The sunset slowly sinks beside the western hills, and the Yellow River rushes to the East China Sea. To see the scenery thousands of miles away, you must climb a higher tower.
{Appreciate}
Wang Zhihuan is at Luniao Mountain Villa.
The extraordinary ambition of the poet who wrote this poem reflects the positive and enterprising spirit of the people in the prosperous Tang Dynasty. Among them, the first two sentences are about what he saw. "Mountain Color Covers the Day" is about vision and mountain color, and "Shejin River with the Ocean" is about the scenery he saw when he climbed the building. He wrote about close-ups and water, and the scene was spectacular and magnificent. Here, the poet used extremely simple and shallow language, which was highly vivid and impressive. Later, when people read these ten words a thousand years later, they felt like they were underground. If they see the scenery, they will feel open-minded. The first sentence says that a touch of sunset is sinking towards the endless and fluctuating Shanxi Group in front of the building, instead of Ran Ran at the end of the horizon. This is the sky view, the distant view and the western view. The second sentence says that the Yellow River, which flows through the lower part of the building, roared south, then turned east in the distance and turned back. From west to east, these two poems, together, contain the scenery of up and down, far and near, and things under the pen, making the picture look particularly broad and distant. As far as the second poem is concerned, the poet can't see the Yellow River entering the sea on the stork building. The sentence is a middle scene produced by the poet watching the Yellow River go away from the horizon, which is a way to combine the foreground with the middle scene. This is a realistic writing style. The setting sun holds the mountain, and the clouds cover the fog. At this time, the brightness of the weakened sun is even dimmer, so the poet directly observes the wonders of the "sun". As for the "Yellow River", it is of course realistic. It is like a golden ribbon flying in the mountains. The poet presents a colorful and glittering picture. The Yellow River flows to the sea, but it is an eternal movement. If this scenery is beautiful, then it is a dynamic beauty, full of infinite vitality and lively beauty. This is not a so-called "freeze-frame", not a treasured fossil or specimen. The generosity of the poet left a deep impression on the readers. The last two sentences are written and thought. "You have broadened your horizons by three hundred miles" is the poet's endless desire to explore and want to see it. The only way is to stand higher. "Going to the next floor", "a thousand miles" and "the first floor" are imaginary numbers, which are both vertical and horizontal spaces in the poet's imagination. The words "to be poor" and "to be more advanced" contain many hopes and many longings. These two poems are famous sentences that have been told through the ages. They are not innovative or unexpected, but they are natural inheritors of the first two poems. At the same time, the use of the word "Lou" at the end also plays a role in pointing out that this is a poem about climbing stairs. It can be inferred from the second half of this poem that the first half may be written on the second floor, and the poet wants to see the distant scenery as far as possible, even climbing to the roof. The poem seems to write the process of climbing stairs directly, which has far-reaching implications and lasting exploration. It also tells the philosophy that you must stand tall to see far. As far as the writing characteristics of the whole poem are concerned, this poem is what the Japanese monk Konghai said in On the Chamber of Secrets in the Mirror. Some people say that poetry should not be reasonable. This should only mean that poetry should not be reasoned in a rigid, boring and abstract way, not that philosophy cannot be revealed and promoted in poetry. Just like this poem, it should be combined with scenery and scenery. That's why. This is a mode to express the philosophy of life through thinking in images according to the characteristics of this poem. There is another feature in the writing of this poem: it is a antithetical sentence. The first two sentences are relative to the nouns "Tian" and "Yellow River", the colors "white" and "yellow" are relative, and the verbs "Yi" and "Jin" are relative. So are the last two sentences. It constitutes the perfection of form. When Shen De selected this poem in Tang Poetry Bie, he pointed out: "All four languages are correct, and the reading is not too high, so the bones are high." There are only two couplets in the quatrains, both of which are antithetical sentences. If there is no full momentum, it is easy to be dull or fragmented. In this poem, the first sentence is used to correct the name, and the so-called combination of the latter sentence means that although the two sentences are relative, there is no trace of confrontation, so the poet's skills of confrontation are also very mature.
Brief introduction of the author
Wang Zhihuan (688─742) was a poet in the prosperous Tang Dynasty. His ancestral home was Jinyang (now Taiyuan, Shanxi), and his great-grandfather moved to Jiangxian, Shanxi. His brother, funny and enthusiastic, has a literary name. He is uninhibited and often sings elegies in fencing. His poems were often sung by musicians at that time, and he often sang with Gao Shi and Wang Changling, and was famous for describing the frontier scenery. "Climbing to the next floor, you will broaden your horizons by 300 miles" and "The Yellow River is far above the white clouds, and there is an isolated city on Wan Ren Mountain" are famous sentences that have been passed down through the ages, and it is these two poems that have won the poet a prominent position that will last forever. [4]