Lonely fat stains and sweat, tenderness has been paid to Toyo.
Because of romance, clothes are still fragrant today.
People don't want to study this poem carefully. They are only associated with other things by the name of Yang Yuhuan. Actually, the problem is not that complicated. Mawei Po is Yang Guifei's "burying jade" when she died, and "Mawei Po reminisces about the past" is of course to remember Yang Guifei. Because the author directly expresses his "eternal life hall" complex with Yang Guifei's deeds, the words used in this poem and how to analyze it in reverse are no different from those of Yang Guifei in "eternal life hall".
"Lonely, oily and sweaty, once paid to Toyo tenderly", the first half of the sentence is a function word without personalization, and the second half is a true portrayal of Yang Guifei's life. We might as well break this sentence down into three words to analyze:
Gentleness: The word "gentleness" is very appropriate to describe Yang Yuhuan's life. In The Palace of Eternal Life, Yang Yuhuan is said to be "gentle in character and gorgeous in appearance" (the fourth "Sleeping in Spring"), and Tang He is even more "spent in the morning, the moon is bright and tender as water." (the 21st issue of "Peeping Bath");
Once: the word "once" reflects the suddenness of the incident, emphasizing the suddenness of the Mawei station mutiny, which caught everyone off guard;
Fu Dongyang: However, the word "Fu Dongyang" explains what happened after Yang Yuhuan died. It is entirely possible that Fu Dongyang here originated from the story of Yang Guifei's eastward crossing to Japan after the Mawei Incident. Even though "Fu Dongyang" is interpreted as a waste of money, some people still say that the death of Yang Yuhuan Ma Wei, the sweet soul of a gentle imperial concubine, is gone forever.
A gentle beauty suddenly disappeared from the world, which is the meaning of "tenderness once gave to Oriental", but the story didn't end, that is, she died, but Yang Yuhuan is still full of charm. As the last two sentences of Xue Xiaomei's poem say: "Because of the traces of romance, clothes are still fragrant today."
About these two poems, Baidu Encyclopedia has the following explanations: traces of romance: namely, the following "sachet" refers to Bai Mudan petals that were blown off by the wind. The smell of clothes remains the same: Yang Guifei was buried by the postal road. Tang Xuanzong was secretly reburied when he came back from Sichuan. It is said that after the tomb was opened, Yang Guifei's skin was not good, but the sachet on her chest was still there.
In fact, this explanation is superficial, and it doesn't really understand the essence of Yang Fei culture. In China's Yang Fei culture, the "romantic track" represents Yang Yuhuan's whole career as an imperial concubine. Judging from the written materials we have now, Li Bai, Du Fu, Du Mu and Bai Juyi all describe Yang Guifei's romantic life in different ways, especially Bai Juyi's Song of Eternal Sorrow, which can be said to be circulated in many works praising Yang Guifei.
Redjade, love him and lie beside her. (Old Tie Beijie) Why doesn't this tenderness occupy the romantic high seat! -the fourth "spring sleep"
I look at him carefully. Just holding a cup here gives me 10,000 romantic feelings. -the sixteenth "dance disc"
Empty the empty temple, gather the truth, and have a big feast. Osmanthus fragrans is a pair of immortals, Osmanthus fragrans is a pair of immortals, and it has been romantic for thousands of years. -the 50th "reunion"
"Only because of love", as long as Yang Yuhuan's love is explained clearly, this sentence is not difficult. It is worth noting that some interpretations, including some famous scholars, often interpret Yang Yuhuan's "romance" as "lewdness", saying that this poem alludes to Qin Keqing's dissolute life and is a great blasphemy to China's classical culture, whether it is the Palace of Immortality, which "deletes all really indecent things" or a clear-cut opposition to "obscenity, poison pen and ink, bad guys' children" like the Palace of Immortality. Let's review who and what the "romantic" in A Dream of Red Mansions are.
The first time: "don't worry, it's time to end an existing romantic case." These romantic friends have not been reincarnated into the world. Take this opportunity to put this stupid thing in the middle and let him experience it. " And this "romantic case-solving" is the story of crimson pearl grass and Shen Ying, the waiter of the Red Defect Palace, which happened on the Xiling River.
The third time: "everyone sees that Daiyu is young, has good manners and manners, and is timid, but has a natural romantic attitude."
The fifth time, Qingwen judged: "Romantic cleverness attracts people's resentment. Life is full of slander, and it is full of affection. "
The fifth time, the fairy was beautiful at the same time: "There was a woman, bright and charming, some like Baochai and some like Daiyu."
Enough, Baoyu, Daiyu and Qingwen have explained the position of the word "romantic" in A Dream of Red Mansions. Even that beautiful woman is not as slutty as people say.
Don't take it for granted to add the word "romance" to Yang Guifei, who has countless romantic legends. The author has proved in the article "On Love in the Red Chamber" that Yang Yuhuan's "Love Story" is a patent in Hong Sheng's "Palace of Eternal Life". No one but Hong Sheng uses this word to describe Yang Guifei. I searched for several other influential literary works about Yang Guifei besides The Palace of Eternal Life, The Song of Eternal Sorrow by Bai Juyi, The Biography of the Song of Eternal Sorrow by Chen Hong, Wu Tongyu by Bai Servant and The Biography of Yang Taizhen by Shi Yue. The conclusion is that I can't believe it. None of these four works has appeared. The word "romance" was not found in the computer document search, which is in sharp contrast with the "romance" that runs through the Palace of Eternal Life. Therefore, the only thing that can be said is that Yang Yuhuan is in the Palace of Eternal Life. If you don't have a deep understanding of the cultural spirit in the Palace of Eternal Life, you can't write this poem. If you don't believe me, let's collect more than 20 works by Yang Guifei, the author of A Dream of Red Mansions, from Cao Xueqin to now, and see if there are some "romantic feelings" and whether they can overcome the "romantic feelings" in the Palace of Eternal Life. ! "Count the romantic figures and look at the present." Even our great leaders would not regard "romance" as a derogatory term. What reason do we use "romance" to throw dirty water on classical beauty?
There is a view that after Yang Yuhuan's death, there is still fragrance on clothes and quilts. In fact, this is precisely because of the ignorance of Yang Fei culture in The Palace of Eternal Life. The isomorphism of "fragrance" and "jade" has become the romantic relic of Yang Yuhuan in the Palace of Eternal Life. In the Palace of Eternal Life, where there is Yang Guifei, there is incense, such as Tianxiang, Xiangche, Xianghe, Xiangyu, Ji Xiang, Xiangjian, Xiangwan and Xiangquan. I'm afraid the word "Xiang" in several works is not enough to make a hall of eternal life. Bai Juyi's narrative poem Song of Eternal Sorrow is recognized as Li Yang's masterpiece of love. The whole poem 120 sentences, not counting 840 punctuation words, did not even find a word of the item, but hardly found it in the biographies of Yu and Yang Taizhen. Thus, the fragrance of Yang Guifei can only be found in Hong Sheng's Palace of Eternal Life, and only after reading the Palace of Eternal Life can we know how appropriate it is for Ma Wei to use the word "fragrance" to represent the romantic remains of Yang Yuhuan in the Palace of Eternal Life. There is a saying in "The Thirty-ninth Private Sacrifice" that "clothes are full of fragrance". Everyone should know where the "clothes smell the same today" comes from. Not only clothes, but also a pair of socks left by Yang Yuhuan in Maweipo are fragrant. "Ah, you see this brocade is sincere and exquisitely made. The luster is still there, and the strange fragrance is still there. This is really not a thing. "(Look at socks) The aroma is the symbol of Yang Yuhuan in the Palace of Eternal Life. The old lady who looks at socks made a fortune because of Yang Yuhuan's socks. There are many versions of "reburial" after Yang Yuhuan's death, but in the most influential work "The Palace of Eternal Life", it is described that after Yang Yuhuan's body was dismembered, it ascended to heaven together with "wrapped in brocade". In order to leave a keepsake for Tang, Yang Yuhuan buried the "sachet" that Tang gave him on his birthday in his own grave, and when it was reburied, Tang dug it up again. On the surface, this fragrance comes from the sachet. In fact, this fragrance comes from Yang Guifei herself. "Because of her romantic legacy," Yang Guifei's romantic legend is unparalleled. This is the real reason for Yang Guifei's eternal fragrance.
This paper proves a conclusion that people usually don't pay much attention to: the works that combine "tenderness", "romance" and "fragrance" are only found in Hong's Palace of Eternal Life, and other works are hard to find.
Xue Xiaomei's "Ma Wei Nostalgia" makes a "gentle" jade girl with a romantic story of "five clouds" immortal. Even now, this fragrance is still emitting. China's unique and beautiful culture created the romantic legend of Yang Yuhuan. Yang Yuhuan, a classical beauty, will create two masterpieces in the history of China literature, The Palace of Eternal Life. The difference is that in Penglai fairyland, there is a sweet-scented osmanthus god, which is beneficial to heaven. Yang Yuhuan's China cultural spirit will go down in history forever!