The next sentence of sleeping on the bank of fragrant grass __: The toad throws himself into the night when the lake falls. Title of the poem: "Santang East Lake". Real name: Wei Zhuang. Font size: Zi Duanji. Era: Tang Dynasty. Ethnic group: Han. Birthplace: Duling County, Jingzhao County (now Xi'an, Shaanxi). Date of birth: approximately 836. Time of death: 910. Main works: "Bodhisattva Man", "Shang Xi", "Ying Tianchang", "Ying Tianchang", "Sidi Xiang", etc. Main achievements: An important poet of the Huajian School; persuaded Wang Jian to proclaim himself emperor and established the founding system of the former Shu.
We provide you with a detailed introduction to "Sleeping on the Shore with Fragrant Grass__" from the following aspects:
1. For the full text of "Santang East Lake", click here to view " Details of "Santang East Lake"
The autumn water in the pond is full of clear blue water, and ten acres of water chestnut flowers are clear in the evening mirror.
The scenery is moving across the new bridge, and grass is spread on the bank to sleep.
The toad casts its soul into the lake at night, and the mountain falls into the autumn lotus and lives in the waves.
Where is the most popular place for poets and tourists? The misty rain and the sound of frogs at dusk.
2. Appreciation
Wei Zhuang’s verses, especially the verses describing natural scenery, are not as profound and thought-provoking as some of his quatrains, but they are It is bright and fresh, and it also has its own valuable characteristics in terms of lyrical expression.
Firstly, he rarely uses allusions for things. Instead, he uses clear language to form words and sentences based on the natural environment, writes what he sees in his eyes and what he feels in his heart, and affects the readers' hearts with true affection. . This poem is an ode to "East Lake", and it starts with "A pond full of autumn water". It goes directly to the topic and starts in a refreshing and natural way. Then, at night, on the deep green lake, the author let various scenery appear one after another; ten acres of water chestnuts floated on the lake, spreading flat in the mirror-clear water; the new bridge across the lake looked like a rainbow, Shadows ripple in the water; on the shore of the lake, there are green grass, and pond herons sleep quietly; at the bottom of the clear lake, the moon casts its shadow, as if falling from the sky, and the surrounding peaks also reflect their beautiful shadows. Like a blooming lotus. With the lake as the center, the author organizes the natural scenery on the lake, on the shore, in the sky, and around it, and brings them together into the lake to become a lively, beautiful, charming and peaceful pool. Among them, there is both the expansion of the plane and the intersection of the upper and lower dimensions; there is both liveliness and cuteness in the dynamic, and tranquility and tranquility in the tranquility. However, the author finally said that what most arouses poetry is the sound of frogs in the fields at dusk, in the mist and mist. Everything described in the poem is like a clear stream. It trickles out from the poet's pen and flows straight into the reader's heart, refreshing the heart. There is nothing pretentious or artificial about the writing, but it is as natural as a eloquent conversation, cordial and touching. Among them, the word "__" (dìdōng, another name for Changhong) comes from the "Book of Songs·_Wind" "__ is in the east, and no one dares to point it." However, when used here, it has nothing to do with the meaning of the original poem. It is just a borrowing. It just matches the "__" (jiāoqīng, Chilu) in the couplet, and the parallelism between the two couplets in the middle is the rule that rhythmic poetry should follow, and it is not forced. As for "Toad throwing Ye Po", it seems to be used in the "Tongyi of the Five Classics" ("What's the rabbit and the toad in the moon? The moon is yin; the toad is yang, and together with the rabbit, yin is yang" ) and the allusions of "Book of the Later Han Dynasty: Astronomical Chronicles" ("E held her body in the moon, she was a toad"), but there are toads in the middle of the moon. This is a well-known myth and legend in ancient times. It can be easily picked up here and driven freely without any trace. , there is no trace of using allusions.
Secondly, the structure is novel, and the natural and fluent writing style implies careful arrangement of the composition. The author started writing about East Lake at night. This can be seen from the word "night" in the second sentence, which can be further proved by the words "sleeping__" in the fourth sentence and "the toad casts its soul at night" in the fifth sentence, especially the three words "when the lake falls" The word indicates that the moon is at its peak, or at least midnight. But in the last couplet, it was teased with a question, and there was a big reversal in time: "The sound of frogs in the mist and rain at dusk." This is really groundbreaking and unexpected. This arrangement has rich meanings. It shows that the author did not arrive at East Lake just at midnight, but came at dusk. At that time, it was misty and rainy, and he could only hear the moving frogs all over the lake, which aroused a strong poetic interest. At the same time, it also shows that the first three couplets are written about the sunny scenery, the rain washes the autumn light, which is particularly refreshing. It secretly provides the best footnote for the word "Qing" in the second sentence. Secondly, the first three couplets are all written visually, and are all seen with the eyes. The final addition of the sound of frogs is heard by the ears, which further adds to the auditory atmosphere of the whole beautiful scenery. Both sight and hearing are used, and the sound is received. The effect of both emotions. In addition, the sound of frogs in the last couplet is also a contrast to the silence of the night, that is, the noise is used to set off the silence. At dusk, the misty and misty East Lake is the world of frogs. The frogs sing loudly and lively. But at this time, they seem to be tired of singing and rest quietly. A bright moon quietly sheds its light, covering everything and transforming. Everything makes the tranquility after the noise deep, strange, and intoxicating. The ingenious arrangement of this last couplet makes the whole poem particularly colorful, arouses rich imagination, and leaves a long and endless charm.
Thirdly, the wording is accurate and vivid, and the whole poem has a loud tone. The verbs in the poem, such as "moving", "horizontal", "pu", "throwing", "falling", "falling", "entering", "sheng", etc., are not only accurate, but also convenient because of their frequent occurrence. It makes the originally static scenery have momentum, and also makes the originally unrelated scenery merge into one, acting as a link-like relationship.
The adjectives "clear", "clear", "chaos", etc. are also just right. For example, the word "chaos" is used to describe the sound of a group of frogs singing freely. It is so vivid and accurate that it cannot be changed. In particular, the poem also uses two-tone words such as "__", "__", "Dusk", and "Misty Rain", which read fluently and naturally, with harmonious pronunciation, adding to the musical beauty of the language. It also shows that the author's writing skills are perfect because of practice. He mobilized various artistic methods to express the natural beauty of East Lake extremely vividly and realistically. The leisurely feeling also permeates between the lines, which is fascinating.
3. Other poems by Wei Zhuang
"Thinking of Return", "Night Thoughts of Zhangtai", "Picture of Jinling", "Bodhisattva Barbarian", "Qin Women's Song". Poems from the same dynasty
"Sangu Stone", "Warm Cui", "Farewell to Xu Kan", "Poetry of Deep Regret", "Inscription on Jia Dao Tomb", "Tiantai Chanyuan Couplet", "Song of Everlasting Sorrow" ", "Remembering the South of the Yangtze River", "Spring Journey to Qiantang Lake", "Ode to the Dusk River".
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