 20th year of the Republic of China, Lou Ban went to Hong Kong and Singapore to perform on the 25th and 3rd day of the third lunar month.