After watching Drunk Pavilion, I feel 1. Chuzhou, surrounded by mountains, is in a competitive state and the sound of water is gradually rising. A drunken pavilion surrounded by blue waves has turned into a unity of interest, leaving traces of wind and rain, deeply engraved with the footprints of drunkards of that year.
Enjoy the people, enjoy the mountains and rivers, and get the message. The beauty of mountains and rivers is surrounded by green waters and green mountains. The green of the tree has no edge, as if it is spreading around, and even the air is filled with green breath. The beauty of water is not so clear, but reflects the shadow of the sky and mountains. This harmony between green and blue outlines another world. The brewing spring pours into the mountains, and the poems filled with wine flow in the brewing spring and pour in with the water. People are drunk in the scenery, as if filled with water vapor.
Enjoy the people, enjoy the feast and enjoy the wine. Fishing in the stream and making wine with spring water are the truest, mellow and freshest tastes in life. Game and delicacies, disorderly spread out, wine is not old, game fun, no constraints, regardless of identity, this is the feast of the satrap. There is no expensive dining table, no binding etiquette, only a happy and peaceful scene, a lively and simple atmosphere. As a result, even Chuzhou people live a simple life and have fun, and alcohol permeates the city.
Have fun with others, have fun with others. The changing beauty of dusk and the singing of birds in the Woods, in this natural scene, the satrap and tourists are happy together. The people are happy because they regard traveling with the Taishou as an honor, and the Taishou takes pleasure in other people's happiness, unifies drunkenness and joy, and sublimates their spirit from it, so they cultivate the broadmindedness of drunkenness and folk music.
The four seasons change, sooner or later, with the sunrise and sunset, the clouds disappear; Bloom flowers fall and come to the bottom of the valley, changing endlessly, changing angles, performing endless fun together, and bringing the beauty of the scenery to the extreme.
Thoughts on Drunk Pavilion 2 Ouyang Xiu's Drunk Pavilion has always been praised for its cheerful style and elegant artistic conception. Most predecessors commented that this article used 2 1 word "ye", which formed a sigh charm. In fact, it is not difficult to find that this 400-word landscape travel notes uses the word "le" in as many places as 10 except 2 1 0.
First, the optimistic and enterprising attitude towards life has laid the ideological root of "happiness"
Zuiweng Pavilion is an essay written by Ouyang Xiu after he was demoted to Chuzhou. Song Renzong supported Fan Zhongyan's political reform for five years (1045), and Fan was dismissed from office. Regardless of personal interests, Ouyang Xiu angrily wrote to reprimand the relevant dignitaries and was also relegated. The author at that time, like Bai Juyi, "began to be moved in the evening." Therefore, on the way to his post, he wrote: "The new wild geese in Yangcheng Lake fly south to chase the ship, and the wild shore is yellow and white, and the night watchman is shocked." The poem reveals the sleepless mood after being demoted.
But what is commendable is that Ouyang Xiu did not sink into political frustration. Because he was born in poverty, he worked hard to be an official, and after many ups and downs, he was self-reliant and optimistic. Therefore, during his tenure in Chuzhou, the author's mood was cheerful. "I came here to enjoy the seclusion and simplicity here, and also to love its leisurely customs." Therefore, the author put aside his personal troubles, "I look up at the mountains and rivers with the people of Chuzhou and listen to the mountain springs", and feel that "the scenery of the four seasons is lovely" (Fengle Pavilion). Therefore, Ouyang Xiu sang in "Farewell to Zhang Sheng": "The old horse is still strong and the heart is strange, and the pine is new with the age." Three years after leaving Chuzhou, Ouyang Xiu still deeply missed his relegation career, saying, "I'm drunk, and I'm famous myself" and "I'm full of thoughts, but my dream is gone" ("Si Er Pavilion sends Guanglu to relieve the Prime Minister Chuzhou"). This kind of nostalgia for the past and pleasure in suffering is very rare. From this point of view, it is no accident that The Drunken Man's Intention is not in the Wine, which is closely related to Ouyang Xiu's experience and optimistic attitude, thus laying the foundation for Ouyang Xiu's creation of The Drunken Man's Intention is not in the Wine.
Ouyang Xiu, the three great essayists, read Zuiweng Pavilion and advocated the political reform in the Northern Song Dynasty, just like Fan Zhongyan. Like Fan Zhongyan, he was pushed out of the court by conservatives and went to Chuzhou, Anhui Province to be an official. However, unlike Fan Zhongyan, Ouyang Xiu seems to be far more free and easy than Fan Zhongyan: since no one appreciates his enthusiasm for serving the country, he should enjoy himself-after all, life is full of scenery, so why bother to compete with filth when everyone is drunk (actually pretending to be drunk)? ! So in Chuzhou, Ouyang Xiu carefully manages his own writing world. The layout of the article, the choice of words and sentences, everywhere shows the author's painstaking efforts.
Zhu Zeng, a Dali scholar in the Song Dynasty, said in his Zhuzi Style that most of Ouyang Xiu's articles have been revised many times. Later, someone really got the manuscript of Zuiwengting Ji, and found that only the beginning of the article was changed in a mess. Around the content of "Chuzhou is surrounded by mountains", Ouyang Xiu began to use dozens of sentences! It was not until the final draft was finalized that I decided to use the words "Chu River surrounded by mountains".
With such painstaking efforts, it is only natural that the preface to the drunken pavilion will become a masterpiece that will be told for generations. However, what I want to say here is not how serious Ouyang Xiu is, but his mentality of devoting all his energy to his career-making a fuss.
Although "a word is immortal", it is Ouyang Xiu's greatest ideal and pursuit to be politically powerful and make a difference in the country and the people. However, when this pursuit is out of touch with the world, Ouyang Xiu always has a way to send it away. He is not depressed-Zuiwengting's "music" is enough to prove it; He is not high-spirited-times are unfavorable, and it is rare to have a heart to serve the country. Well, then, enjoy yourself and run your own other world.
After reading 4 beautiful sentences in Zuiweng Pavilion: "The meaning of Zuiweng is not in wine, but between mountains and rivers"! This is written by the great writer Ouyang Xiu.
Ouyang Xiu (1007- 1072), whose real name is Yongshu, is Drunken Weng,No.. Liu Yi, a layman, loves love the water and is famous for his history.
"After walking for six or seven miles, I gradually heard the water gurgling between the two peaks and making the sound of spring water. The peak turns around, the pavilion wings go up to the spring, and the pavilion is also drunk. " Whenever I listen to and read these poems, I seem to be there: walking on the mountain path, there are bursts of water in my ears, as if from afar and close at hand. A few more steps and the clear spring will be revealed. At this time, a squirrel crawled over and touched the tall reed grass. Through the swaying gap of reeds, I saw a bamboo pavilion built on the water. Is it a drunken pavilion?
This article is vivid and concise, full of words, closely linked to the elements of nature, and embodies Ouyang Xiu's lofty spirit and style of not going with the flow.
Ouyang Xiu loves the pleasure between mountains and rivers more than anything else. He loves mountains and love the water. He blended his feelings into the mountains and rivers. He is completely integrated with nature. Mountains and rivers are his closest relatives.
I think if he is brought to this city, he will go crazy.
Anyone who has read Ouyang Xiu's works will find that his words and feelings are very lofty, and he always has an aloof personality, which is very vivid.
We should also learn from his spirit, distinguish between good and bad, associate with good people, be isolated from bad people and love nature. This is the beauty of Ouyang Xiu's writing style.
After reading "Zuiweng Pavilion", the Zuiweng Pavilion with its four corners tilted, like a bird, quietly flew around this thin water. What a soft and peaceful scenery. The description at the beginning of Zuiweng Pavilion brings us to a beautiful environment and produces a pleasant feeling.
The same is true of another scene: "If the husband is in bloom at sunrise, the clouds will return to the cave, and the benevolent will be in the mountains." If the wild fragrance, the beautiful wood shade, the wind and frost are noble and clean, and the water comes out, it is also in the mountains at four o'clock. "
Here, I wrote about the mist floating in the morning, the smoke clouds gathered in the evening, the fragrant wild flowers in spring, the green trees in summer, the frost in autumn, and the stones exposed in winter. Everything is so quiet and simple, elegant and natural.
This is a description of the scenery in prose. "The Taishou and the guests come here to drink, and they are drunk with less, so they are the oldest, so they call themselves drunkards."
"As for the loser who sings on the road, the walker rests on the tree, the former calls, the latter answers, lowers his head, supports, never stops, and the Chuhe people swim. Fishing near the stream, deep fish fat in the stream, spring wine making, spring fragrant wine bottles; The pheasant is just a predecessor and a satrap feast. The joy of a feast is not silk or bamboo. Among the shooters, the player wins, the money is intertwined, the guests sit up and scream, the guests have white hair, and the winner is too drunk. "
"After all, the setting sun is in the mountains, the figure is scattered, and the guests are smooth."
It shows Ouyang Xiu's love for mountains and rivers. From: "I don't know how to enjoy the satrap", I know Ouyang Xiu's concern for the people.
Ouyang Xiu was not afraid of being strong, which led to his demotion. In such a mood, he still cares about the people, and the happy spirit of the people is worth learning.
After reading Zuiweng Pavilion 6 Zuiweng Pavilion, an article that I have read for a long time, like Yueyang Tower, I still know nothing about this kind of article, but I am moved by its language. I think "Yueyang Tower" is a wonderful article. When I express all my feelings in words and show them naked at this moment, I can't help but be conquered by it. How about Drunk Pavilion? What is revealed in the plain is silent joy. It doesn't seem to need direct expression, but it can make people gain something. What you got was the joy in the hearts of people there at that time. Even if you are not there, you can still imagine a living picture. Green eyes, wild flowers, birds singing and streams gurgling; Taishou feast, the joy in the heart, wild vegetables highlight delicious; Self-traveling satrap, birds are happy when they go, and when they are slightly drunk, they are happy. This is the feeling in my heart, very dull and sweet. If I am a citizen of Chuzhou, how can I be unhappy when I look at being too honest and lead a beautiful life?
If we integrate Ouyang Xiu's thoughts into Zuiweng Pavilion, there may be another general taste. Everyone is saying that Ouyang Xiu inherited Fan Zhongyan's noble thought and put "the joy of the world" throughout. I'm touched, too. In such a wonderful landscape and such a warm and jubilant atmosphere, Ouyang Xiu first felt the joy of the people, and then put his feelings on the landscape. In fact, I didn't understand his happiness for a while. But these days I have been enjoying the article, waving the word "Le" in my hand, just to see Ouyang Xiu's smile bit by bit and enjoy the joy of the people. People used to think that officials would never understand the real happiness of the people, but from Zuiweng Pavilion, we can see that officials of a feudal dynasty had advanced political understanding. Personally, Ouyang Xiu has always adhered to his ideals and always smiled to deal with the twists and turns of life. Ouyang Xiu's words tell me that either sadness or joy is only a choice. Only by coping with such a perfect life can we realize our dreams. Why not choose happiness?
At the moment, I often read Ouyang Xiu's words. He never writes about resentment or sadness. In his mind, there is only laughter, only joy for the people, and trying to be a good official with a smiling attitude towards people's lives.
After reading the preface to the drunken pavilion, 7. Anyone who has seen the preface to the drunken pavilion must be amazed! How can an ancient prose with nearly a thousand words outline such a beautiful scenery without being amazing?
In the article, beautiful mountains, streams and rare birds are all rendered colorful and astounding. The phrase "the meaning of drunkenness is not in wine, but also between mountains and rivers." It's even more enjoyable
At the end of the article, I wrote a detailed scene of everyone having fun. Imagine that without these people, this "Drunken Pavilion" would not be so lively, and wouldn't the friendship between teachers and friends be full among those drunkards who are concerned about mountains and rivers?
No matter how perfect things are, they can never compare with the true feelings in the world!
Let's walk out of the drunken pavilion. Primary school is about to graduate. At the class teacher's birthday party, the students did a lot of interesting things and finally forgot to eat the birthday cake. This birthday cake is unusual, with three layers of cream, one layer of dark chocolate and various fruits. Just looking at it makes people salivate.
Because I live near the teacher, I sent the teacher home. However, on the way, a motorcycle rushed at me like a bull and knocked the cake in my hand to the ground. The cake is bleeding, and the sprayed cream is splashed everywhere. Unfortunately, I was shot several times, but I didn't care. I had to pick up the cake, and suddenly the teacher's voice sounded in my ear: "Don't move!" " I thought the teacher would criticize me. Looking at the anxious look on the teacher's face and the paper towel in his hand, I understood: I was wrong. The teacher went on to say, "You are so dirty, why do you want to touch it?" ? No matter how good the cake is, I don't want it! "The rotten cake has changed and turned into a flower as beautiful as the teacher.
On second thought, it's still my birthday, not someone else's, but mine. That day, I was punished for cleaning. I want to have a party with my classmates, but how can I do it? At this moment, I saw another man pick up a broom, which is my good friend. I smiled and asked him, "I was punished. Why are you cleaning? Aren't you going home? " "We are in the same boat!" Dust has also turned into flowers, as beautiful as friends.
The meaning of drunkenness is not wine, but also between mountains and rivers, and more importantly, the true feelings on earth! Let's walk out of the drunken pavilion.
What a beautiful sentence after reading "Drunken Pavilion 8": "The meaning of drunkenness is not in wine, but between mountains and rivers"! This is written by the great writer Ouyang Xiu.
Ouyang Xiu (1007- 1072), whose real name is Yongshu, is Drunken Weng,No.. Liu Yi, a layman, loves love the water and is famous for his history.
"After walking for six or seven miles, I gradually heard the water gurgling between the two peaks and making the sound of spring water. The peak turns around, the pavilion wings go up to the spring, and the pavilion is also drunk. " Whenever I listen to and read these poems, I seem to be there: walking on the mountain path, there are bursts of water in my ears, as if from afar and close at hand. A few more steps and the clear spring will be revealed. At this time, a squirrel climbed up and touched the tall reed grass. Through the swaying gap of reeds, I saw a bamboo pavilion built on the water. Is it a drunken pavilion? ……
This article is vivid and concise, full of words, closely linked to the elements of nature, and embodies Ouyang Xiu's lofty spirit and style of not going with the flow.
Ouyang Xiu loves the pleasure between mountains and rivers more than anything else. He loves mountains and love the water. He combines feelings with mountains and rivers, and he is completely integrated with nature. Mountains and rivers are his closest relatives.
I think if he is brought to this city, he will go crazy.
Anyone who has read Ouyang Xiu's works will find that his words and feelings are very lofty, and he always has an aloof personality, which is very vivid.
We should also learn from his spirit, distinguish between good and bad, associate with good people, be isolated from bad people and love nature. This is the beauty of Ouyang Xiu's writing style.
After reading Zuiwengting Ji, Ouyang Xiu, the ninth son, advocated political reform in the Northern Song Dynasty, just like Fan Zhongyan. Like Fan Zhongyan, he was pushed out of the court by conservatives and went to Chuzhou, Anhui Province to be an official. However, unlike Fan Zhongyan, Ouyang Xiu seems to be far more free and easy than Fan Zhongyan: since no one appreciates his enthusiasm for serving the country, he should enjoy it-after all, life is full of scenery, and when everyone is drunk (actually pretending to be drunk), why bother to compete with filth! So in Chuzhou, Ouyang Xiu carefully manages his own writing world. The layout of the article, the choice of words and sentences, everywhere shows the author's painstaking efforts.
Zhu Zeng, a Dali scholar in the Song Dynasty, said in his Zhuzi Style that most of Ouyang Xiu's articles have been revised many times. Later, someone really got the manuscript of Zuiwengting Ji, and found that only the beginning of the article was changed in a mess. Around the message that "Chuzhou is surrounded by mountains", Ouyang Xiu began to use dozens of sentences! It was not until the final draft was finalized that I decided to use the words "Chu River surrounded by mountains".
With such painstaking efforts, it is only natural that the preface to the drunken pavilion will become a masterpiece that will be told for generations. However, what I want to say there is not how serious Ouyang Xiu is, but his mentality of devoting all his energy to his career-making a fuss.
Although "a word is immortal", it is Ouyang Xiu's greatest ideal and pursuit to be politically powerful and make a difference in the country and the people. However, when this pursuit is out of touch with the world, Ouyang Xiu always has a way to send it away. He is not depressed-Zuiwengting's "music" is enough to prove it; He is not high-spirited-times are unfavorable, and it is rare to have a heart to serve the country. Well, then, enjoy yourself and run your own other world.
After reading The Drunken Pavilion 10 A The Drunken Pavilion has both the exquisite beauty of forest springs and the unique beauty of the four seasons on earth, as well as the pleasure of Ouyang Taishou and tourists. Ouyang is open and open-minded.
As far as I can remember, Ouyang Xiu was one of the eight masters in Tang and Song Dynasties and a famous politician in history. But today, he is not only outstanding in poetry, but also excellent in prose. The story of Zuiwengting shows the elegance of a generation of Confucian scholars. "The meaning of drunkenness is not in wine, but in mountains and rivers." Just one sentence reminds people of an old man who was drunk and not drunk, and was exiled between mountains and rivers with a pot of wine made by mountain springs tied to his waist. "Wild fragrance is rich, beautiful trees are beautiful, the wind and frost are high and clean, and the water comes out immediately", which outlines the scenery of the four seasons in the mountains and shows Ouyang Gong's love and understanding of the beautiful scenery of mountains and rivers.
It is rare for Ouyang Gong to truly be accompanied by mountains and rivers in that time when he was addicted to money. What is even more rare is that he can still have fun with the people. He enjoys pleasure with the people, drinks wine brewed by mountain springs, and eats game of fruits and vegetables in the mountains. Any format is a "melee line". People play chess at target together and sit up noisily.
The folk customs here are simple. Before Taishou came here, no one asked him about his fame and fortune, and he stopped thinking about it himself. He also laughed at himself, "white hair, too drunk." Such an old man delights in mountains and rivers, forgets past grievances and looks like a saint. The drunkards here have tasted all the tastes of life and read all the joys and sorrows of the world. They have already opened their hearts and raised their glasses, and are no longer constrained by narrow utilitarianism, calm and happy.
Thoughts on Drunk Pavilion 1 1 Today, under the leadership of the ancient Chinese teacher, I enjoyed Ouyang Xiu's Drunk Pavilion and found that the writing techniques of literary masters are worth learning.
In the first paragraph of the opening, the author wrote about the surroundings of the pavilion and the origin of its name. When writing about the pavilion environment, the author is very novel: starting from the distant mountains and based on Chuzhou, first observe and look around at a fixed point, then focus on the "southwest peaks" and point out the beautiful "Langya". Then move to change the scenery, and the scenery moves with the steps: "Mountain-shaped six or seven miles", first smell the sound of water, then see the spring water. Finally, the "peak turns" and the Zuiweng Pavilion on the Spring is launched. The surrounding environment is skillfully introduced in the order from far to near. Look at our travel notes: when we arrive at a pavilion, what about the trees, mountains and water on both sides of the pavilion Such an old-fashioned idea is quite different from Ouyang Xiu's.
The third paragraph is an event in which the author entertains guests at Zuiweng Pavilion. The author drew four paintings with exquisite brushwork, which can be summarized into four parts in turn: the travel map of Chu people, the feast map of Taishou, the guests enjoying themselves, and the drunken Taishou map. After reading it, I was puzzled. How can everyone make such a small mistake in literature like Ouyang Xiu? Every paragraph of the article has its own center, and all the words are written around this center. When writing, you should cherish pen and ink and forget everything that has nothing to do with the center. Then, the center of this paragraph is Ouyang Xiu's banquet for all the guests. Why do you want to write "A Tour of the Chuhe River"? This is nonsense! Is Ouyang Xiu drunk? I asked my teacher for advice, and the teacher broke my maze with one sentence: "All scenery is love." I suddenly realized. The scenery around the satrap makes him happy: hunchbacked old people, innocent and lively children, and endless tourists. Everything is so beautiful and peaceful. The water and soil he manages, the people live and work in peace and contentment, and they are extremely happy. He is not only addicted to the joy of mountains and rivers, but also to having fun with the people. Not only is it nonsense, but it also lays the groundwork for the later "Taishou drunk". This is really a genius move. No wonder it's generations
"Returning home in the morning and evening, the scenery at four o'clock is different, and there is endless joy." After reading Ouyang Xiu's Drunk Pavilion, I am also "happy in nothing"!
Thoughts on Drunk Pavilion 12 As early as the third grade, I studied Drunk Pavilion written by Ouyang Xiu, a great writer. At that time, in order to cope with the senior high school entrance examination, it was just an ancient exam-oriented composition without in-depth research. Now I have read it carefully again and have a different thinking.
The full text is concise and clear, and it is catchy and natural to read in one go. At that time, the teacher emphasized that the word "music" was the eye of the whole article. But I personally think that the article pays more attention to the word "drunk".
Throughout the whole article, Ouyang Xiu is "drunk" in fine wine, "drunk" in beautiful scenery and "drunk" among guests. tourist For the benefit of the people, but is he really drunk? He is drunk but not awake, awake but not drunk, indulges in mountains and rivers, likes folk music, and is so unrestrained and intoxicating. Why is it intoxicating?
Throughout Ouyang Xiu's life, he exudes the noble personality of ancient literati. If he is rich, he will help the world, and if he is poor, he will be immune to it. Ouyang Xiu did it, and it was done publicly. The exclusion of the imperial court and political defeat did not make him decadent. In those years when he was demoted, he became stronger and did better. But can you say that he is not pessimistic? He has turned all his losses into motivation? No, he didn't. Because he is immersed in "drunkenness", what is the most sober? Ouyang Xiu hides it well. On the surface, his "Drunk Pavilion" is a description of scenery, but in fact it is lyrical. "It can be fun to be drunk, and you can tell stories in words when you are awake." Ouyang Xiu can see himself clearly. He is not extreme, not sinking, just looking at flowers in the fog, () looking at the moon in the water.
Isn't that a good thing? Sometimes you don't have to express your inner feelings, no matter how good or bad, you should forget them, just like "don't be happy for things, don't be sad for yourself." The same word "drunk" is not a gesture of "the imperial concubine is drunk", nor is it an escape from reality, nor is it Li Qinglian's "raising a glass to eliminate worries". On the contrary, it can make people see themselves more clearly. Being drunk is only temporary. Ouyang Xiu won't be so drunk forever, but he can always feel this kind of "drunk" feeling-diluting and dissolving the heaviness of life. This is what Ouyang Xiu admires.
After reading The Drunken Pavilion 13, everyone has to sigh! How can an ancient prose with nearly a thousand words outline such a beautiful scenery without being amazing?
In the article, beautiful mountains, streams and rare birds are all rendered colorful and astounding. The phrase "the meaning of drunkenness is not in wine, but also between mountains and rivers." It's even more enjoyable
At the end of the article, the scene of everyone having fun is written in detail. I imagine that without these people, this "drunken pavilion" would not be so lively, and there would be less friendship between teachers and friends among drunkards who care about mountains and rivers.
No matter how perfect things are, they can never compare with the true feelings in the world!
Let's walk out of the drunken pavilion. Primary school is about to graduate. At the class teacher's birthday party, the students did a lot of funny things and finally forgot to eat the birthday cake. This birthday cake is unusual, with three layers of cream, one layer of dark chocolate and various fruits. Just looking at it makes people salivate.
Because I live near the teacher, I sent the teacher home. However, on the way, a motorcycle rushed at me like a bull and knocked the cake in my hand to the ground. The cake is bleeding, and the sprayed cream is splashed everywhere. Unfortunately, I was shot several times, but I didn't care. I had to pick up the cake, and suddenly the teacher's voice sounded in my ear: "Don't move!" " I thought the teacher would criticize me. Looking at the anxious look on the teacher's face and the paper towel in his hand, I understood: I was wrong. The teacher went on to say, "You are so dirty, why do you want to touch it?"? I don't want a better cake! " "The rotten cake has changed and turned into a flower as beautiful as the teacher.
On second thought, it's still my birthday, not someone else's, but mine. That day, I was punished for cleaning. I want to have a party with my classmates, but how can I do it? At this moment, I saw another man pick up a broom, which is my good friend. I smiled and asked him, "I was punished. Why are you cleaning? Aren't you going home? " "I'm in trouble together!" Dust has also turned into flowers, as beautiful as friends.
The meaning of drunkenness is not wine, but also between mountains and rivers, and more importantly, the true feelings on earth!
Let's walk out of the drunken pavilion.
Comments on Drunk Pavilion 14 Ouyang Xiu's Drunk Pavilion has always been praised for its cheerful style and elegant artistic conception. Most predecessors commented that this article used 2 1 word "ye", which formed the lasting appeal of singing and sighing. In fact, it is not difficult to find that this 400-word landscape travel notes uses the word "le" in as many places as 10 except 2 1 0.
First, the optimistic and enterprising attitude towards life has laid the ideological root of the satrap "music".
Zuiweng Pavilion is an essay written by Ouyang Xiu after he was demoted to Chuzhou. Song Renzong supported Fan Zhongyan's political reform for five years (1045), and Fan was dismissed from office. Regardless of personal interests, Ouyang Xiu angrily wrote to reprimand the relevant dignitaries and was also relegated. The author at that time, like Bai Juyi, "began to be moved in the evening." Therefore, on the way to his post, he wrote: "The new wild geese in Yangcheng Lake fly south to chase the ship, and the wild shore is yellow and white, and the night watchman is shocked." There is a feeling of sleepless after being demoted in the poem.
But what is commendable is that Ouyang Xiu did not sink into political frustration. Because he was born in poverty, he worked hard to be an official. The hardships before made him self-reliant and optimistic. Therefore, during his tenure in Chuzhou, the author's mood is cheerful. "He came here to study, enjoy his seclusion and simplicity, and like his ordinary leisure." So, the author put aside his personal troubles, "I look up at the mountains and rivers and listen to the springs with the people of Chuzhou" and think that "the scenery in all seasons is lovely" (Fengle Pavilion). Therefore, Ouyang Xiu sang in "Farewell to Zhang Sheng": "The old horse is still strong and the heart is strange, and the pine is new with the age." Three years after leaving Chuzhou, Ouyang Xiu still deeply missed his relegation career, saying, "I'm drunk, and I'm famous myself" and "I'm full of thoughts, but my dream is gone" ("Si Er Pavilion sends Guanglu to relieve the Prime Minister Chuzhou"). This kind of nostalgia for the past and pleasure in suffering is very rare. From this point of view, it is no accident that The Drunken Man's Intention is not in the Wine, which is closely related to Ouyang Xiu's experience and optimistic attitude, thus laying the foundation for Ouyang Xiu's creation of The Drunken Man's Intention is not in the Wine.