In Song Dynasty, the painter Xu painted a picture of plum blossoms in the snow, and with the help of the charm of frost and snow, he described the spiritual demeanor of strong bamboo not afraid of snow pressure and plum blossoms in full bloom. On the right, there are poems written by Aisingiorro Hongli, the emperor of Qianlong in the Qing Dynasty, more than 600 years later, as well as rhymes and poems written by officials such as Liang, Wang Youdun, Wang Youdun, and Wang Youdun, which are sung in combination with artistic meanings. One of Liang's poems is very distinctive: "Only six talents are sold, and the fairy posture is slightly different." There is no need to borrow the moonlight cage. "The first two sentences show that it is difficult for a painter to paint snow, so he has to give way to the mysterious' natural work' in nature, praising the plum blossom in the snow as a fairy with a lonely snake and a snowy skin, and the last two sentences set off the charm of plum blossom with the snow light in the window. Although there are no words such as "winter" and "snow" in the whole poem, it cleverly outlines the magical charm of plum blossom scenery in the snow.
Wang Mian, a painter in Yuan Dynasty, was good at painting plums, creating the style of plum blossom, the system of plum blossom and the body of notices, each with its own characteristics and beautiful scenery. In one of his "Cold Plum Map", there are seven unique topics, which write: "A tree with cold plums and white jade strips, warm wind blowing snow fluttering. Lonely Chu Shi also has the same mood. Who will sing a song and cross the broken bridge? " Poetic and elegant, it not only recites the scene that the cold plum in the painting is blown off by the strong wind and the petals are like snowflakes, but also praises the author's superb plum painting skills by taking Chu Shi and Lin Hejing in the isolated mountain as the allusions of "the plum wife crane". "There is a pile of snow in front of Hejing, which is covered with moss for many years. Shu Hua is a group of Kethleen, and the Qiang flute can't beat him. " This is another self-titled poem in Wang Mian's Morning Picture of the South Branch of Spring, which vividly depicts Lin Hejing planting a mossy old plum in front of his house and standing in the snow. The last two sentences praise the precious "cold heart" of plum blossom, which is the fusion of painting and poetry, giving winter extraordinary significance.
The Snow Map of Baqiao by Shen Zhou, a representative painter in Wuzhong in Ming Dynasty, is based on Meng Haoran, a famous poet of the Tang Dynasty, who was riding a donkey and feeling in the snow of Baqiao. On the picture, the mountains are covered with snow, the frozen trees covered with fallen leaves stand upright, and an old Dai man rides a donkey across the bridge, and the bleak scene in winter is vivid. The painter specially wrote a poem in the left margin of the painting: "The snow on the donkey's back is carried on the bus, and the poem when drunk is picked up by the bridge." I never knew what it was like to sell gold in my account. "Meng Haoran was drunk in the poem, riding a donkey in the snow of Baqiao, and suddenly realized something, picked up a good sentence and sang it into a poem. Although the scenery in winter is not described in detail, those rich children can't feel the pleasure of being in the snow, which embodies the magical beauty of nature and the unique taste of poetry in the snow in winter, which is pleasing to the eye and gives birth to a good yearning for Xun Mei.
Yun, one of the "six masters" in the early Qing Dynasty, was good at painting flowers and landscapes. He wrote a poem in "A Clear Picture": "Where can I find spring on a snowy day? I didn't see the frost until dawn in the south branch. Before the spring breeze comes to peaches and plums, teach the iron to taste the cold fragrance first. " The ancients generally referred to plums, bamboo cranes or Zhu Wu as "Shuang Qing" and put them into paintings. This painting of Yun, with plum and narcissus as the theme, combined with poetry, depicts the awe-inspiring character of plum trees after snow, which makes people pay more sincere respect to plum trees that are not afraid of cold and "frost at dawn" after snow. Gao Yong's running script, one of the "Eight Eccentrics of Yangzhou" in the Qing Dynasty, wrote a poem called "The Map of Shi Mei": "The wind blows snow, but I cherish the intention of the Eastern Emperor. Even if you see it in spring, will you use peaches and plums? " Chanting the beautiful scenery of snow and snow, starting with the description of snow scene, highlights the artistic conception of plum blossom opening to snow and the characteristics of Ao Shuang's pride in snow, and highlights the character of plum blossom Ao Shuang's pride in snow by comparing things, which can be described as mutual learning of scenery and sublimation of winter theme.
There are many winter-themed works in ancient paintings handed down from generation to generation. While carefully depicting the winter scenery and scenery, it is embellished and interpreted with poems. In addition to praising Matsuzaka's "three-year-old, cold and three friends", it also depicts the mood of visiting friends in the snow, forgetting books in the study and the leisurely state of the thatched cottage. For example, in the poem of Wang Qian, a painter in the Ming Dynasty, "The mountain road is full of snow, and plum blossoms attract spring alone. Ice soul is beautiful, and cold is god. The poem "Snow is more beautiful than autumn water and clearer than ice" inscribed by Li, a painter in Qing Dynasty, not only shows the painter's calligraphy skill, but also adds vivid meaning to winter.