Lipper
The king of Qin swept Liuhe, eyeing, He Xiongzai! Swords make clouds, and princes come to the West.
Judging from the apocalypse, it can generally drive a group of talents. Withdraw troops and cast gold people, and the valley of letters opens eastward.
Gong Ming will benefit from the mountains and look at Langya Taiwan. 700,000 torturers set out from Mount Li.
It's sad to be at a loss about taking the elixir of life. Even crossbows can shoot marine fish. The long whale is Cui Wei.
The forehead and nose are like five mountains, and the waves are thundering. Why does Tibet want to see Penglai?
When will Xu Shi's boat carrying A Qin girl come back? But see three springs, golden coffin buried cold ashes.
Qin Wang drinks.
□ Li He
The king of Qin rode a tiger to swim the eight poles, and the sword was shining through the sky.
Xi He knocked on the glass, snatched the ashes and kept flying.
The tap pours wine and invites wine stars, and the golden flute and pipa crow at night.
Dongting came to blowing sheng in the rain and got drunk on the moon.
Silver clouds comb Yao Dian Ming, and the palace gate reports six tables.
The jade phoenix in the flower building is charming and hideous, and the sea red is light and clear.
Orioles have been dancing for thousands of years.
The candle tree of the immortal is light in wax smoke, and the harp is drunk in tears.
. Li Bai and Li He are romantic poets in different periods of the Tang Dynasty, and their creative styles have their own characteristics. Both of them are poems describing Qin Shihuang. Li Bai's "Ancient Style" (Part III, Qin Wang Sweeps Liuhe) and Li He's "Qin Wang Drink" are different in writing, but each has its own mechanism and extraordinary splendour, which makes them complement each other.
First look at Li Bai's "Ancient Style" (Part III). The first half of the poem affirms the historical achievements of Qin Shihuang in unifying and consolidating the world. Qin Shihuang complied with the historical wishes and requirements, and made the country move from the chaotic situation of the Warring States to unity and peace, safeguarded the interests of the people and made historic contributions. Therefore, at the beginning of the poem, the poet eulogized emotionally: "Qin Wang sweeps Liuhe, he looks!" Swing the sword and set the clouds, and the princes will come to the West. " After the unification of the six countries, in order to further consolidate the unification situation, the poet then described the "outline" of Qin Shihuang: the first emperor took two measures: first, it took 26 years to collect all the weapons in the world and cast them into twelve golden figures (bronze statues) and store them in the palace; The first is to make contributions by carving stones (see Records of the First Qin Emperor's Biography), which shows the world. According to Records of the Historical Records of Qin Shihuang, in the twenty-eighth year of the first emperor, the southern expedition was evil, but "it was evil to move to the 30 th household in Guizhou; After the age of twelve, set up a platform to ward off evil spirits, set up stone carvings, praise Qin De, and affirm measures such as unified writing, unified measurement, making laws, and centralization; In the thirty-seventh year, "going to the court, offering sacrifices to Dayu, looking at the South China Sea, and setting up stone carvings to praise Qin De" criticized the attempt of the governors of the six countries to restore, stopped the resistance of the nobles of the six countries from public opinion, and maintained the unity of the world. So "the valley of letters opens to the east" and the world is truly unified. In his poems, the poet described the king of Qin as "eyeing" and showed his kingly demeanor with eyes like electricity and momentum like a tiger. Through his action of waving the sword of the Emperor of Heaven, he portrayed the domineering of Qin Shihuang.
In the second half of Antique, from the perspective of poetic composition, it is obvious that "Qi" and "Cheng" have changed into "Turn" and "Harmony". Based on historical records and vivid artistic descriptions, Li Bai criticized and satirized the absurd behaviors of Qin Shihuang, such as building a mausoleum and collecting medicine to seek immortality. Qin Shihuang used 700,000 people to build tombs and put bronze coffins on Mount Li, and sent alchemist Xu Yi to the sea to seek immortality and shoot fish with crossbows, all of which are recorded in Historical Records of Qin Shihuang. In writing, the poet's second half reveals his selfish and ignorant inner world through various behaviors of the king of Qin. He wasted money and money, squandered people's fat and people's essence to build a mausoleum, which was not enough. In order to live forever, he "still takes the elixir of life". The so-called "immortality" theory is absurd. Where can I find the medicine for immortality? However, after "being at a loss and feeling sad", Qin Shihuang did not stop there, and sent a seagoing ship to shoot whales with a crossbow. He was cheated by the alchemist one after another, but he was always stubborn. Finally, the poet used the phrase "but see three springs, the golden coffin is buried with cold ashes" to "combine" the matter of repairing the tomb and seeking longevity. The brushwork is vigorous and concise, which means profound and cold. From the narrative of Qin Shihuang's story, it returns to the current reality of the poet's creation, which is ironic and penetrating. Although there are only two crosses in the end, they are worth a thousand words.
Li Bai is a famous poet for a long time. In the face of such a master of poetry, Li He, a latecomer, did not flinch. I didn't flinch, because I didn't imitate the tradition, but was run by an artist, and found a new way to deal with the same theme differently, so that the king of Qin was successful in drinking. The secret lies in innovation.
The first four sentences of Drinking by the King of Qin praised Qin Shihuang's achievement in unifying China. These four poems are the same as Li Bai's first four, but their writing style is unique. Li He condensed the first two sentences of Li Bai's poem into one sentence, saying that the king of Qin could subdue the tiger by force: in front of the king of Qin, the tiger changed from the king of wild animals in the mountains to a mount, and it obeyed the orders of the king of Qin and carried him to patrol the Eight Poles to carry out the war of reunifying China. This description adds a layer of mythical romanticism to the image of King A Qin. "The sword shines on the blue sky, and the sky is blue", which highlights the incomparable power of the King of Qin to unify China. It seems that he doesn't even have to swing a sword. As long as the sword shines, the sky will be blue and the world will be unified immediately. As "Zhuangzi said the sword" said: "If you use this sword, you will obey it and the world will obey it." It's invincible, how easy it is! It is more exaggerated than the "Western Expedition of Governors", emphasizing the far-reaching significance of the unification of China by the King of Qin. Buddhism believes that rebuilding the world after the flood is a disaster, and strong winds and fires have destroyed everything. Ash robbery refers to the residual ash from fire robbery. The disaster has passed, and divided China has become a unified and peaceful world. These seven words contain strong feelings of praise.
Even more amazing, Li He expressed the historical process of Qin Wang's unification of China with "xi He knocked on the glass in the sun". The myth that xi rode six dragons to ride chariots for the sun was used in many classical works. There is a sentence in Qu Yuan's Li Sao: "I told him to be cautious, to expect, but not to be urgent." Li He was deeply influenced by Chu Ci, but he made some innovations in his allusion to Japan. Qu Yuan was afraid of "the sun suddenly turns to dusk" for the sake of "I will go up and down", so he hoped that Japanese trains would not enter. Li He asked He to urge the sun, so as to show the fleeting momentum when Qin Wang unified China, echoing "the sword goes sideways and the sky is blue". Through the use of myths and legends, the invisible and inaudible time passing process is appealed to people's vision and hearing, which is tangible and vivid. Li He is not satisfied with the imagination of "xi Celebration Festival" and "Six Dragons Returning to Yang" (Li Bai's Difficult Road to Shu). In Li He's view, the sun is as round as a mirror and as bright as glass, which is not only visible but also tangible. In order to highlight this feature of the sun, Li He used the word "play the black bamboo, whip the horse and peach plums" ("Xiangquan Wine") and the word "bitter": "The day grows white for thousands of years, and the sound of filial piety is ugly" ("Guan Jie Drum"). Therefore, on the basis that the sun is as bright as glass, it is really ingenious to imagine "why does xi knock on the glass of the sun", which can be described as groundbreaking, imaginative and very strange, and fully embodies the characteristics of Li He's poems that are rich in rhetoric and creativity, unconventional and unconventional. When explaining this feature of Li He's poems, the Summary of Sikuquanshu cited two examples, one of which was "He knocks on the glass of the sun", saying that "He dominates the sun, making it knock on the sun, and it makes it knock on the glass".
There are many such examples in Li He's poems. Such as "A Ballad in the Sky": "Tianhe floats back to the starry night, and Pu Yin learns the sound of water in the clouds." Stars can't float, but since the sky is a "river", the stars in Tianhe are imagined by poets to float on the water; The cloud is silent, but it flows like water. The poet further imagines it as sound, which imitates the sound of water. Another example is "The Man in Luofu Mountain and Gepian": "If you want to cut a foot in Hunan, you can't be blunt." The poet first compared the light of the grid cloth to the Hunan water, and further imagined that the clouds were reflected in the clear Hunan water, so he did not cut the grid cloth, saying that it was cut in the "sky" in the Hunan water. This wonderful imagination is really amazing.
The first four sentences are written steeply, like Tiele stone carvings. From the following "inviting wine stars", write the scene of the king of Qin indulging in singing, dancing and feasting. Through this description of the scene of peace, we praised the joy of peace and prosperity, and set off the generous image of Wu Ying, King of Qin.
First, use four poems to write a feast of silk and bamboo. A wine spoon with a handle like a faucet pours wine into people. The word "Xie" describes the way the wine flows like a note, which makes people want to see the chest opening at the banquet. The word "invitation" also shows the host's hospitality, raising glasses frequently and beaming. It only takes two sentences to compose music. The first sentence is about strings, and the second sentence is about wind music, written in different ways. Writing pipa is to imitate the sound and directly describe the "bang" sound; Sheng is written in a metaphor: its sound is like a thin rain line falling on Dongting Lake. Write the auditory image of music as tangible and auditory, visual and auditory synaesthesia. In ancient works, there are many metaphors of music with natural phenomena, such as listening to Dong playing the piano and sending a room to things: "Suddenly the bass jumps into a freer tune, like a long wind shaking the forest and a downpour breaking the tiles. In spring, flying sawdust, a wild deer called his companion. He runs between buildings. " It is not novel to compare music with the sound of rain, but it is unusual to say "the foot of rain in the cave". This is no ordinary rain, but fine rain feet floating on the vast and boundless water surface of Dongting Lake. This has written a unique musical artistic conception, embodied the characteristics of the rise of Li Hehua's prose, and made the poem suddenly enlightened. In the following four sentences, the description of "drowning the moon with wine" is extremely grand, and it will not be dawn. The king of Qin can not only command the world, but also control the sun, the moon and the stars, which embodies the description of "riding a tiger to swim the eight poles" and "mending the sky with a bright sword" at the beginning, making the image of the king of Qin more full. Next, between the scenes of the banquet, I suddenly inserted a sentence, "Silver clouds are shining brightly, and the palace gate is reporting six watches", taking care of the word "wine". Before I knew it, it was dawn, and I saw silver clouds overlapping and the palace was brightly lit. Then I went on to write the scene of singing and dancing at the party. These two sentences are divorced from the description of the banquet, just like the banquet is shrouded in rich wine fragrance, blowing a fresh air, which is particularly alarming and embodies the characteristics of Li He's "literary talent is like a cliff, and Wan Ren rises" (Old Tang Book).
Hehe, I only know these two songs.