There were not many outstanding poets in the Yuan Dynasty, and Wang Mian was the representative of later quatrains. Take a look below to see what they are! Who are the poets of the Yuan Dynasty
Ma Zhiyuan
Gao Ming
Wang Mian
Gu Congli
Wang Weiyi< /p>
Li Zhenren
Bai Pu
Zhang Yanghao
Wang Shifu
Ma Yu
Wang Ji
Zhang Zhu
Zhao Mengfu
Wang Zhe
Yang Weizhen
Guan Hanqing
Wang Yun
Xu Youren
Bai Pu
Sadula
Lu Wengui
Xu Zaisi
Yu Ji
Zheng Guangzu
Huang Zhencheng
Wang Xu
Wang Yun
Zhang Kejiu
Liu Bingzhong
Jie Xisi
Odun Zhouqing
Yuanyi Mountain
Pipeline Sheng
< p>Ni ZanAruwei
Qiu Chuji
Ke Jiusi
Qiaoji
Wuming
Yao Sui
Liu Bingzhong
Zhao Ziang
Liu Yin
Gong Xingzhi
Wang Yuanding< /p>
Ouyang Xuan
Chen Cao'an
Li Qixian
Teng Bin
Xingduan
Zhou Wenzhi
Tian Xi
Shang Ting
Liu Ang
Wang Bocheng
Lu Hao
Cao Mingshan
Zhong Sicheng
Guan Sheng
Gao Keli
Pan Chun
Cheng Jufu
Cha Deqing
Xue Lanying
Xu Zhen
Wang Menglin
Yelü Chucai
< p> Meng FangYang Chaoying
Liu Yange
Guanyunshi
Jia Ce
Fu Ruojin
p>Liu Zhi
Li Shixing
Pearl Curtain Show
Wang Heqing
Wu Cheng
Zhao Xianhong
Gu Aying
Yang Guo
Gan Fu
Zheng Xi
Zhao Feng
Zhao Yong
Wang Ding
Cen Anqing
Gao Daokuan
Wu Xiyi
Wang Guoqi
< p> Tan ChuduanRen Xun
Xie Zongyuan
Zhao Shanqing
Wei Chu
Yan Zhongji
< p> Extended reading:Nan Opera in the Yuan Dynasty
Nan Opera is the earliest mature form of Han opera in China. It combines singing, dancing, reciting, and science to perform a complete story. Due to the twists and turns of the storyline, the scripts are generally long, several times longer than those of Beiqu Zaju. It uses southern tunes, and there are no strict rules on rhythm or palace tune. His singing methods are varied, including solo singing, duet singing, rotation singing, chorus singing, etc. The main musical instrument is drum board. Since the vocals of Nanqu and Northern Opera are different, the styles of the two are quite different. Wang Shizhen's "Yi Yuan Yan" said: "In general, the northern opera is powerful and majestic, while the southern opera is clear and soft. Although it is talented, it is humorous and vulgar." The soft and melodious characteristics of southern opera make it more suitable for singing sentimental, rosy and charming songs. Heavier stories. After the formation of Wenzhou Southern Opera, it spread throughout the southeastern coastal areas. Due to the differences in local music and customs, different Nanqu tunes have gradually formed, such as Haiyan tune, Yuyao tune, Yiyang tune, □shan tune, etc. In the Yuan Dynasty, Beiqu Zaju was at its peak. There are different opinions on the situation of Southern Opera at that time. It is generally believed that Southern Opera experienced a process of decline in the Yuan Dynasty. However, in the late Yuan Dynasty, Nan Opera was still quite popular among the Han people in some areas of the south. Due to the discrimination against Han folk operas, most of the Southern Opera works of the Yuan Dynasty have been lost and lack written records.
At the end of the Yuan Dynasty, with the decline of Zaju, Nan Opera developed further and became more prosperous.
Known as the "ancestor of music" (Wei Liangfu's "Music") and "the ancestor of southern music" (Huang Tu's "Kanshan Pavilion Collection of Xianbi"), "Pipa Ji" and Jing Liu Baisha ("Jing Chai Ji") Most of the four major Southern operas, "White Rabbit", "Moon Worship", and "Killing Dog", took place at this time. Gao Ming's "Pipa Ji" has raised the creation of Nan opera to a new stage where it is relatively mature in art and can be appreciated by both refined and popular audiences. It occupies a very important position in the history of drama development. Southern opera developed into the Ming Dynasty and became the main "legendary opera" spread throughout China.