draw
From a distance, the mountains are high and the clouds are light, and the colors are bright. When you look closer, you can only hear the sound of water, but there is no sound.
Spring has passed, but there are still many flowers and flowers. People go nearby, but the birds are still not disturbed.
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You can see the green of the distant mountains, but you can't hear the sound of running water nearby.
Spring has passed, the flowers are still unbeaten, people are approaching, but the birds on the branches are still motionless.
The whole poem expresses the poet's longing for the beautiful things in the painting and his sorrow for reality. The language of the whole poem is fresh and simple, full of charm, and has been passed down all the time.
This is a painting appreciation poem. Judging from the description in the poem, the mountains, water and flowers and birds in the painting are typical Chinese painting themes, and they must be quite realistic and vivid. Through the description of the text, the author turned a still life painting into a beautiful landscape picture: green mountains and green waters, flowers blooming, birds singing and flowers fragrant, a vibrant scene, which attracted readers' infinite imagination. When the reader returns to reality from reverie, he finds that everything in the painting is just a lifeless still life.
Wang Wei (70 1-76 1, 699-76 1), a native of Zhou Pu, Hedong (now Yuncheng, Shanxi), was a poet in the Tang Dynasty and was called "Shi Fo". In the ninth year of Kaiyuan (72 1), he was a scholar and was appointed as Tai Lecheng. Wang Wei is a representative of poets in the prosperous Tang Dynasty. Today, there are more than 400 poems, including Acacia and Autumn Night in the Deep Mountains. Wang Wei is proficient in Buddhism and is greatly influenced by Zen. Buddhism has a Vimalakīrti Jing, which is the origin of Wang Wei's name and ci. Wang Wei's poems, paintings and calligraphy are very famous, very versatile and proficient in music. Together with Meng Haoran, they are called "Wang Meng".
Su Shi commented: "Poetry is full of paintings; Look at the picture, there are poems in the picture. "
One view is that the author should be Gao Ding in Qing Dynasty, because there is no such poem under Wang Wei's name. Moreover, there is no such poem in the whole Tang poetry.