The state map leads to the same valley, and the post road leads to quicksand. There are thousands of people living in this country. The horse stopped Han Luo and Hu Wubai inclined the question. When I was young, I boasted when I came to the West. ("Twenty Qinzhou Miscellaneous Poems" third) Hu Yi plays in the city, and the Han Festival belongs to the hillside. Prevent rivers from entering the sea and send a letter to Weijin. ("Twenty Songs of Qinzhou" Part 6) Clouds meet Kunlun, and the rain is crowded. The children of the Qiang nationality look at the Weihe River and send guests to Heyuan. Longyou is located in the frontier of Qin Zhou where Hu and Han people live together, on the edge of the Central Plains civilization. The policy of cultural compatibility and openness in the Tang Dynasty made it a big stage for cultural exchanges between Hu and Han. The unique geographical environment has created an environment of ethnic harmony and cultural diversity, and the sudden situation of bonfires in the border areas from time to time is vividly described by Du Fu in his poems. The diversity of residents, the diversity of products, the strangeness of customs and the strangeness of geography can be seen one by one; Posthouse, beacon tower, envoys, generals, Hu people and Hu things are all vivid. During his stay in Longyou, Du Fu also used a large number of poems to describe the unique natural features of Longyou and the human landscape in a specific historical era, showing a distinct regional cultural color. For example, write about natural scenery: vast mountains and lonely urban valleys. There was no storm in the traffic jam, and jathyapple was not at the customs. ("Twenty Poems of Qinzhou", Part 7) The willow is sparse green and the mountain is red. Hu Jia grumbled upstairs, and a wild goose soared into the sky. ("Sunny Rain") Another example is to write about places of interest: Nanguo Temple at the top of the mountain and Shuihao Beiliu Spring. Old trees are empty, and clear canals lead to the city. Autumn flowers are at the bottom of the dangerous rock, and the evening scenery is by the clock. ("Twenty Poems of Qinzhou" Part 12) There are few residual monks in wild temples and high paths in mountain gardens. Musk sleeps on carnations and parrots peck at golden peaches. The rushing water flows through people, and a prison lives on the cliff. It's late at the top of the pavilion. ("Mountain Temple") Another example is to write about the wonders of mountains and rivers: a gorge-shaped hidden hall with iron walls. The path smoothed the sky, and stones and thick ground split. Repairing infinite bamboo and embedding it in Solra began to snow. ("Tietang Gorge") The weather is cold and faint, and the roads in the mountains are lost. Drive under the stone niche and watch the mid-winter rainbow. (Cave) In October of the second year of Gan Yuan, Du Fu left Qin Zhou for Tonggu (now Chengxian County, Gansu Province), and on December 1st of the same year, he went south from Tonggu to Chengdu, which lasted for three months. During this period, he wrote two groups of * * * 24 poems, including Longyou's first poem 16: Fa, Tie Tangxia and Yanjing. A prominent feature of these two groups of poems is recording. Except for the first song, each group takes the place name of the trip as the topic, which highlights the continuity of time and space. It is all about mountains, rivers, customs and customs that can only be seen in the local area. It is completely a description of the field, a real scene and a real truth, rather than an expression of ideals and * * * scenery like Xie Lingyun and landscape poems in the prosperous Tang Dynasty. Their "uniqueness" is to write the "personality" of mountains and rivers. The canyons, mountains, stone platforms, ancient towns, cliff temples and ferries all have their own expressions. They all show their unique scenery and unique style, and they all belong to Longyou. Du Fu's poems describe the natural scenery in mountainous areas, and record the human landscape in border towns, which are fresh and bright, or the flute sounds cool and refreshing, or magnificent and distant, or steep and steep, showing the frontier scenery different from that in plain areas. It is soul-stirring, pleasing to the eye, magical and unpredictable, and naturally stretches. This kind of poem can be found everywhere in Longyou's poems. It is unprecedented to give such a comprehensive and centralized account of a place. Du Fu's poems give a panoramic description of Longyou mountains and rivers that no one has written in history, and show the world the magical and unique features of Longyou, which is of groundbreaking significance. Pointed out Du Fu's unique contribution and important role in Longyou's going to the world. That is, the poem "Mountain Temple" is the earliest poem about Maiji Mountain written by ancient poets, and Nanguo Temple, a scenic spot in Qin Zhou, is famous all over the world with the help of Du Fu's poems. Many people just recite "Nanguo Temple on the mountain, the water number Beiliu Spring. The old tree is empty, and the clear canal leads to a city. " Du Fu's poems about Longyou understand Qin Zhou and enter Longyou. At the same time, we can see that Du Fu's Longyou poems provide a rich "arsenal" for the expansion and extension of Longyou culture and art. Calligraphy, painting, music and many other fields have "hunted for treasures" from Du Fu's Longyou poems, creating many new treasures with extraordinary artistic value and adding new brilliance to Longyou culture. Du Fu's poems and paintings have always been valued by famous painters, and his research on brush painting has a long history. Xu Beihong, a master of Chinese painting, carefully selected the fifth Beauty and the twenty Qinzhou Miscellaneous Poems from Du Fu's Longyou Poems, which had a great influence on the creation of poetry and painting, and its charm even surpassed the painting itself. Xu Beihong's painting entitled "Immediately" is based on the fifth of Twenty Qinzhou Miscellaneous Poems. The original poem reads: "The southern envoy is suitable for the heavenly horse, and the origin is doomed. Clouds don't connect, and autumn grass covers the mountains. It is said that the dragon is a kind of dragon, but it is still old. Think about the war and stand upright. " In the painting, a fine horse stands upright with its head held high, majestic and unstoppable. This painting was written by Xu Beihong at 1943, and it is a gift for rumbled Zhang Xueliang. At that time, Xu Beihong lived in Guiyang, and Zhang Xueliang was detained in Tongzi, Guizhou for the "Xi incident". Xu Beihong excerpted the last two sentences of Du Fu's poems, which were taught by Mr. Han Qing. Towards the end of the afternoon. Sadly, Guiyang guest wrote Shaoling poems. "This painting" Immediately ",written during the Anti-Japanese War, is profound and intriguing. Qin Zhou BMW's heroic spirit of "mourning for the war and standing tall" embodies a strong national spirit, and its appeal has been enduring ever since. Du Fu's Longyou poems also entered the music hall and went abroad. From 1980 to 1984, the former Soviet composer Ternikov selected and recorded Du Fu's 19 poems, and created two large chorus suites, which were grandly staged by the former Soviet National Chamber Music Choir in 1986. In this 19 poem, Longyou poems such as Li Bai's Dream and Weaving Promotion are included. Through these poems, people in other countries also appreciate Du Fu's feelings for Longyou and the profound connotation of Longyou culture, which is another contribution of Du Fu to Longyou literature and culture. Du Fu's trip to Longyou is unusual, and so are his poems. Longyou made Du Fu, and Du Fu also made Longyou. That is, as Mr. Huo said: "Those who govern Chinese poetry value Tang poetry; Everyone who attacked Tang poetry fell in love with Du Fu; Anyone who has read Du Fu's poems yearns for Qin Zhou. Without Qin Zhou's mountains and rivers to display his talents, Lao Du could not have set off a creative climax. If Qin Zhou didn't have the name Lao Du to convey his Tuge charm and shake the hearts of heroes at home and abroad, he would not go far to Wan Li to promote economic and cultural exchanges. " [18] Du Fu's life experience in Longyou and his poems constitute a solemn, magnificent and permanent glory in Longyou culture. Du Fu's life, official career is not smooth, experienced rough. He used to be a foreign minister of the Ministry of Industry and Information Technology (so he was later called "Du Gongbu"), and President Su appointed him as "Zuo Shiyi". A year later, he was demoted to Huazhou (now Huaxian County, Shaanxi Province) to join the army. During his ten years in Chang 'an, he personally witnessed the debauchery of Xuanzong, the fatuity of Su Zong and the corruption of powerful people, personally felt the cruel oppression of the ruling class on the working people and the deep suffering brought to the people by the war, and wrote the epics "Three Officials" (Xin 'an Official, Shihu Official, Tongguan Official) and "Three Farewells" (Newly Married and Resigned).
In the 14th year of Tianbao in Xuanzong of Tang Dynasty (AD 755), An Shi Rebellion broke out. In order to escape the war, Du Fu fled Chang 'an in the second year (AD 759) and trudged to Dongke Valley in Qinzhou, where he planted grass and reeds next to his nephew Du Zuo's residence to bury his traces, and regarded this place as an ideal "Peach Blossom Garden" for avoiding chaos and seclusion. There are poems to prove it: "Dongke Haoya Valley, not with other peaks", "I will be old when picking herbs, and my children have never heard of it", "The boatman is afraid of losing peach blossoms". Although life is very difficult, my hobby of "traveling around famous mountains and rivers and visiting historical sites" has never weakened when I was young. I also took time to visit places of interest in Qin Zhou, such as Nanguo Temple, Ganquan Temple and Maiji Mountain. There are poems left everywhere. Although Du Fu only lived in Qin Zhou for more than three months, due to hunger, he was forced to move to Tonggu (now Chengxian County) in the same winter, then went south and arrived in Chengdu at the end of the year. However, this is the most difficult and unforgettable experience in his life. Several poems written by the poet during his stay in Qin Zhou are in Dongke Valley, so it can be said that the "root" of the poet's coming to Qin Zhou is Dongke. And "these poems have reached the highest achievement." This is the precious cultural heritage and spiritual wealth left by the poet to Tianshui people. Tianshui people should inherit and carry forward these heritages. It is an unshirkable responsibility entrusted to Tianshui people by history to rebuild the Dongke Caotang. According to "yuan? According to historical records, such as the History of Great Unity, Stories of Ancient Locks, Records of Great Courage, etc., Dongke Caotang was founded in Zongshao period of Northern Song Dynasty (A.D. 1094), with a history of more than 900 years. There were thatched cottages in Song, Yuan, Ming and Qing Dynasties, which were destroyed by fire in the last year of Chongzhen in Ming Dynasty (AD 1644). After the reconstruction, Tongzhi of the Qing Dynasty lasted for seven years (A.D. 1868) and was destroyed again (see People's Political Consultative Conference Newspaper cut and pasted by Mr. Xian Zhemin). According to Zhong Zhang's article "How much do you know about Du Fu Temple in Longshang", "Dongke Du Fu Temple is the earliest one built to commemorate Du Fu Temple in Qin, Longshang, Shu, Jing, Chu and Yu." It can be described as the first thatched cottage in the world. " Therefore, it was listed as one of the top ten scenic spots in Tianshui after the Song Dynasty. For a long time, Liu Jiahe, where the thatched cottage is located, has been called "Zimei Village", the school has been called "Zimei Primary School", and the Millennium pagoda tree next to it has been called Zimeihuai. The local folk songs that have been passed down to this day say "Nine-strand pine, Eight-strand Sophora japonica, Du Fu Caotang, inkstone tile terrace".
According to the information provided by some experts and scholars, in 1959 after the founding of New China, Mr. Feng Guoduan initiated the construction of Ganquan Yulan Hall and Tianshui Dongke Du Fu Caotang, which received strong support and cordial care from Governor Deng Baoshan. Yulantang was completed as scheduled, while the latter was put on hold for a long time due to the influence of objective situation and climate.
By the 1990s, the time, geographical location, personnel and other conditions for the reconstruction of Dongke Caotang had been met. Seven retired people, including Xian Xuan, Xie, Bu Yuji, Xian Zhemin, Dang Boxue, Zhang and Jia Zhikang, who live in Dongke Valley, are planning to rebuild Dufu Dongke Caotang. This move was strongly supported by Fan Jufu, then secretary of the Party Committee of Jiezi Township, and the township party committee and township government. It is considered that this is a good thing to promote local traditional culture and has practical significance. The author was entrusted to draft the report of Jiezi Township People's Government on the reconstruction of Dufudongke Caotang, which was reported to Beidao District in April 1993, and Tianshui Municipal People's Government also reported to the provincial government.
In the winter of the same year, Secretary Fan informed that the report had been approved by relevant departments and was ready to be compiled later. Everyone is looking forward to it. 1995 got reliable information that the relevant departments in the province have allocated funds twice (the exact figure is unknown), but 1996 did not move in the spring. At this time, the leadership of Jiezi Township has changed greatly and cannot be confirmed. So Xie and other seven people jointly sent a letter to the Provincial Department of Culture to ask. Soon I got a positive answer, telling me that the matter had been handed over to the tourism department. At the turn of summer and autumn from 65438 to 0996, Jiezi township government presided over the foundation stone laying ceremony at the original site of Caotang, and began to build a circle of wavy flower walls. After three years, three huts were built in June 1999. Although it is very simple, it has built a shelf and played a role in attracting tourists. It is gratifying. Of the seven sponsors listed above, the first four have died one after another. Of the three people alive, two are over 80 years old and I am 70 years old myself. I sincerely hope that before I close my eyes, I can see "Du Fu Dongke Caotang" standing in Dongke Valley with a brand-new look. The original site of Du Fu Caotang is Liu Jiahe, Kegu Bahuai Village, Dongjie. Here, the mountains and rivers are beautiful, the orchards are densely covered, the air is fresh, and it is far away from the noise of the city. It is also located in Maijishan scenic spot and tourist highway line, connected with scenic spots such as Maijishan, Ren Xian Cliff, Jingtu Temple, Shimen and Jieting Hot Spring in Tianshui, and the Tianbao Expressway under construction also passes through here. This is very beneficial to build famous tourist attractions, attract a large number of Chinese and foreign tourists for sightseeing and develop Tianshui economy. We should give full play to the advantages of "Dongke Du Fu Caotang" and enhance the extremely high taste and value contained in this cultural relic. It is a very meaningful cause to attract tourists from all over the world and promote the development of local economy.
Based on the above three reasons, I sincerely hope that the relevant leaders and departments will respect history, conform to the people's hearts, seize the opportunity and make up their minds as soon as possible. I hope that the "Tianshui Dongke Du Fu Caotang" will be completely renewed, and the day when it reappears in Dongke Valley will not be far away.