(Qing) Li
Don't you see, this year's cold,
Where to ask for grass.
Goodbye, Joe pine,
Qingqing corrected again.
Heaven and earth are unintentional, and everything is true.
Going straight to the mountains, the scenery is unparalleled.
A thousand years later, we are still frozen and snowy.
Support Tianjue high and firm,
Under the dry spring breeze and blue sky.
Interpretation of characters; Explanation:
Jun: You
Que: Palace
Tim: It's far away.
This poem depicts the firmness and simplicity of pine trees, and shows the author's unyielding character and integrity of honesty and frankness.
Translation:
You see, it is already very cold, and there is no green grass everywhere; However, did you see it again? The pine trees stand upright and green. Heaven and earth are not deliberately decorated, and everything in the world is expensive to keep simple. The branches of pine trees are as majestic as mountains, and the beauty in winter is unparalleled. Weathered for thousands of years. Its upright appearance shows its support for the heavenly palace, and it only looks forward to the spring breeze in the last period of the blue sky.
1. Taste poetry: guide students to communicate in class, boldly question and solve problems. Find out your favorite poem and explain the reason.
(clear: "I didn't see it, and I can't want grass when it's cold. I'll never see you again, Joe of the pine tree. Qingqing has turned over a new leaf. " According to records, in the cold winter, pine trees add green and charm to the earth. "Heaven and earth unintentionally, everything is true. Go straight to the mountains. Beautiful beyond compare. The story "first frost is full of history, but it hasn't been returned for thousands of years" describes the character of Cangsong. Among them, "The mountains are tall and straight, and the color is unparalleled" has experienced thousands of years of frost, which is a high praise for his character. And "heaven and earth are unintentional, everything is true" is a code word, which implies the author's praise. In the last layer, "the sky is high and straight, in the spring breeze and blue clouds", the author starts with the shape of pine trees, adding a distant and beautiful artistic conception to this poem, especially the last sentence, "Spring breeze and blue clouds" brings readers infinite hopes and longings, quite saying, "Winter has passed, can spring be far behind?" Meaning. )
2. Appreciate the painting:
(1) Enjoy the picture as a whole.
(2) What are the characteristics, relationships and implications of grotesque rocks and pine trees in the picture?
Strange stone: standing upright (indomitable) symbolizes the poet's iron bone;
Pine: Strong (weather-beaten) symbolizes the poet's integrity.
(The relationship between the two: the strange rocks stand upright and indomitable, setting an excellent living background for pine trees, and the two are even more "pale and strange". The grotesque rocks in the painting stand upright and indomitable, which sets an extremely harsh living background for pine trees, but the pine trees are still rooted in the rocks, tall and green, showing their vigorous vitality. The two set each other off and become interesting, which is even more "pale and strange". )
[Edit this paragraph] Author introduction
Li, 1695 ~ 1755, was a poet and painter in China in the Qing Dynasty. Zhong Qiu, Qingjiang, Qiu Chi, Zhiyuan, and White Mountain Man. Living in Jinling Borrowing Landscape Garden, claiming to be the owner of Borrowing Landscape Garden. It is one of the "Eight Eccentrics of Yangzhou". Tongzhou is now from Nantong, Jiangsu. Born in an official family, he once served as Le 'an County Magistrate, Lanshan County Magistrate, Qianshan County Magistrate and Chuzhou Magistrate. He was dismissed for being falsely accused. After he became an official, he borrowed a circle in Yangzhou and sold paintings for a living in the name of being a master himself. Have contacts with Li Shan, Jin Nong and Zheng Xie. Specializing in poetry, calligraphy and painting, good at plum, orchid, bamboo, chrysanthemum, pine and fish. He pays attention to the tradition of learning from nature and can be unique. His brushwork is vigorous, his knife method is simple and vivid. It is listed as one of the eight eccentrics in Yangzhou. There are handed down "Wind Bamboo Map", "Fish Tour Map" and "Meme Map". The author of Plum Blossom House Poetry. He is good at drawing pines, bamboos, orchids, chrysanthemums, plums, miscellaneous flowers, insects and fish, and is also good at drawing figures and landscapes, especially plums. The works are free and unconstrained, full of ink and brush, careless and informal, which is intended to be between Ivy League, Bai Yang and Zhu Han. Plum paintings are famous for their thin and hard stems and new branches, and their sides are curved. "Plum blossom means" is printed in the user's room, and the famous poem Shi Mei has a sentence "Don't blame for being frustrated". I also like to draw pine and bamboo in the strong wind. The work "Shi Neng" was edited by later generations, and there were only 26 poems, mostly scattered in paintings.
During the period of Kanggan, a unique painting school-"Yangzhou Eight Eccentrics" appeared in the history of painting in China. Its ideological character and painting style were different from feudal orthodoxy, and it was obviously rebellious and original, which had a wide and profound influence on the painting world in the past 300 years.
Li (1696- 1755), a famous painter in Nantong, was nicknamed Jingjiang and Longjiao. He is neither from Yangzhou nor has he lived in Yangzhou for a long time to sell paintings, such as Huang Shen and Jinnong. Why did he walk sideways in the "Eight Eccentrics of Yangzhou"? On this issue, 1980 "China literature and history" published in the third series of Guan Jincheng's manuscript "Li Chuan" has been verified. Its main points are as follows: 1. Seven people (according to, Jiang, Gao Xiang, Jin Nong, Huang Shen, Zheng Xie,) are equal in character and painting. 2. Tongzhou was the first year of Yongzheng (1 Li's friendship with the leaders of Yangzhou Eight Eccentrics, which can be seen from the flower pictures and three-friend pictures created by several people mentioned above. First of all, Zheng Banqiao admired Li's painting skills and spoke highly of them. Ink bamboo is the best stunt, but he still thinks that Li's ink bamboo is "Dongpo, awesome", and even Su Shi, the master of ink bamboo, is "afraid of it", which shows his high evaluation. As for the ink plum that Li is best at, the discussion is more specific and the evaluation is higher. In the "Li Hua Mei Long Juan" written five years after Li's death, he said: Painting is not good for everyone. Plum blossom, what the world does not do, is even worse. Only vulgar monks do this. Every time I see a large piece of charcoal propping up my eyes, I feel sick. When Li Sige of Jingjiang is alone on earth, it is difficult to see the work and talk about it. Therefore, his plum painting is the best in the world. Staring at the day, thinking at night, forgetting clothes, forgetting the taste, and then attracting the god of plum, the nature of plum, the charm of plum, and the love of plum, plum also obeys and cannot be cut out. The so-called tailor never cuts, but really cuts; The so-called characterization, never characterization, is the real characterization. It's advisable to stop having fun, and people don't do things. If there are people who don't know, ask Qingjiang. They don't know and can't tell anyone. When I came to Tongzhou to see this volume, my spirit deepened and my interest dropped. Gu Gan, a new branch of this volume, is full of dance, and it is hard to find its ups and downs. I want to sit under it, do my homework for ten days and then go to my ears. On May 13th, the 25th year of Qianlong, Xie was full of questions. In this painting, he also wrote a four-character poem;
Megan's bite, Grandpa Mei Tai,
A few petals of ice soul, ancient snow.
According to the postscript of Zheng Banqiao's "Ding Youyu Portrait Volume on Huang Shen Paintings" in the same period ("Banqiao Painting and Calligraphy Rubbings Collection", the original is hidden in Nantong Museum), "Hao Xiangshan, the servant of Qingjiang Gongli, treasures his master's pen and ink like an arch wall and asks for an inscription for the old man in Banqiao." As we know, Zheng Banqiao's second visit to Tongzhou was in the early summer of the 25th year of Qianlong (1760), when he was 68 years old. Hao Xiangshan, Li's servant, took out the painting of the master he visited in Tibet, and asked for an inscription. Seeing that he had a deep friendship with Li and that Hao Xiangshan was loyal to his master, Zheng happily wrote a poem. Zheng Banqiao came to Tongzhou this time, lived in Qinzao, more than 20 miles north of the city, and visited the Wolf Mountain. In his collection, he left seven wonders to visit the White Wolf Mountain.
This inscription first criticized the plum blossom painted by the layman monk as disgusting; Then, he praised Li Kui Ying's Plum Blossom Picture, which is "hard to see its work" and "the best in the world", and described in detail his artistic experience of painting plum blossoms without cutting or carving, which followed the nature of plum blossoms and did not see artificial carving. Finally, he expressed great appreciation for the plum painting "Gu Gan Xinzhi Impurity Dance", and he was willing to "sit under it and do his homework for ten days before going". This inscription is so specific and profound, full of emotion, and it also reflects that Zheng Banqiao and Liu Yunying have been making friends for a long time, and their contacts are numerous and knowledgeable, which is an important witness to their profound friendship.
In the winter of the sixteenth year of Qianlong (175 1 year), Li borrowed Xiang's garden in Nanjing, and then settled down in the name of borrowing the garden, until he returned to Tongzhou in the autumn of twenty years (1755) due to illness. During this period, he often followed Yuan Mei, a leading literary figure at that time, and talked about poetry and painting, which was very close. In the 20th year of Qianlong (1755), in the early spring of Yihai, Li returned to Tongzhou once and sent poems to Yuan Mei. The eleventh volume of Poems contains three poems, Sending Li Qingjiang back to Tongzhou. There is a cloud in the poem: "Only when the plum blossoms are covered with snow can the people who draw them fly away. An indifferent spring wine makes the four seas rarer. " It is indeed the scene of early spring, and the word "spring" is clearly marked. Li likes painting bamboo. His "Xiaoxiang Wind Bamboo Map" depicts a smelly stone, several bamboo poles, bamboo tips bent and bamboo leaves fluttering in one direction, showing the scene of strong wind.
Draw a poem:
Painting history never draws style. I am good at difficulties.
Please look at Xiaoxiang bamboo feet, full of ears.
Li's "Wind Bamboo Map" has profound implications. He wrote in another title "Wind Bamboo Map":
The waves are floating on the sea, planting bamboo and learning to draw.
It is brave to laugh at yourself, but still love the wind.
He has been a local official for thirty years and suffered several heavy losses. In the eighth year of Yongzheng (1730), he was appointed as the magistrate of Le 'an, but he was impeached because he didn't have time to ask his boss for relief. In the tenth year of Yongzheng (1732), he was appointed as the magistrate of country-specific ones. Governor Wang Shijun blindly ordered land reclamation, and officials took the opportunity to blackmail the villagers. He resolutely resisted and was thrown into prison, where he suffered a year-long lawsuit. Finally, in the 14th year of Qianlong (1749), he was appointed as the magistrate of Hefei. These are what he called "waves floating on the sea". The officialdom was too dark. He abandoned his official position to learn to paint bamboo and became a "painter". His character remains unchanged. "Self-mockery is brave", he despises tradition, despises authority, and loves to paint violent winds to pin his indomitable spirit of resolutely fighting against harsh environment. In Li's works, gale is a symbol of indomitable spirit, but it is only one aspect of the painter's character, reflecting his struggle with evil forces. On the other hand, his concern and sympathy for the lower class people made the weathering in his works become a spring breeze that made everything flourish and made the working people get a warm breeze. He wrote in the poem "Painting Plums":
The ink mark on the paper is new, and the plum blossom is the cutest.
I am willing to ride the wind to the distance, and my hometown will be a spring.
He hopes that the lovely plum blossoms will be blown to every household by the wind, so that every household can enjoy the fragrance of plum blossoms and feel the warmth of spring. The wind on this day is a warm wind and a breeze completely different from the strong wind. It can be seen that Li's love for writing style is the full embodiment of his distinctive personality.