Shanxi was born in Taiyuan and was ordered to be a loyal minister.
Civil and military officials are just discussing that the prestige of Guizhou and Sichuan is shocking.
Knowing Yang's eight poems is the only way for Yang to stay. The story of Yang Jiajiang's resistance to Liao has been circulated among the people for a long time. In the Southern Song Dynasty, there were monks named Yang and Hewulang. There are many dramas in Yuan Dynasty. Xie Jinwu swindled the Qingfeng House, Meng Liang stole the pagoda bone for five days, eight kings opened a letter to save loyal ministers, Yang Liulang went to Sandao Pass privately, dispatched troops to break the sky, and Jiao Zan lived with Xiao Tianyou. After the mid-Ming Dynasty, Manchuria was dug up, "Japanese invaders" invaded, and Ming Dynasty traitors came to power. Under this historical background, popular novels "The Romance of Yangjiafu" and "Biography of Northern Song Dynasty" appeared. The full name of "The Romance of Yangjiafu" is "The Biography of Popular Romance of Yangjiafu's Loyalty and Courage from Generation to Generation", and its author has no way to verify it.
"Yang Jiajiang" mainly tells the story of five generations of Yang Jiye who fought bravely against Liao and Xixia. Most people and things are fictional, such as Mu, Yang Yanlang, Princess Joan E and She Taijun. However, it is these people and stories between history and fiction that greatly increase the color and taste of the works, increase the hierarchy and legend of the protagonist, and make Yang Jiajiang's stories widely circulated among the people for hundreds of years and deeply rooted in the hearts of ordinary people. Fortunately, the works dare to break through the feudal shackles of thousands of years and boldly describe the indispensable and important position of women in society, such as Twelve Widows Breaking the Array, Mu Yu, She Taijun and so on. At the same time, the work also alludes to the cruelty and evil of the war at that time: men were killed or injured in the battle, and only women moved forward wave after wave. What is home? What is a country? Peace is the overriding truth! Yang Jiajiang's original audio novel.
Author: bear
Director: Yu Quanjie
Anchor: Chen Bing.
Studio: The filming of "Yangmen Woman" starring Li Shan, Martial Arts, Yan and Bao Honghai made the movie audience addicted to drama. This film is based on the folklore Twelve Widows' Journey to the West and Hundred Years of Yang Opera. The film reads as follows: Tian Bo House is full of jubilation, and She Taijun, a centenarian, is holding a 50th birthday party for Yang Zongbao, the grandson of the frontier guard. Jiao Tinggui and Meng Huaiyuan, who came back from the border, brought the bad news of Yang Zongbao's death. Shoutang immediately became a mourning hall, and Yangmen was in grief for a while. At this time, the court was afraid of strong enemies and wanted to make peace. She Taijun tried to suppress grief and indignation, and led his widowed daughter-in-law, granddaughter-in-law, and great-grandson Yang to refute Wang Hui. Young Yang also asked to go out to avenge his father. Mu, his mother, was willing to go out with his son, but Chai Jun, his grandmother, was worried that he was an only child and was not allowed to go out. She Taijun let their mother and son compete to stay. In the Potters Competition, Yang won with a plum blossom gun at the instigation of his seventh grandmother and with the acquiescence of his mother, and eventually went to the border with the army. In the battle before the battle, the invading Xixia king was defeated and returned to the old camp. He went his own way and took advantage of natural disasters to drive him out of the valley and threaten the Yang family. This plan was discovered by Taijun and Guiying. According to Yang Zongbao's last words and the groom Zhang Biao's statement, they confirmed that there is indeed a plank road in Hulu Valley, which can leap over the natural barrier and take the enemy camp by surprise. So Mu asked to withdraw, and broke into the valley, Taijun allowed, and proposed the White Mountain to strengthen his trip. After Mu Muzi and Yang Qiniang led an elite team into the valley, they went through hardships and twists and turns, and finally boarded the plank road with the help of an old man who knew the way to collect medicine. At this point, the Xixia King had besieged Taniguchi and threatened to set fire to She Taijun. Centenarians are unmoved. Suddenly, I saw the flames in the enemy camp, and knowing that Guiying's surprise attack was successful, I led my troops to pounce on the enemy camp, flanked both inside and outside, and wiped out the Xixia soldiers. This colorful opera art film won the Hundred Flowers Award in the early 1960s. And became a reserved program of China Peking Opera Theatre.
Mu, played by Mei Lanfang, a master of Peking Opera, became a highlight in the history of China opera. When rehearsing the play, Mr. Mei was 65 years old, but his stage style was never less than that of that year. As a masterpiece of Ji Shan created by Mr. Mei before his death, the play caused a sensation once it was staged, and it also became a representative repertoire of Mei School. Among them, the most artistic value should be "holding a seal". In this scene, the most brilliant thing is Mu Guiying's two different complex psychology before and after he took office. "I didn't ask if I was in trouble, nor did I ask how many feelings I evoked when I saw Shuai Yin. Yang Jiajiang gave her life and left her home to decide her country. The song of triumph was also favored by others, and I added a new grave ... that's why she vowed not to lead troops for the Emperor of the Song Dynasty. However, after the education of the old lady She, "Save the troops and put out the fire from ancient times, and retreat from the enemy to Dont Ask For Help", especially when the centenarian swore that you wouldn't lead me, and that you wouldn't lead me, she finally inspired the heroine's earth-shattering heroic ambition, so she sang the famous Peking Opera "Xipi Sanban" to Allegro. Among them, Teacher Mei performed "Holding the Seal" in a beautiful way. Master turned the images of some great martial arts students into Mu Guiying. In Qingshishan, he captured the figure of Yang Xiaolou, a martial arts student, who sealed the seal, absorbed Jiang Wei's star-gazing action in Tielong, and arranged the characters used by Shi Wengong in Revenge with One Arrow with nine hammers and a half drums. Let these sixteen sentences be sung in one go, slow is a small bridge, and urgent is a jade plate.
The Innovation of Local Opera in Qing Dynasty to Traditional Yang Jiajiang Stories
There are two traditional Yang Jiajiang stories in local operas in Qing Dynasty. One is the transplantation and adaptation of traditional stories, such as Golden Beach, Tianmen Array and Yang's The Journey to the West. One kind is the stories newly compiled by folk artists, such as Shiro Visiting Mother and Yang Bamei's Spring outing. Traditional stories are mainly based on Yang Jiajiang's legends and court plays. This kind of drama, while moving the stories of romance and court drama, inevitably accepts their ideological influence, and regards loyalty to the country as the basic theme of the drama. Lu Xun said: "The times are changing, and human feelings are not the same as in the past. After a long time, you will be a little tired, and it will gradually become different ... The reason is that a literati may regret The Red Chamber ... and a popular feeling can no longer be in The Water Margin. As a result, the content of Yang Jiajiang's plays shows a trend of "humanization", from blindly expressing loyalty and courage to expressing people's joys and sorrows. Japanese scholar Aoki Changji wrote when describing the performance of Yang Jiajiang's opera:
Recently, many people performed one of his deeds in Beijing Opera, except Li Lingbei/Shiro Visiting Mother/Mukzhai/Yuanmen Chopper/Yanmenguan, which was very popular with the audience.
From the repertoire listed at this time, it can be seen that the popular Yang Jiajiang drama on the stage, with its joys and sorrows far exceeding the traditional loyalty story, is "extremely popular under the stage". At the same time, under the influence of the prevailing atmosphere of "male and female drama" on the stage, Yang Jiajiang's marriage stories emerge one after another. Almost every member of the Yangjiamen has a romantic story. Not only traditional wedding dramas (Yutangguan, woodcut fasting, etc. ) was widely circulated, and the contents of the wedding mentioned in the Romance were perfunctorily turned into a drama (Henan Opera "No.1 Scholar Media", also known as "Zheng Fuyang Qin"). Even some martial arts dramas (Dragon Valley, Lonely Luan Array, etc. ) Nine out of ten people describe the confrontation between the two countries positively. No matter how different the ideological content of these plays is, the change of the theme has exposed the indifference and anti-traditional tendency of the audience and artists to the old theme.
Many experts in the field of Chinese drama have always believed that the humanization tendency in the Beijing opera "Shiro Visiting Mother" is a kind of "alien and ideological infiltration" that "runs counter to the opposite". This is not true. In fact, the performance of Yang Jiajiang's stories on the stage at that time not only showed the trend of "humanization" of the theme, but also the contents of some traditional stories had undergone profound changes. In the old story, the heroes of "loyalty to the liver and bravery, winning glory for the sun and the moon, shaking the dry Kun" were pulled back from the sky to the world one by one. Traditional Chinese opera artists have injected the blood of ordinary people into the veins of these loyal ministers and generals who "treat the son of heaven with their hearts" and filled them with the feelings, desires and weaknesses of ordinary people. Borrowing the concept of "modernization" means that heroes are "non-heroes".
The story and romance of Yang Dying Festival show the indignation that the hero is hurt and his ambition is hard to pay. This can be seen from Yang's inscription in the Liling Temple: He died because "the sage saw that I was very kind, and I defended the border and asked the thief to answer back, but I was not forced by traitors, which led to defeat. How can I live! " However, in the Peking Opera "Touching the Monument and Signing", the tragic artistic conception of the protagonist's ending was replaced by another sad and touching feeling of father and son. Although the drama retains the traditional plot of "letting the public touch the monument", the whole artistic conception has undergone a qualitative change. The play begins with Yang's Bad omen, which leads to Yang's touching plots such as Yumeko, Biezi and Wang Zi. Your father's motivation for touching the monument has also changed from the death stage of "If you are captured alive and humiliated by the Liao people, it is better to die than to be late" to the despair stage of "being trapped in two wolf mountains, starving during the day and being blown by the wind at night, hoping that the soldiers will not arrive and the children will not return". This old-fashioned drama, which focuses on singing skills, almost completely uses vocal music to express the characters. The whole set of "Huang Er" singing "I hope Joule can't help crying" showed your father's worries from the beginning, which set the tone for the whole play. As a "playmaker", a large section of "opposition" fully shows the painful mood of Yang's father-in-law at this moment by tracing back to Yang's unfortunate ending. Especially those two "my sons!" Big cavity, it is the painful and sad song of the character whose feelings reach the peak. If the traditional story accuses Pan Renmei of playing politics through the consequences of "Julian Waghann's defeat", then Beijing Opera exposes the ferocity of the powerful officials through the family tragedy of "a family without a master". The latter's "humanization" tendency is very obvious.
Economists not only deviate from tradition and boldly express human feelings, but also satirize inhuman characters with old stories. The story of beheading does not show Yang's ruthlessness in Romance. His "imprisonment" of Zongbao is only "afraid that he will lust after his own wedding and not break the array with his heart". 165438+ actually does not conflict with the royal law, but it is a little eccentric. On this basis, some outstanding representatives of Yang Jiajiang's new novels reappeared a more distinct "heresy" tendency. They made a brave impact on the old tradition with bold innovative spirit and humanistic thought.
Similar to the works of the European Renaissance, these dramas "Shiro Visiting Mother" and "Yang Bamei's Spring Tour" are all adapted from old stories and make use of legendary figures and some plots, but they have been given a lot of play and thorough transformation, completely getting rid of the traditional theme of "loyalty to the monarch and serving the country" in the stories. In the new story, Yang Jiajiang's legendary image has also injected new blood. Yangmen women will no longer be praised for their loyalty to the country and their death in the battlefield. She Taijun, who dared to mock the emperor, and the eight sisters and nine sisters who dared dispatch troops to resist marriage in Eight Sisters of Yang are all dazzling with their rebellious spirit. The princess in the mirror in Shiro Visiting Mother is also different from the princess image in romance novels because of her kindness, frankness, passion and wit.
For all kinds of feudal consciousness in traditional stories, the new stories have been broken to varying degrees. A "Shiro Visiting Mother" almost denied the feudal orthodoxy and Han chauvinism in traditional stories. In the traditional story, the Liao War is on a par with the agricultural intellectual who suppressed the uprising of ethnic minorities. This is the same as "Water Margin", which compares the levy of Liao with the levy of Fang La. In fact, it was based on the orthodoxy of the Song Dynasty and regarded a few regimes and peasant uprisings as "thieves". Shiro's Visit to Mother can get rid of the shackles of this concept, dare to face up to history, and dare to remind Song and Liao that the essence of feudal war is "the two countries defeated their soldiers without fighting" and "each country is the main one". In particular, it is based on the plot of being captured and married, which arranges the dramatic plot that Xiao and Yang are both in-laws and enemies. Through the ties of Yang Silang, two families were trapped in the misfortune brought by the war at the same time. The significance of this description is not only to expose the misfortune and pain brought by the war to individual families in general, but also to reflect the suffering brought by the disharmony between ethnic groups to the two ethnic groups. This shows that the author can jump out of narrow national prejudice and have a deeper insight into history. The central content of Shiro's Visit to Mother is summed up in two words, namely "human feelings". The whole play consists of three parts. The first paragraph describes Yang Yanhui's homesickness and the feud between husband and wife. In the second paragraph, the process of visiting my mother (going through customs, patrolling the camp, seeing my mother and crying in class) focuses on Yang Jiajiang's pain "Where are you going?" The third paragraph, the consequences of visiting mother (receipt), although mixed with some vulgar rituals, but the center still does not feel the separation of flesh and blood. Around the drama entanglement of forgiveness and killing Yang Yanhui, there is a conflict between human feelings and kingship. In the end, human feelings prevailed over Wang Fa. Yang Jiajiang's Comments on Tian Lianyuan
"Yang Jiajiang" tells the story of generations of Yang Yejia, a famous Northern Song Dynasty soldier, who resisted the invasion of Liao (Qidan) and Xixia. The book shows the struggle between patriotism and treason by praising the touching deeds of loyalty, courage and patriotism handed down from generation to generation by the Yang family. There are many characters with different personalities in the book. Yang Liulang is wise and brave, Kou Tianguan is resourceful and decisive, careless and ready to help others. Ren Bing gives his life to save his friends and hides the knife in his smile. There are Kou Zhun and Wu Youyang in Chinese. They cooperate with each other and are reasonable. Ren Bing died on behalf of his friends, and Liulang remained anonymous. The plot is touching and authentic. The conflict between Yang Liulang, Pan Renmei and Wang Qiang is sharp. Yang Xing, a comedian who calls himself "Yang Jiulang", was born from humble origins and admired Zhong Liang. His simplicity is childish, humorous and lovely, which runs through the book. The answers to Examining Pan Hong, Black Pine Forest, Yunnan Dispatching and Consuming Zhen Niu are interlocking and wonderful.
Yang Jiajiang is a kind of "robe plus a book" telling history, some of which are recorded in historical books, while others are mixed with truth and falsehood.
In the early Ming Dynasty, the first novella about Yang Jiajiang came out. In the mid-Ming Dynasty, some scholars collected Yang Jiajiang's stories from folklore, plays and operas and compiled them into novels. There are two kinds of existing works. One is Biography of the Northern Song Dynasty, later renamed The Romance of Yang Jiajiang, which describes the deeds of three generations of Yang Jiye in fifty chapters. The other is "Popular Romance of Yang Jiazhongxiong from generation to generation", with 58 sections, which describes the merits of Yang Jiahe and the Five Dynasties, and continues to write the heroic deeds of Yang He on the basis of the previous one. In addition, Journey to the East in Four Travels is interspersed with the story of "Yang Jiajiang's Big Sky Breaking Gate Array". There is also a description of Yang Zhi in Water Margin. Yang Zhi is a blue-faced beast descended from Yangmen.
Since the Qing Dynasty, novellas adapted from the romance have appeared, such as The Complete Biography of the Golden Gun, Erlang Mountain, Tianmen Array, Twelve Widows' Journey to the West and Eighteen Holes for the Common People (namely, Yang Nanzheng) in the Northern Song Dynasty. In addition, some stories of Yang Jiajiang characters are also interspersed in books such as Hu Shuo, Zhuan Xu, Flower House and Zhuan Xu's Covenant. At the end of the Qing Dynasty and the beginning of the Republic of China, many storytellers adapted Yang Jiajiang's stories into storytelling and drum writing, which were sung from generation to generation. Also known as Stealing the Golden Gun, it mainly describes the legendary stories of three generations of heroes, Yang () and He, mostly from Golden Beach to Tianmen Array, including The Complete Story of Yang Jiajiang by Liu Lanfang, a famous storyteller, and Yang Jiajiang by Tian Lianyuan, a famous storyteller. Among them, Mei Lanfang is famous for playing "Mu is in command", which shows that his story is fascinating. List of different versions of Yang Jiajiang comic books:
From Yang to Song and then to. Flowers and Beauty, 4 volumes and 60 pages, was published in 1950s. : From Yang to. People's Fine Arts Publishing House, 5 volumes, 64th edition, published on 8 1-83.
Yang Jiajiang's Story: From "Yang Da" to "Shocking". Hebei Fine Arts Publishing House, 2 1 Volume, 64th edition, published in 1983.
The Legend of Yang Jiajiang: From Huyan Zan Becoming Grass to Twelve Widows Returning Home. Fujian People's Publishing House, 22 volumes, 64th edition, published in 82-85.
Yang Jiajiang's Story: From Yang Yegui to Twelve Widows Sent to the West. Beijing Publishing House, 12, 60th edition, published in 1984.
From Yang to Mu in the Northern Song Dynasty. Hunan Fine Arts Publishing House, 8 volumes, 64th edition, published in 1982.