Poetry with Pictures of Green Pines and Strange Rocks Poem with Pictures of Green Pines and Strange Rocks Poems with Pictures of Green Pines and Strange Rocks (Qing Dynasty) Li Fangying If you don’t see me, the year is cold, where can I find fragrant grass? See you again, the pine trees are growing green again. Heaven and earth have no intention, and all things value their true nature. It goes straight to the mountains and rivers, and its beauty is unparalleled. I have experienced ice and frost for a thousand years. Support the sky tower high and strong, standing in the clear spring breeze and blue clouds. (This poem has been included in the Beijing Normal University edition of the Chinese textbook for sixth grade primary school) Explanation of the words; word interpretation: Qiao: tall Jiao Jiao: strong, mighty, tall and straight Fu Jiao Jiao: still strong, brave, and tall. Fang Weiwei: No change in posture. True: true face. Incomparable: incomparable. Jun: You. Fang Weiji: It’s not over. Que: Palace; Jun: Far; Junqian: Proudly independent. In the introduction to the poem, the strange rocks stand tall and unyielding; the pines are strong and vigorous, weathered and full of vitality, which symbolizes the artist's own strength! Translation: Have you seen that in the cold winter, there is no green grass anywhere; but, have you seen that the pine trees are standing tall and green, bringing greenery and warmth to the cold winter? vitality. Nothing between heaven and earth is deliberately decorated. The most important thing in the world is to maintain its simplicity. The branches of the pine trees are as majestic as the mountains, and their green beauty in winter is unparalleled. It has been weathered for thousands of years. Its tall and straight appearance indicates that it supports the Heavenly Palace and looks forward to the spring breeze in the blue sky. 1. Poetry appreciation: guide students to communicate in class, boldly question, and solve problems. Find your favorite verse and explain why. (Clearly: "If you don't see me, how can I find fragrant grass in the cold weather of the year? But if I don't see you, the pine tree is green and green again." It writes that the pine tree adds greenery and beauty to the earth in the cold winter. "Heaven and Earth are the original Unintentional, everything is true. The beauty of the mountains is unparalleled. It has experienced ice and frost for thousands of years." This layer describes the character of the pines, among which "the mountains are straight and the beauty is unparalleled. . After experiencing ice and frost for a thousand years," is a high praise for his character. And "Heaven and earth have no intention, and all things value their truth" is a code word, implying the author's praise. The last layer is "Support the sky to be high and straight. , different from the spring breeze and blue clouds." The author starts from the shape of pine, adding a distant and beautiful artistic conception to the poem, especially the last sentence, "spring breeze and blue clouds" brings readers infinite hope and longing, quite like "winter" It has passed, can spring be far behind?" 2. Appreciating paintings: (1) Appreciate the picture as a whole. (2) What are the characteristics of the strange rocks and pines in the picture, their relationship with each other, and what do they mean? Strange rocks: towering (unyielding) symbolize the poet's iron bones; green pines: strong (tempered) symbolize the poet's upright spirit. (The relationship between the two: the strange rocks stand tall and unyielding, setting up an excellent survival background for the pines. The two set off each other to make them "green and strange". The strange rocks in the painting stand tall and unyielding, setting an excellent background for the pines. It is an extremely harsh living background, but the pine trees are still rooted in the rocks and are tall and green, which shows their strong vitality. ~1755), Chinese poet and painter in the Qing Dynasty. The courtesy name is Qiuzhong, the nickname is Qingjiang, the alias is Qiuchi, Yiyuan, and he is a Baiyishanren. He lives in Borrow Garden in Jinling and calls himself the owner of Borrow Garden. A poet and painter of the Qing Dynasty, he was good at painting plum blossoms and was one of the "Eight Eccentrics of Yangzhou". A native of Tongzhou, now Nantong, Jiangsu Province. Born into a family of officials, he once served as magistrate of Le'an County, Lanshan County, Qianshan County, acting Chuzhou magistrate, etc. He was dismissed from office due to false accusations. After leaving office, he lived in Yangzhou and used the name of Borrower to sell his paintings. Make a living. He interacted with Li Wei, Jin Nong, Zheng Xie, etc. He was good at poetry, calligraphy and painting, and was good at plums, orchids, bamboos, chrysanthemums, pine, fish, etc. He paid attention to the tradition of learning and learning from nature, and was able to create his own style, with vigorous brushwork. Old and thick, the cut is simple, informal and lively. His works include "Wind Bamboo Picture", "Wandering Fish Picture", "Dark Plum Picture" and so on. Author of "Meihualou Poetry Notes". He is good at painting pine, bamboo, orchid, chrysanthemum, plum, miscellaneous flowers, insects and fish. He can also paint figures, landscapes, and is especially good at painting plum blossoms. The work is bold and unconstrained, dripping with ink, with thick heads and random clothes, informal ink, and the intention is between ivy, white sun, and bamboo. Painted plum blossoms are known for their thin and hard appearance, with old trunks and new branches, and curved sides. There is "Meihua means" printed in the middle, and the famous poem about plum blossoms has the sentence "It will not be strange even if it is defeated". I also like to draw pines and bamboos in the strong wind. Work documents. He was capable of poetry, and later generations compiled "Plum Blossom Tower Poems", which contains only twenty-six poems, most of which are scattered in paintings. During the Kangxi and Qianlong periods, a unique school of painting appeared in the history of Chinese painting - the "Eight Eccentrics of Yangzhou". Its ideological character and painting style were different from the feudal orthodoxy, with obvious rebelliousness and originality. In the past three hundred years, the painting world has had a broad and profound impact. Li Fangying (1696-1755), a famous painter from Nantong, was named Qiuzhong, also known as Qiuchi, his nickname was Jingjiang, and his nickname was Longjiao. He was not from Yangzhou, nor was he like Huang Shen or Jinnong. After living in Yangzhou for a long time and selling paintings, why did he end up among the "Eight Eccentrics of Yangzhou"? Regarding this issue, Guan Jincheng's posthumous manuscript "Li Fangying's Narrative Biography" published in the third volume of "Chinese Literature and History" in 1980 has been written According to research, the main points are: 1. The character and painting quality are comparable to those of the other seven people (according to Li Xian, Jiang Shishen, Gao Xiang, Jin Nong, Huang Shen, Zheng Xie, and Luo Pin); 2. Tongzhou was established in the first year of Yongzheng (1) Before 723), it was just a scattered state belonging to Yangzhou Prefecture. When Li Fangying entered school in the 57th year of Kangxi (1718), his native place was Tongzhou, Yangzhou Prefecture, so he was a native of Yangzhou in a broad sense.
The friendship between Li Fangying and Zheng Banqiao, the leader of the "Eight Eccentrics of Yangzhou", can be seen from the "Flowers Picture" and "Three Friends Picture" jointly created by several people mentioned above, and there is more that can be described. . First of all, Banqiao admired Li Fangying's painting skills very much and spoke highly of him. Ink bamboo is Zheng Banqiao's best skill, but his "Ink Bamboo Album Inscribed on Li Fangying" still believes that Li's ink bamboo "Dongpo, Yu is awe-inspiring". Even the masters of ink bamboo painting Su Shi and Wen Tong are "afraid of it" , which shows its high evaluation. As for Li Fangying's best painting of plum blossoms, the discussion is more specific and the evaluation is higher. Zheng Banqiao said in "A Long Scroll Inscribed on Li Fangying's Painting of Plum Blossoms" written five years after Li Fangying's death: Orchid and bamboo paintings are popular among everyone. For, not good. Plum blossoms and everything in the world do nothing, let alone good things. But lay people and monks do it. Every time I see a large piece of coal holding my eyes, it is so disgusting and filthy that I feel like vomiting. Brother Li Si of Jingjiang is only doing it when the whole world is not doing it. It is difficult to see the work, so he just talks about it. Therefore, he was the first in the world to paint plum blossoms. During the day, I stare at it, and at night, I contemplate it. I forget about my clothes, and my mouth forgets about its taste. Then I take in the spirit of plum blossoms, appreciate the nature of plum blossoms, imitate the charm of plum blossoms, and breathe out the feelings of plum blossoms. The plum blossoms also bow down and become part of the cutting and carving process. In but unable to come out. The so-called tailoring does not mean cutting, but it is true cutting; the so-called carving does not mean carving, but it is true carving. It is advisable to stop the crooked journey, and not to exhaust the world. There are people who don't know how it happened. If you ask Qingjiang, you don't know it yourself, and you can't tell others. If you come to Tongzhou and see this scroll, you will be energetic and full of interest. This volume of new branches and old trunks is mixed with flying and dancing, making it impossible to find its ups and downs. I want to sit and lie down under it, do my homework for ten days, and then remove my ears. Inscribed by Zheng Xie of Banqiao on May 13th, the 25th year of Qianlong reign. On this painting, he also wrote a four-character poem: Megan gnaws, plum moss shines, a few petals of ice soul, eternal snow. According to the postscript of Zheng Banqiao's "Scroll Inscribed on Huang Shen's Paintings of Ding Youyu" written at the same time ("Banqiao Painting and Calligraphy Rubbing Collection", the original is in the Nantong Museum), "Hao Xiangshan is also the servant of Li Gong in Qingjiang, and his master's pen and ink are as precious as "We know that Zheng Banqiao came to Tongzhou for the second time in the early summer of the 25th year of Qianlong (1760) when he was sixty-eight years old, and Li Fangying's servant Hao Xiangshan took it. He asked Zheng Banqiao to write an inscription on the paintings of the owners he visited. Zheng Youfei felt his original deep friendship with Li Fangying and Hao Xiangshan's loyalty to his master, so he happily wrote the inscription and poem above. Zheng Banqiao came to Tongzhou this time and lived in Qin, more than 20 miles north of the city. Zao, "lived in Baobei Jijing Valley Garden" (Jinbang "Haiqu Supplements"), and went to visit Langshan. In his collection, he left two of the seven unique poems "Traveling to Bailangshan". This postscript first criticizes the disgusting plum blossoms painted by lay workers and monks; then praises the plum blossoms painted by Li Kuying as "difficult to see the craftsmanship" and "the first in the world"; Not carving is carving, which is in line with the nature of plum blossoms, and there is no artistic experience of artificial carving; in the end, he expressed his admiration for the "new branches and ancient trunks, mixed with flying" of this plum painting, and was willing to "sit and lie under it and do ten days of homework" Then go". This inscription is so specific, profound and full of emotion, which also reflects that Zheng Banqiao and Li Yunying have been friends for a long time, have many contacts and have a deep understanding. It is an important testimony of their profound friendship. In the winter of the 16th year of Qianlong's reign (1751), after Li Fangying was dismissed as the magistrate of Hefei, he lived in Xiang's Garden in Nanjing, named the garden, and settled down there until he returned home due to illness in the autumn of the 20th year of his reign (1755). During the four years in Tongzhou, he often had a close relationship with Yuan Mei, a leading literary figure at the time, and Shen Feng, a painter. They talked about poetry and painting, and had a very close relationship. In the early spring of Yihai (1755), the 20th year of Qianlong's reign, Li Fangying returned to Tongzhou once, and Yuan Mei sent him a poem. Volume 11 of the collection of poems contains three poems "Send Li Qingjiang back to Tongzhou". The first poem has a sentence that goes: "I just sent plum blossoms and snow-filled clothes, and the plum painter flew away again. How can a lamp be indifferent to wine and spring? The four seas talk about the shadows. Even rarer." What is written is indeed an early spring scene, with the word "spring" clearly marked. Li Fangying likes to paint Fengzhu. His "Bamboo Picture of Xiaoxiang Wind" depicts an ugly stone and several poles of Xiang bamboo. The bamboo tips are bent and the bamboo leaves are fluttering in one direction, showing the scene of a strong wind. A small poem on the painting: "The history of painting has never been about painting style. I excelled in difficult situations." Please look at the Xiaoxiang Bamboo, your ears are full of jingdong and thousands of jade are in the sky. Li Fangying's painting of Fengzhu has a profound meaning. In another poem titled "Picture of Fengzhu", he wrote: The waves of the official world are fluttering, and the bamboos are planted behind closed doors to learn the art of painting. Laughing at myself is full of courage, and I still love the strong wind even if I wave my hair. He has been a local magistrate for thirty years and has suffered several heavy blows. In the eighth year of Yongzheng's reign (1730), he was appointed magistrate of Le'an County. He was impeached for opening warehouses to provide disaster relief and was too late to ask his superiors for instructions. In the tenth year of Yongzheng's reign (1732), he was appointed magistrate of Lanshan County. Governor Wang Shijun blindly When he was ordered to open up wasteland, officials took the opportunity to blackmail the villagers. He resolutely resisted, and was thrown into prison and suffered an unjust lawsuit for a year. Finally, in the 14th year of Qianlong's reign (1749), when he was appointed magistrate of Hefei County, he was accused of disobeying his superiors. He was dismissed from office on charges of "corruption and perversion of the law." All these are what he calls "the waves in the official sea are fluttering". The officialdom was too dark, so he gave up his official position to learn to paint bamboo and became a "painter". His character remained unchanged. He "smiled at himself and was full of courage". He despised tradition and authority and loved to paint wild winds as a way of sustenance for himself. The unyielding spirit of resolutely fighting against the harsh environment. In Li Fangying's works, the strong wind is certainly a symbol of unyielding spirit, but it is only one aspect of the painter's character, reflecting his struggle against evil forces; another aspect of his character is his care and sympathy for the lower class people. , prompts the wind in his paintings to transform into a spring breeze that makes all things prosperous, and a warm breeze that brings warmth to the working people. In his poem "Painting Plum Blossoms", he wrote: The ink marks on the paper are new when the pen is written, and the plum blossoms are the most beautiful at some point. I hope that the sky wind will blow them far away, and every door and alley will become spring.
He hoped that the wind would blow the lovely plum blossoms to every household, so that every household could enjoy the fragrance of plum blossoms, and let every household feel the warmth of spring.
The wind this day is warm and completely different from the strong wind