1. The content and angle are different as follows:
Realistic writing: The water is sluggish, the mountains and islands are standing tall. The trees are growing, and the grass is luxuriant. The autumn wind is bleak, and the waves are rising.
Dummy writing: The movement of the sun and the moon is as if it were within it; the stars are shining brightly as if they were within it.
The function of real writing is that the poet outlines the magnificent scenery of the sea. The function of virtual writing is to express the sea's swallowing of the sun and the moon and the poet's magnificent ambition.
The two sentences "The water is sluggish, but the mountains and islands stand tall" are a panoramic view. The first sentence describes the turbulence of the sea waves, and the latter sentence describes the majestic towering mountains and islands. The next two sentences describe the vegetation on the island, "trees are thick and grass is luxuriant", which is full of vitality. These two sentences are closely related to the "mountain and island confrontation" mentioned above. The following two sentences, "The autumn wind is bleak and the waves are rising," describe the changes in the sea scene and express the majesty of the sea. "Hong" means big. Obviously, these two sentences are written in response to the above "How is the water?" This 6-line poem has a very strict structure, which shows the author's careful conception.
2. Extension:
"Viewing the Canghai" is the first chapter in "Stepping out of Xiamen". It is a group of poems written by Cao Cao, a writer in the late Han Dynasty, using old Yuefu titles.
This poem was written in the twelfth year of Jian'an (207) when he passed through Jieshi Mountain during the northern expedition to Wuhuan and returned to his army. This group of poems is divided into five parts, starting with the overture "Yan", followed by four chapters: "Viewing the Sea", "Winter October", "The Soil is Different" and "The Turtle Lives Longevity". The whole poem describes the customs and scenery in the Heshuo area, expresses personal ambitions, and reflects the poet's ambitious and dominating heroic spirit. The artistic conception of the work is broad and powerful. The original text is attached as follows:
Viewing the Canghai
To the east is Jieshi to view the Canghai.
Where is the water? The mountains and islands are standing tall.
There are many trees and lush grass.
The autumn wind is bleak and the waves are rising.
The journey of the sun and the moon can only come out of it;
The stars are shining brightly, as if they can come out of it.
Fortunately, I sing to express my ambition.
3. Introduction to the author:
Cao Cao (155-March 15, 220), whose courtesy name was Mengde, whose last name was Jili, and whose nickname was Ahao, was born in Qiao County, Peiguo (today's People from Bozhou, Anhui. He was an outstanding statesman, militarist, writer and calligrapher in the late Eastern Han Dynasty, and the founder of the Cao Wei regime in the Three Kingdoms.
At the end of the Eastern Han Dynasty, the world was in chaos. In the name of the Emperor of the Han Dynasty, Cao Cao conquered all directions, internally eliminated the separatist forces such as Yuan, Lu Bu, Liu Biao, Ma Chao, and Han Sui, and externally surrendered the Southern Xiongnu, Wuhuan, Xianbei, etc. , unified northern China, and implemented a series of policies to restore economic production and social order, laying the foundation for the founding of Cao Wei. When Cao Cao was alive, he served as the Prime Minister of the Eastern Han Dynasty, and later as the King of Wei. After his death, he was given the posthumous title of King Wu. After his son Cao Pi became emperor, he was honored as Emperor Wu, with the temple name Taizu.
Cao Cao was skilled in military tactics and good at poetry. He expressed his political ambitions and reflected the suffering life of the people in the late Han Dynasty. He was majestic, generous and desolate. His prose was also clear and neat, which opened up and prospered Jian'an literature and gave it to later generations. He left behind precious spiritual wealth, known as the Jian'an character in history, and Lu Xun evaluated him as "the founder of reformed articles." At the same time, Cao Cao was also good at calligraphy. Zhang Huaiguan of the Tang Dynasty rated Cao Cao's calligraphy as "wonderful" in "Shujuan".