Dai wangshu
Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to see
Like cloves.
A girl with a grudge.
She does.
Clove-like color,
Lilac-like fragrance,
Sad as cloves,
Mourning in the rain,
Sadness and hesitation;
She wandered in the lonely rain lane,
Hold an oil-paper umbrella
Like me,
Like me.
voicelessly
Cold, sadness and melancholy.
She approached quietly,
Get close and throw again.
Breathing eyes
She floated by.
Like a dream,
As sad and confused as a dream.
Floating like a dream
A lilac field,
I passed this girl by;
She went away silently, far away,
A crumbling fence,
Walk through this rainy path.
In the lamentation of the rain,
Remove her color,
Spread her fragrance,
Disappeared, even hers
Breathing eyes
Lilac is melancholy.
Holding an oil-paper umbrella alone
Wandering in the long, long
Lonely rain lane,
I hope to float over.
Like cloves.
A girl with a grudge.
In this poem, the lilac knot in the rain is used as a symbol of people's sadness. Obviously, Dai Wangshu absorbed the artistic conception and methods of describing sadness from these poems and applied them to form the artistic conception and image of Rain Lane. This kind of absorption and reference is obvious, but can we say that the artistic conception and image of Rain Lane are the expansion and desalination of the modern vernacular version of the old poem "Lilacs are sad in the rain"? I don't think so. When the poet conceived the artistic conception and image of the rain lane, he not only absorbed the juice of his predecessors, but also created his own. First, the ancients used the lilac knot itself as a symbol of sadness in their poems, while Yuxiang imagined a girl who was as sad as lilac. She has the image of lilacs disappearing in an instant, which is different from the old classical poems and other works created by the poet in his early days. She is full of the tone of the old poems and shows more flavor of the new era. "Lilacs in the rain bear sorrow" can arouse people's hope and disillusionment more than "girls who are as sad as lilacs", and this image is a rare creation in the field of expressing the sorrow of the times. Secondly, in ancient poetry, the lilac knot in the rain is based on the real life scene to pin the poet's feelings. The poet added his imagination to his life experience. It is the product of artistic imagination, more beautiful than life.