2. Wang Xizhi's Yue Lun Yi presents the beauty of modesty, composure, roundness, preciseness, neutrality and grace in its overall style.
3. Wang Xianzhi's Ode to Luoshen was called "the best in small letters" and "the best in small letters" by later generations, which marked the complete maturity of regular script art.
4. Ou Yangxun's Heart Sutra uses a sharp pen, combines rigidity with softness, is neat and dignified in every word, and has both logic and law.
5. Yu Shinan's Preface to Breaking Evil is rich and harmonious, with both Fiona Fang and femininity, winning by rhyme.
6. Chu Suiliang's "Imitating Wang Xizhi's Theory of Music and Yi" has both calligraphy and Fiona Fang, and the regular script is slightly square, forming a strong, thin and hard unique calligraphy style.
7. Zhong Shaojing's Classic of Ling Fei is a classic model for later generations to learn lowercase letters, with strong strokes, exquisite words, vivid charm and good form and spirit.
8. Liu Gongquan's Diamond Sutra looks ordinary and tense on the surface, but careful observation is full of changes. Jinfang has a clear and well-informed atmosphere, a lively rhythm, a very dynamic atmosphere, a strict overall law and a rich temple atmosphere.
9. Fan Zhongyan's "Fu Tao Zan", this post has statutes, but it has less meat, sincere words and steep style.
10, Su Shi's Xiao Zhuan Huang Ge Jing, with rich brushwork and natural ups and downs, has the majestic atmosphere of Wang Yang sea and the artistic beauty of "the shape of ancient rocks".
1 1, Mi Fei's "Holding Words for the Empress Dowager", this word is written with lines, and the pen is extremely fine. It is not only round and sharp, but also smart, so the strokes are vigorous and lively, which is unique in the Song Dynasty.