1. A gift to Wang Lun
Li Bai of the Tang Dynasty
Li Bai was about to go on a boat, when he suddenly heard singing on the shore. ?
The water in Peach Blossom Pond is a thousand feet deep,?
It is not as affectionate as Wang Lun’s gift to me?
2. Send it to Du Shaofu in Shuzhou?
Wang Bo
The city gate assists the Three Qin Dynasties, and the wind and smoke look forward to Wujin. ?
I want to say goodbye to you, both are eunuchs. ?
There are close friends in the sea, and there are neighbors in the world. ?
Inaction is on the wrong track, and the children are stained with towels. ?
3. Sending friends off?
Li Bai
Green mountains stretch across Beiguo, and white water surrounds the east city. ?
This place is different, and I have to march thousands of miles alone. ?
The feeling of wandering in the floating clouds, the love of old friends in the setting sun. ?
I waved my hand and went away, the horse roared. ?
4. Send Yuan Er envoy to Anxi?
Wang Wei of the Tang Dynasty?
The morning rain in Weicheng is light and dusty,?
The guest house is green and new. ?
I advise you to drink another glass of wine, ?
There is no old friend when you leave Yangguan in the west. ?
5. Farewell to Guo Sicang?
Wang Changling?
The green water of Huaihe River reflects the door, leaving the owner's heart.
The bright moon follows the bright moon, and the spring tide is deep every night.
6. Send Zhao Zong off at night
Yang Jiong?
The origin of the Zhao family's city-wide jade has been passed down all over the world.
Send you back to your old mansion, the bright moon is shining over Qianchuan.
7. Send Zhu Da to the Qin Dynasty
Wang Wei?
Escape from Wuling. The sword is worth a thousand gold.
We will give each other gifts after we break up, and we will be one heart for the rest of our lives.
8. Gift to Minister Qiao?
Chen Ziang?
The Han Dynasty is a clever official, but the Yunge has a weak merit.
Poor horse messenger, who is the hero with his white head?
9. Farewell to friends on a spring night?
Chen Zi’ang?
The silver candle blows out clear smoke, and the golden statue greets the beautiful feast.
When you leave the hall, you miss the piano and the harp, and you take other roads around the mountains and rivers.
The bright moon hangs over the tall trees, and there is no dawn in the long river.
Go to Luoyang for a long time, in what year will this meeting take place?
10. Sending friends to Sichuan
Li Bai?
Seeing that the silkworm road is rugged and difficult to travel.
The mountain rises from the human face, and the clouds grow next to the horse's head.
The fragrant trees cage Qinzhan, and the spring flow surrounds the city of Shu.
The rise and fall should have been determined, so there is no need to ask Jun Ping.
Introduction to Li Bai:
Li Bai (701-762), also known as Taibai, also known as Qinglian Jushi. ? Born in Chengji, Longxi (now southwest of Jingning, Gansu Province), his ancestors lived in Suiye (near today's Tokmak, northern Kyrgyzstan) at the end of the Sui Dynasty. When he was young, he moved with his father to Qinglian Township, Changlong County, Mianzhou (now Jiangyou, Sichuan). At the age of 25, he "said farewell to relatives and traveled far away" and left Shu with a sword. Tianbao initially served in the Imperial Academy, but was slandered by the powerful and left Chang'an in just over a year. During the Anshi Rebellion, he served as an aide to King Yong Lin. Because Lin was defeated in Xunyang Prison, he was banished to Yelang, but he was pardoned and returned to the east. In his later years, he went to his uncle, Li Yangbing, who ordered him to Dangtu. He later died in Dangtu and was buried in Longshan. In the twelfth year of Tang Yuanhe (817), Fan Chuanzheng, the observer of Xuanshechi, moved his tomb to Qingshan according to Li Bai's last wish of "aiming at Qingshan" during his lifetime. There are thirty volumes of "Collected Works of Li Taibai" in circulation. ?
Li Bai studied a wide range of subjects in his boyhood. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed the books of hundreds of schools of thought and was "good at swordsmanship." He believes in Taoism and has otherworldly thoughts; at the same time, he has political ambitions to make contributions. Few of the poems he wrote in Shu during his youth remain, but he has shown outstanding talent. When Li Bai was about twenty-five or six years old, he traveled to the east of Shu. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and Yellow River. Around the 18th year of Kaiyuan (730), he once arrived in Chang'an to strive for a political way out, but returned frustrated. In the first year of Tianbao (742), he was summoned to Chang'an by Xuanzong to serve in the Hanlin Academy. As a literary attendant, he participated in drafting documents and other work. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry creation became mature. In the next 11 years, he continued to roam in the middle and lower reaches of the Yellow River and Yangtze River, "traveling around the world and adapting himself to poetry and wine." He still cares about state affairs and hopes to regain his appointment in the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became friends. They broke up the following year and did not meet again. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai was living in seclusion in Xuancheng (now Anhui) and Lushan. In December of the following year, he was invited to join the Yongwang Li Mufu with the desire to eliminate the rebellion and restore national unity. After King Yong was angry and killed Suzong, Li Bai was also convicted and imprisoned in Xunyang (now Jiujiang, Jiangxi), and was soon exiled to Yelang (now in Tongzi, Guizhou). On the way, he was pardoned and returned home at the age of 59. In his later years, he lived in the Jiangnan area. When he was 61 years old, he heard that Taiwei Li Guangbi was leading an army out of Linhuai to attack the Anshi rebels. He also went north to prepare to join the army to kill the enemy, but he turned back due to illness on the way. The following year, he died of illness at his residence in Li Yangbing, the county magistrate of Congshu Dangtu (now part of Anhui). ?
Many of Li Bai's poems have been lost, but more than 900 of them are still in existence today, with rich and colorful content. Li Bai cared about national affairs throughout his life, hoping to make contributions to the country, but was dissatisfied with the dark reality. His 59 "Ancient Styles" are representative works in this regard.
The dark corruption of Tang Xuanzong's late politics was extensively exposed and criticized, reflecting the sorrow and indignation of the virtuous people who had no way out. Talking too much makes you happy, and your spirit is high. Although Li Bai urgently wanted to make achievements and serve the country, he did not envy the glory and wealth, but believed that "bells, drums, food and jade are not expensive enough" ("Jian Jin Jiu"). After making great achievements, he should follow the example of Lu Zhonglian, a great scholar from the Warring States Period, and retire without any reward. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems express his concern and sympathy for people's lives. This content is often combined with criticism of the rulers. Some of his Yuefu poems reflect the lives and pains of women. They focus on the memories of missing women and their conquests. They also write about the resentments of merchant wives, abandoned wives and palace maids. His "Xun Ni's Family at the foot of Wusong Mountain", "Ding Duhu Song", "Qiupu Song" and "Heaven and Earth Illuminated by Fire" respectively depict the lives of farmers, boatmen and miners, and show his care for the working people. Li Bai wrote many poems describing natural scenery throughout his life. His "The Road to Shu is more difficult than climbing to the blue sky" ("The Road to Shu is Difficult"), "If you don't see it, the water of the Yellow River comes up from the sky and rushes to the sea and never returns" ("Jian Jin Jiu"), "The water of the Yellow River flows down three thousand "Child, it is suspected that the Milky Way has fallen into the sky" ("Wanglu Mountain Waterfall"), etc., with majestic images and majestic momentum, they are all famous sayings that have been passed down through the ages. This type of poem, just like some of his works singing about the roc, expresses his heroic ambition and broad-mindedness, and reflects his desire to pursue extraordinary things from the side. Other poems, such as "Ascend the Xie Tiao North Tower in Xuancheng in Autumn", "Sitting Alone on Jingting Mountain", and "Longing on the Qingxi River", are good at depicting quiet scenery, fresh and meaningful, and their style is close to that of Wang Wei and Meng Haoran. Li Bai also wrote many poems singing about love and friendship. His Yuefu poems often express euphemistic and deep love from the perspective of a woman caring for someone. There are also a number of poems written in memory of his wife and his wife, which are quite emotional. Li Bai sent a large number of works to his friends, including many excellent articles. Some of the poems express a clear political attitude, and more express the daily farewell and lovesickness, such as "Send Meng Haoran to Guangling at the Yellow Crane Tower", "Send Du Fu to the Sand Dune City", "I heard that Wang Changling moved to the left and Long Biaoyuan had this" "Send", "Reminiscent of the Old Travels and Send to Qiao Jun Yuan to Join the Army", "Gift to Wang Lun", etc. They are deeply emotional, vivid and have strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, most of which promote the negative and nihilistic thoughts of life as a dream, carpe diem, drunkenness and carnival, and the religious superstitions of seeking immortality, visiting Taoism, refining elixirs and taking medicine. A few of his poems about women and love have vulgar sentiments. Li Bai uses a lot of exaggeration and vivid metaphors in his poems. His poems include "cutting off the water with a knife, the water will flow again, raising a cup to relieve sorrow, and the sorrow will become even worse" ("Xuanzhou Xie Tiaolou Farewell School Secretary Shu Yun"), "The white hair is three thousand feet, and the fate is as long as the sorrow" ("Qiupu Song", etc. 15), which depicts his profound worries after the failure of Chang'an political activities, is a widely circulated famous line. He is like "Reciting poems and composing poems in the north window, ten thousand words are not worth a glass of water" ("Reply to Wang Twelve, Drinking Alone in the Cold Night"). "), writes about his unappreciated talent; "If I want to cross the Yellow River, which is blocked by ice, I will climb the Taihang Mountains covered with snow" ("The Road is Difficult"), and writes about the difficulty of official career; "The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's gift to me" ("Gift") "Wang Lun"), writes about the deep friendship between friends, etc., all of which impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. "Wei Ba's Xijing"), "I send my sorrowful heart and the bright moon, and follow the wind until the night is in the west" ("I heard that Wang Changling moved to the left and Long Biaoyuan sent this"), all express the nostalgia for Chang'an and his poetry friends with unique imagination. "Liang Fu Yin", "Ancient Style" and "Westward to Lotus Mountain" respectively use fantasy methods to express the slander of Chang'an and the ravage of the Central Plains by the Anshi rebels; "Far and Away" also expresses the relationship through confusing legends. The hidden worries of the political situation in the later period of Emperor Xuanzong of the Tang Dynasty; they all appear vivid and profound in meaning. "The Road to Shu is Difficult" and "Sleepwalking Tianmu Yin Liu Farewell" use myths and legends to construct colorful and thrilling realms of Li Bai's poetry. This is particularly prominent in the longer seven-character lines, which clearly shows the influence of Qu Yuan. In terms of genre, Li Bai is good at relatively free-form ancient poems and quatrains, and does not like to write strictly rhythmic poems. The 59 poems of "Ancient Style" are his representative works of the Five Ancients. His Five Ancients in Yuefu inherits the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, with simple and vivid writing style, and is filled with the poet's enthusiasm. The description of the scenery is majestic, majestic and colorful, and the lyrical style is unrestrained and emotional, jumping from ups and downs, and varied. From the literary origin, this kind of poetry is inspired by Qu Yuan. His works are most influenced by Bao Zhao's "The Journey Is Difficult". His quatrains are refined and improved based on the Yuefu folk songs of the Southern and Northern Dynasties, such as "Silent Night Thoughts" and "Jade Level Resentment". , implicit and meaningful. There are more of the seven best works, with clear and concise language, harmonious and beautiful tone, lyrical descriptions of scenes, and simple explanations, such as "Guangling Farewell to Meng Haoran at the Yellow Crane Tower", "Looking at Lushan Waterfall", the second one, "Looking at Tianmen Mountain". "Early Departure from Baidi City", "Gift to Wang Lun", etc. are all well-known masterpieces. Comments on the seven-character quatrains of the Tang Dynasty have always been made, and it is believed that Li Bai and Wang Changling are the most good at it; Li Bai has the fewest seven-character quatrains, with only more than ten poems. There are more than 70 poems in Wulu, some of which are very good, which shows that he can write rhythmic poems, but he does not like to write too much. Although Li Bai uses old Yuefu poems, he can come up with new ideas. The Tang Dynasty people used ancient Yuefu poems. Among those who wrote poetry, Li Bai's achievements should be considered the most outstanding.
Although some of his song lines and quatrains do not use Yuefu titles, they are still full of the flavor of Yuefu poetry. The biggest feature of his poetic language can be said to be "hibiscus emerges from clear water, and natural carvings are removed." The concrete expression is that the language is straightforward and natural, the syllables are harmonious and smooth, natural, without fake ornamentation, exuding the atmosphere of folk songs. This is mainly due to the study of Yuefu folk songs from the Han, Wei and Six Dynasties. But he did not just study and imitate the language of folk songs, but improved on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only clear and natural, but also famous for their vigorous and unrestrained language. Du Fu's poem "Recalling Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the distinctive features of his language style. Li Bai's poems have a profound impact on future generations. Famous poets such as Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi, and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, and Qu Dajun, Huang Jingren, and Gong Zizhen in the Qing Dynasty all drew nourishment from Li Bai's poetry and were influenced by it to varying degrees. Li Bai also wrote several lyrics. "Zunqianji" contains 12 poems, and "Hua'an's Wonderful Poems" contains 7 poems. Among them, three songs, "Qingping Diao" and "Clouds Think of Clothes, Flowers Think of Face", are actually seven-character quatrains and were sung with music at the time. Other long and short sentences attributed to Li Bai are not very credible. Among them, "Bodhisattva Barbarian", "Ping Lin Momo is like weaving smoke" and "Recalling Qin E", "Xiao Sheng Yan" are the most famous. However, whether these two poems are Li Bai's works has caused doubts in later generations. There are more than 60 of Li Bai's proses in existence. There are many couplets, but it does not break away from the parallel prose trend that was popular at that time. But the language is more natural and smooth, and there are similarities with his poetic style. Among them, two texts, "Book with Han Jingzhou" and "Spring Night Banquet from Di Peach Blossom (first authored by "Li") Garden Preface, were selected for future generations and are widely circulated. ?
The collection of Li Bai compiled by the Tang Dynasty has not been handed down. There are 30 volumes of "Collected Works of Li Taibai" in the Northern Song Dynasty, which were engraved in Suzhou and are known as "Suben" in the world. Later, the Shu version was reprinted based on the Su version, which is the earliest extant collection of Li Bai. During the Kangxi period, Miao Yueqi made a reprint based on it, and it is known as the Miao version. The first annotator of Li Bai's Collection was Yang Qixian of the Southern Song Dynasty who wrote 25 volumes of Li Hanlin's Collection, with rich annotations. The Collation and Annotation of the Collection of Li Bai by modern Qu Yuanyuan and Zhu Jincheng is by far the most detailed version of the annotations on the Collection of Li Bai. Regarding the works on the study of Li Bai: after the May 4th Movement and before the founding of the People's Republic of China, there are "Taoist Poet Li Bai and His Pain" by Li Changzhi, "Study on Li Bai" by Qi Weihan, etc.; after the founding of the People's Republic of China , including Zhan's "Li Bai Poetry Series", "Li Bai's Poetry Series", Wang Yunxi and others' "Li Bai Research", etc. In addition, there are many single papers. Zhonghua Book Company selected some of the more representative ones and compiled them into the "Collection of Research Papers on Li Bai" for publication in the 1960s.