2. Architectural concept and artistry: The architectural design concept of "Dragon and Lion Playing with Beads" originated from China culture such as "out of nothing", "harmony of Yin and Yang" and "harmony without difference", which has a good grasp of the regional environment. First, from the perspective of architectural plastic arts, the performing arts center takes architecture as "rigidity", which echoes the softness of Pengjiang and Donghua Bridge, forming a contrast between rigidity and softness. Second, the concave-convex board layout of the performing arts center echoes dialogue, showing "harmony between yin and yang, endless". Thirdly, in the architectural modeling and skin application of the performing arts center, it absorbed the local folk cultural elements in Jiangmen, such as "Heshan Lion Dance", "Chenshan Fire Dragon" and "Taishan Chonglou Weaving Method", and expressed the above elements to a certain extent from the aspect of architectural expression. From the perspective of regional landmark architecture landscape, the scheme pays attention to the performance of cultural buildings in the artistic level of medium-sized cities, which exceeds the artistic level of similar cultural buildings in all cities in the province and is also leading in medium-sized cities in China; Compared with the cultural buildings in many big cities in China, the architectural art level of this scheme is also very high, and it can be built into a landmark building in Jiangmen City.
3. In the process of soliciting opinions from people from all walks of life, "Dragon and Lion Playing with Beads" has received more recognition and praise. It is believed that this scheme can reflect Chinese cultural concepts and Jiangmen folk cultural elements, and it is consistent, with a strong sense of the times and strong artistic aesthetic feeling, and the functional sections are arranged reasonably, which is suitable for people from all walks of life and citizens.