The poem at the end of Ye

Explanation of "Inscriptions on Painting" by Wen Jue? Song Dynasty

Shallow water and flat sand meet each other with smoke and light.

Birds stand with broken eggplant stems, and crabs with withered lotus leaves.

"He Chen Chuan Dao's Ten Autumn Songs No. 2 Qiu Qing" He Zhu? Song Dynasty

The returning clouds are leisurely, and the long wind comes to hunt.

There are two long catalpa trees at the corners of the eaves, and the setting sun bakes the yellow leaves.

"Six Odes of Free Days and Five of them {Turtle}" Zhang Lei? Song Dynasty

The sun is reflected in the clear abyss, and the black armor is storming along the sand.

El's thousand-year-old posture hides in a lotus leaf.

"Man Jiang Hong" Hou Zhi? Song Dynasty

Trapped in spring sleep, ruthless thoughts and wandering dream soul. The rain outside the eaves is falling slowly, but the eyes are still falling at first glance. Shan Dai frequently catches the eye, and a wisp of willow silk hangs low in the pavilion. Thinking about Shen Lang, having many emotions hurts the spring even more, and the waist feels like it is cut. The wind enters the house and the fragrance wears the foil. Flowers are as old as before, but people are not as they were yesterday. Let the bees wander and the swallows fly, and they will fly and plunder. The sea is vast and the golden fish cannot be passed, and the cave is deep and it is difficult to make an appointment during the purple phoenix period. The colorful paper and dental tube are leaning against the west window, and they are inscribed with red leaves.