Gui Yan's Poems
Zhang Jiuling
Although Haiyan is weak, it will come in spring.
I don't know that mud is cheap, but the Jade Hall is open.
embroiderers often go in twice, and Huatang Day comes back several times.
if there is no intention to compete with things, eagles can't guess.
this is a poem about objects. What is sung is the swallow that will return, but it does not describe the swallow's posture and fengshen in detail. Instead, it describes and discusses more than the meticulous description. If you don't understand its profound meaning, you will feel ignorant. However, it is indeed an object-chanting poem with wonderful use and profound meaning.
In the twenty-fourth year of Kaiyuan, Zhang Bei went on strike. The Poem of Returning to Yan was written in the autumn of this year, on the eve of Zhang Jiuling's strike.
The poem was written from Haiyan's "slight sorrow", which implied that the poet himself came from humble origins and came from the people. The phrase "come in spring" shows that you will temporarily come to the imperial court to be an official in the age of enlightenment. If the swallow comes in spring and goes in autumn, it will not stay long. In the middle four sentences, the swallow didn't know the meanness of "mud", but when he saw the "Jade Hall" open, he went in and out several times a day, holding mud as a nest to hide himself in the imperial court, working hard day and night and running dismally. "Embroidered household", "Huatang" and "Yutang" are all metaphors of the imperial court. The last sentence is a warning to Li Linfu: I have no intention to compete with you for power and profit. You don't have to be suspicious and slander me. I'm retiring. At that time, power had fallen into the hands of Li Linfu, and Zhang Jiuling knew that he could not make a difference. He had to give in, but it was not without complaints and regrets. His dissatisfaction is reflected in the metaphor of the falcon.
This rhythmic poem is neat, simple in language and light in style. It is called "Ode to Things", which is actually expressing feelings. It describes not only swallows but also people, and it is a self-portrait of Zhang Jiuling. The author's artistic ingenuity is mainly manifested in his choice of an external object that can best describe his own image-the swallow. Every poem does not leave the swallow, but it does not stick to the swallow, reaching the artistic realm of inseparable. Appreciation of Gui Yan's Selected Poems 2
Gui Yan's Poems
Zhang Jiuling ①
Haiyan is very young, and it will come in spring.
I don't know that mud is cheap, but the Jade Hall is open.
embroiderers often go in twice, and Huatang Day comes back several times.
if there is no intention to compete with things, eagles can't guess.
note (1) Tang Xuanzong's famous appearance in the kaiyuan period was famous for speaking out and daring to remonstrate. Because of Li Linfu's slander, Xuanzong gradually alienated Zhang Jiuling. In 736 A.D. (the 24th year of Kaiyuan), Zhang Bei went on strike, and Gui Yan Shi was written in the autumn of this year and presented to Li Linfu.
1. Combined with the whole poem, the image of the swallow in this poem is summarized in brief language. (4 points)
2. This poem uses a variety of expressive skills, please give two and appreciate them. (4 points)
3. What behaviors of Haiyan are described in the first two couplets of the poem? What is the expression of the swallow? Please summarize briefly. (4 points)
4. What is the main expression of this poem? What kind of emotion did the author express? (4 points)
5. This is a poem about objects. It's about the swallows that are going home. How does the author convey his feelings when writing swallows?
Reference answer:
1. (4 points) Born from humble origins, spring comes and autumn goes; Holding mud as a nest, working hard day and night; No intention of fame and fortune, no struggle with the world.
2. (4 points) ① Take things as metaphor for people (meaning by supporting things), as in the middle four sentences, because swallows don't know the meanness of mud, only to see the Jade Hall open, they go in and out of it several times a day, holding mud as a nest, to hide themselves in the court, working hard day and night, and running dismally. (or embroidered households, Huatang and Yutang are all metaphors of the imperial court. The falcon can't guess, but the raptor written on the surface of the poet is actually a warning to Li Linfu and others. I have no intention to compete with you for power and profit, so I don't have to be suspicious, not to mention being sober and rational.
② I love the scenery. For example, although Haiyan is weak, it comes in spring, and the poet expresses his feelings of doing things for the people and being loyal to the court through the description of the scenery.
③ Duality, such as the double entry of embroidery households and the return of Huatang days, shows its loyalty and generosity to the imperial court. (It is required to point out the technique, give an example analysis, answer two kinds, and the rest of the answers can be graded as appropriate)
3. Swallows fly back when spring comes; They shuttled between the doors of Yutang with mud in their hands, and worked hard to build a new nest. (2 points) It shows that the swallows are carefree, intent on building their nests, and have no distractions. (2 points, the meaning is right)
4. Borrowing things to express one's will (1 point) By writing about the leisurely behavior of swallows coming back to nest in the spring, the author expressed his feelings that he had no intention to compete with Li Linfu for favor, and he didn't have to be suspicious, let alone slander and deliberately retire. (3 points, the meaning is right).
5. The poem was written from Haiyan's humble birth, implying that he was from humble birth. Then write that the swallows come temporarily in spring, implying that they will temporarily come to the imperial court to be an official in the era of enlightenment. If the swallows come in spring and go in autumn, they will not stay long. In the middle four sentences, the swallow doesn't know the meanness of mud, only to see the Yutang open, so he goes in and out several times a day, holding mud as a nest to hide himself in the imperial court (embroidered Huatang Yutang, which is a metaphor for the imperial court), working hard day and night and running bleak. The last sentence is to warn Li Linfu, the falcon: I have no intention to compete with you for power and profit. You don't have to be suspicious and slander me. I'm retiring.
Appreciation:
Gui Yan Shi is a poem about objects. What is sung is the swallow that will return, but the poet did not describe the posture and fengshen of the swallow in detail, but described and discussed more than the meticulous description. However, it is indeed an object-chanting poem with wonderful use and profound meaning.
The poem was written from Haiyan, implying that the poet himself came from humble origins, and came from the people, unlike Li Linfu, who was born in luxury. Take the spring as a temporary sentence, indicating that you will temporarily come to the court as an official in the era of enlightenment. If the swallow comes in spring and goes in autumn, it will not stay long. In the middle four sentences, the swallow doesn't know the meanness of mud, and when he saw the Jade Hall open, he went in and out several times a day, holding mud as a nest to hide himself in the imperial court, working hard day and night and managing miserably. Embroidered households, Huatang and Yutang are all metaphors of the imperial court. The last sentence is a warning to Li Linfu: I have no intention to compete with you for power and profit. You don't have to be suspicious and slander me. I'm retiring. At that time, power had fallen into the hands of Li Linfu, and Zhang Jiuling knew that he could not make a difference. He had to give in, but it was not without complaints and regrets.
experience (Zhang Jiuling) experience (Zhang Jiuling) looking at the moon and thinking of one far away (Zhang Jiuling)
Although the first Haiyan was slightly paralyzed, it came in the spring. The sea, in ancient China, turned relatively wide waters into the sea. Haiyan means swallow. I mean humble here, or humble. Poetry begins with the petrel. According to relevant records, as a famous figure in the Kaiyuan period of Tang Xuanzong, he was famous for speaking out and daring to remonstrate, so he was slandered by Li Linfu, etc. Since then, Xuanzong has gradually alienated Zhang Jiuling and was dismissed in the 24th year of Kaiyuan. In this regard, we can think that the poet here uses Haiyan's smallness to metaphor his humble body, implying that he is not as rich as Li Linfu. On the surface, Haiyan came in the beautiful time of spring, even though it was not long. Here, we can think that the poet used the spring and autumn of the swallow to imply that he would temporarily come to the court to be an official in the enlightened era. A temporary word not only says that the swallow has come, but also implies that he has not been an official in the DPRK for a long time. In this couplet, the poet expressed his feelings of doing things for the people and being loyal to the court through the description of the scenery.
I don't know how cheap I am, but the Jade Hall is open. This couplet comes from the association of swallows. I don't know, among the mud and my base, mud and my base refers to a villain like Li Linfu. Swallows nest with mud, but they don't know the meanness of mud. Here, the poet takes this opportunity to imply that he doesn't know much about a villain like Li Linfu. A cheap word not only describes Li Linfu's humbleness, but also shows the poet's aversion to people like Li Linfu. Out of the sentence, I saw the jade hall open, which is the palace of jade ornaments and also the laudatory name of the palace. This implies the imperial court. Here, the poet used swallows to enter and leave the Jade Hall, holding mud as a nest, and compared himself to working hard day and night in the imperial court. Poets use things to describe people, which is not only vivid, but also implicit, which not only causes readers to think, but also gives readers room for aesthetic imagination.
Neck couplets are embroidered in pairs from time to time, and Huatang comes back several times a day. This couplet is closely connected with the Jade Hall in the parallel couplets. In the duality, I show my loyalty and generosity to the imperial court. The embroidered household, Huatang and Yutang in front of the poem are all metaphors of the imperial court. Double refers to the poet and Li Linfu. Double entry means double entry (referring to the poet and Li Linfu) into the court every day. Here, the poet shows that he doesn't regard Li Linfu as a hostile person, which shows that the poet forgets personal affairs for the court, and also shows that the poet has an open mind for the court and the country. A few times a day in Huatang is a few times a day. Here, the poet shows that the busy scene of work comes and goes in a hurry through quantifiers, and even shows his loyalty to the court.
The couplet has no intention of competing with things, and the eagles can't guess each other. This couplet shows the poet's loyalty to the imperial court and forgets his own feelings. There is no intention to compete with things, which means that I have no mind and energy to compete with foreign things. In fact, it shows that the poet works hard and works for the court. In the last sentence, eagles don't guess, eagles refer to eagles and eagles, and also refer to raptors in general. Here, the raptor described by the poet on the surface is actually a warning to Li Linfu and others. I have no intention to compete with you for power and profit, so I don't have to be suspicious, let alone slander (maybe I will retire one day). That is, one party acts against the other, and the action is issued by the other party. At that time, the imperial power had fallen into the hands of Li Linfu, and Zhang Jiuling knew that he could not make a difference and had to give in, but his heart was full of complaints and regrets. This is just like Liu Yuxi, a poet in the Tang Dynasty, said after Zhang Jiuling was demoted in Preface to Hanging Zhang Qujiang: He has the thought of detaining prisoners, satirizing birds and sending words to grass trees, and he is gloomy with the poet. It can be seen that Zhang Jiuling, a poet, is sober and wise in the face of strong enemies and opponents, and he also sees that Zhang Jiuling's clever metaphor for people in his literary creation is implicit.
This metrical poem is neat in antithesis, simple in language and light in style, as if it is simple in practice (Zhang Shuo comments on Zhang Jiuling dialect). It is called "Ode to Things", which is actually expressing feelings. It describes not only swallows but also people, and it is a self-portrait of Zhang Jiuling. The author's artistic ingenuity is mainly manifested in his choice of an external object that can best describe his own image-the swallow. Every poem does not leave the swallow, but it does not stick to the swallow, reaching the artistic realm of inseparable.
In a word, Zhang Jiuling's poem Gui Yan is a neat poem with simple language and light style. It is called chanting things, and it is actually expressing feelings, showing extremely superb aesthetic artistic techniques. Experience One (Zhang Jiuling) Experience Two (Zhang Jiuling) looking at the moon and thinking of one far away (Zhang Jiuling)