Guqin famous songs, Guqin songs Luming Literature and Luming Literature, ancient songs and ancient music. See {The Book of Songs. Xiaoya} The first article. It was originally used for banquets in the Zhou Dynasty. It is one of the last four songs in the Han Dynasty. Cai Yong {Fu Qin} and (Cao Qin) both have this track. According to legend, Du Kui spread from the end of Han Dynasty to Zuo Wei to celebrate the New Year, and Jin made a tribute poem. Tang Hanyu: "In his hometown, the song' Luming Literature' came." (Preface to Sending Yang Shaoyin): "This spectrum is handed down by Zhao, the so-called Kaiyuan legacy." (Interpretation of the Book of Rites) In the Ming Dynasty, Zhang included this song in Li Ya Pu, and it was still published until the late Qing Dynasty. Whether the existing Qin Le is related to the songs of the same name recorded in history remains to be studied. Guqin music Guangling powder, Guangling powder, Qin music. Also known as wide-sided stop. One of the Hunan-Chu Qudan tunes in the Han and Wei Dynasties was used for both ensemble and solo. Ji Kang was killed for opposing Sima's dictatorship. Before his execution, he calmly played this song as a sustenance. In the Ming Dynasty, Song Lian's postscript "The Legacy of Taikoo" said: "His voice is furious and can't be taught." These, from both positive and negative aspects, all show that this song has shown some resistance to the rulers. The existing music score was first seen in The Secret Music of Magic. According to the editor of the book, this spectrum was handed down from the Sui Palace, from the Tang Dynasty to the Song Dynasty, and later passed down. In addition, there are biographies such as Xi Lu Tang Qin Tong. The subtitle of each spectrum segment has the purpose of "taking Korea" and "throwing swords". Therefore, people close to it think that it originated from Nie Zheng's Song of Killing korean king in Cao Qin. There are forty-five stanzas in the existing music score. Divided into: open finger segment, minor sequence segment, major sequence segment, positive sequence segment, chaotic sequence segment and subsequent sequence segment. Among them, the head and tail parts seem to be obtained by later generations, while the three parts before and after the positive tone are likely to retain the form of phase and Daqu. The "slow tone" used in this song is unique to this song. Guqin music "plum blossom three lanes" and "plum blossom three lanes", piano music. The storage of music was first seen in Magic Secret Music. Jie Yue: In the Jin Dynasty, "Huan Yi Xiao was the plum blossom tune, and later generations took Qin as the three unique skills." The overtone tune in the song is repeated three times in different emblem positions (hence the name "agriculture, countryside and farmers"), showing the noble and peaceful static state of plum blossoms. Another urgent tune shows that plum blossoms are not afraid of the cold and sway with the wind. Many paragraphs end in the same tune. Guqin music Black Nightingale and Black Nightingale, Qin music. It was originally a western folk song expressing the theme of love in the Southern and Northern Dynasties. The existing piano score was first seen in The Secret Music of Magic. Quoting Tang books to solve problems. Liu Yiqing, king of Linchuan, said that music is created and used by future generations. There are words such as "feeding back" and "fighting for the nest" in the score, which shows that the piano music is about the activities of the second dock and chicks. The soft dance in the Tang Dynasty, the Ci school in the Song Dynasty and the Qupai in the Yuan Dynasty also have this intention. Guqin music "Jieshi Tune to Orchid" and "Jieshi Tune to Orchid" are the earliest piano scores in existence. The original is in Japan, and there are also photocopies in China. Handmade paper in the Tang Dynasty still retains the writing style of early word spectrum, which has high historical value. This song originated from Qiu Ming (AD 494-590) in the Southern Liang Dynasty. The title of the song is preceded by the title of the song, which is only seen in Qin music. It is inferred that the content of Youlan should be expressed in Jieshi tone. Jieshi dance was popular in the Southern and Northern Dynasties. Yue Zhi said: Wei Wudi's poem Jieshi is regarded as Jieshi Dance, which consists of four chapters. The existing music score is also divided into four beats, and Jieshi tune may be the tune of Jieshi dance at that time. As for Youlan, a poet Bao Zhao once wrote the lyrics of Qin music with the same name, which can be found in Yuefu poems. The content is to express his talent through orchid finger, which is consistent with the mood of existing tunes. There are many versions of orchids. There are melodies of "You Lan" and "Snow White" in Sima Xiangru's "Fu on Beauty". It is also recorded in Cao Qin that Confucius wrote Yi Lan when he injured himself. There are other kinds of piano music, such as Yi Lan or You Lan. Solving problems generally follows Cao Qin's theory, and its tune has nothing in common with Jieshi Tiaolan. Guqin music "Huhuqie" and piano music "Huhuqie". Dong, Xue and Chen Kangshi, the famous piano players in the Tang Dynasty, are all good at playing this music. At that time, it was also called "Erhu Jia" or "Erhu Jia" plus Xiao Hu Jia. These two works, which were first recorded in ancient and modern music, are called The Voice of the Great Hu and The Voice of the Small Hu. "Shen Jiasheng and Zhu Jiasheng, which were popular in the early Tang Dynasty, were famous for these two songs. Later, Dong inherited the traditions of these two families and compiled biographies. Let's talk about listening to Dong Da's "The Sound" and saying, "This song was written by Mrs. Cai, and it has eighteen stanzas, and I sang them one by one. "It should refer to Hu Da Jia, because Hu Da Jia in the existing Magic Secret Spectrum happens to be eighteen paragraphs. It has the same theme as "Eighteen Beats of Hu Jia", but the music has nothing in common. Guqin music "Shi Liu Quan" and "Shi Liu Quan", Qin music. According to legend, it was written by Liu. This track was written in the Tang Dynasty (see the soundtrack of Jieshitiao Youlan). The stored spectrum is divided into eight parts. Describe the interest of flowing water and streams and washing stones in pillows, which can be found in Qinpu True Story and Cyrus Piano Series. Guqin music Li Sao and Li Sao. Chen Kangshi, a pianist in the late Tang Dynasty, wrote according to Qu Yuan's ci. There are people in the middle of Shu. Records of arts and literature are recorded in nine beats, which are divided into eleven beats and eighteen beats. "The Magic Secret Spectrum" uses the latter, and each beat is based on Qu Yuan's poem, which has a profound grudge. " Qin Xue Jin Chu said in the postscript of this song: "At first it was depression, then it was boldness. "Guqin songs" Three Layers of Yangguan "and" Three Layers of Yangguan "are songs of the Tang Dynasty, and the music score of Guqin has been preserved to this day. The lyrics are based on Wang Wei's poem "Send Yuaner to Anxi". There is a saying in the poem that "people have no reason to leave Yangguan in the west", which is repeated three times, hence the name "Yangguan Sandie". Since the Tang and Song Dynasties, there have been various singing methods. There are more than 30 versions of the existing piano score, and there are six kinds of * * *. Among them, The Newly Compiled Piano Music (1530) is the most widely circulated, which was first published in the Ming Dynasty and has been circulated ever since it was introduced and processed by Qin Xue in the Qing Dynasty. In addition, it first appeared in Yin Zhezi's Yi Qin score (149 1) and was also popular in the Ming Dynasty. There are eight paragraphs left in the whole song, and the first paragraph only uses Wang Weiyuan's poems. These six kinds of words, songs and songs have different structures, but the main melody is similar, which shows that they come down in one continuous line. Wang Zhenya, a contemporary composer, has adapted it into a chorus according to the performance score of modern pianist Xia Yifeng (the original score includes "A Brief Introduction to Qin Xue") and filled it with records. Guqin music Yi Dao and Yi Dao, Guqin music. It was written by Pan Tingjian in the Tang Dynasty. In the crisp autumn season, every woman has to make winter clothes for her relatives, so she has to pound clothes, so it is also called "Autumn pestle lane" and "Autumn courtyard pound clothes". Music shows women's yearning for their distant relatives. Yang Lun's "The Legacy of Taikoo" analyzes its music content as follows: "The first feeling of autumn wind beats clothes", "the second injury of fish and geese" and "finally dreaming of flying to the north of Saibei". Pingsha Wild Goose Spectrum: It was first seen in Yan Hui Secret Newspaper (published in 1649) in the late Ming Dynasty. Since the Ming and Qing Dynasties, there have been nearly 40 kinds of music books. According to Dai's Dream, Yin Ye studied under Shaoxing pianist Wang Benwu in his early years. The curve is medium. The original text has no words. Qu Qing: Qin Le appeared in the Ming Dynasty, and there was no preface and postscript in the Ming and Qing Dynasties. According to the legend of the Qin family in Shangjiang, it is an abridged version of Qiu Hong. Then, its melody should be divided into four subheadings: gathering in the evening on the flat sand, wandering on the flat sand in the distance, reeds swimming, and the south facing north. Wang Qingshan's "Zhi Xin Zhai Qin Pu" is said to have been written by Mao Minzhong in the late Song Dynasty, while Qing Qin Han Wei's "Jiaoan Qin Pu" is said to have been written by Zhu Quan in the early Ming Dynasty. This is as mysterious as the author of Qiu Hong. Zhu Quan said in Preface to Qiu Hong that the author of Qiu Hong is lazy in Xijiang River and poetic mad in heaven. Some people think that Qiu Hong was written by Zhu Quan himself. But according to legend, from the original words of Qiu Hong, it is Qiu Hong's sentimental expression of "being in the south and being in the north", much like Guo Mian, a pianist in Mao Minzhong. The artistic conception and author of this song should still be in doubt. This is the largest number of piano music books with the largest discrepancy. At present, it is also the one with the largest number of people playing and the biggest discrepancy. Guan Shanyue: It was first seen in Wang Yanqing's Meianqin score in the early years of the Republic of China (193 1), with a small style. Nothing to say. Qu Qing: This song of Yuefu Poetry belongs to the category of music played in Han Dynasty. This song was not originally written by A Qin, but it may have been composed by Wang Yanqing with folk music. Since the Six Dynasties, this piece of music has always been regarded as expressing the feelings of opposing military service under feudal rule. Xu Ling's poem "Guan Shanyue": "Thinking of women is high, the window should wake up; ..... spirit of war today, joined the army a few years later; ..... "best represents the artistic conception of this song. Autumn wind lyrics: Wang Yanqing's "Mei 'an Qinpu" in the early Republic of China. The bent body is very small. Have something to say Qu Qing: The original lyrics of Tang Libai's "Autumn is crisp, autumn is crisp, the moon is sky ..." were probably composed by Wang Yanqing. It is reported that the autumn wind song of Wugang piano score written by Huang Xian in Jiajing period of Ming Dynasty is a wordless piano piece based on the bass story of Zhang Hansi in the Six Dynasties. At the same time with Huang Xian, Autumn Wind written by Wang Zhi's another book, Piano Score of West Road Hall, is another piano piece with words. The original words are "autumn wind, autumn wind, autumn wind, swan goose coming, phoenix tree floating in a golden well, sighing how much time life can have!" ? ..... want to life can geometry ". The autumn wind chapter won by Maoqing, a Japanese ministry of materials and equipment, refers to the autumn wind poems of Emperor Wu of the Han Dynasty. At present, domestic piano players are playing Qiu Feng Ci in Wang Yanqing's Mei 'an Piano Score, which has nothing to do with the above three ancient scores. Autumn Wind in Wu Ye: In the early Qing Dynasty, Zhuang Yifeng explained in his Piano Music (1644) that it was a new piece of music written by himself. Twelve printed musical scores were recorded in the Qing Dynasty. This shows that it is a successful work. The curve is medium. Nothing to say. Qu Qing: Zhuang himself and the later Qin family did not make a preface and postscript, so Qu Qing should start from the topic. Only Su Jingchun's "Caotang Pu" (1744) in the Qianlong period of the Qing Dynasty has the postscript of "the melody is bleak and the rhyme is appropriate". Musical score of Xiaoxiang Shuiyun: It was first seen in Zhu Quan's Magic Secret Score (1425) in the early Ming Dynasty, and has been published in thirty kinds of musical scores since the Ming and Qing Dynasties. There were only ten paragraphs at first, and then it gradually developed into a large song with fifteen paragraphs. Nothing to say. Qu Qing: Zhu Quan's Qu Xu Yun: "This song was written by composer Guo Mian. Mr. Yongjia is a native of Yongjia. Every time he looks at nine places, he is shrouded in the clouds of Xiaoxiang, indicating that he is wandering. ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………… "The reason why Mao Minzhong's woodcut songs and fishing songs are circulated is because of Mao Bu's strong national consciousness. However, musicians of later generations have always believed that the success of these pieces in skills is inseparable from Guo Mian's attainments. Guo Mian's deeds are only scattered in Yu Delin's Pei Wei Zhai Moon Hee and Jue Yuan's Rong Qing Jushi in the Song Dynasty, and there are not as many famous articles as the noble Yang Zuan and his disciples. When discussing the Qin school, Jiang Wenxun in Wuxian's "Music Score of Erxiang" (1833) mentioned that Yan Tianchi said that Yan's piano was "influenced by Chen Xingyuan", and later the nickname flaunter called Yan's instead of Chen's. Isn't it the son of Zaifu, the respect of the satrap, enough to stir up the world? " Yang Zuan and Guo Mian seem to agree. One of the top ten famous songs of Guqin. According to legend, it was written by a musician of Jin State or Liu of Qi State in the Spring and Autumn Period. Yangchun and Snow White in the existing piano scores are two instrumental works. The magic secret spectrum said in solving the problem: "Yangchun takes everything as spring, and the wind is indifferent; Snow White is awe-inspiring and clean, and the sound of snow bamboo is beautiful. " Spring and snow
The allusion of Yangchun Baixue comes from Song Yu's answer to the king of Chu in Chu Ci. King Xiang of Chu asked Song Yu if there were any hidden virtues in Mr. Chu. Why don't people praise you so much? Song Yu said that there were singers in Chu State, and the earliest one was "Xialiba People", and there were thousands of peacemakers in Qian Qian. When the singer sang Yang A Xielu, there were only a few hundred middle school peacemakers. When the singer sang Chun Xue, there were only a few dozen middle school peacemakers. There were only three people in the Intermediate People's Court when some difficult skills were added in the Song Dynasty, that is, "attracting business and carving feathers, and miscellaneous to levy". Song Yu's conclusion is, "it's its high and low." The more elegant and complicated the song "Chun Xue" is, fewer and fewer people can sing it, that is, the songs are sung in high voices. King Cao Wen
Wang Wen Cao is an ode to the ideal society and ideal personality by Confucius, a great thinker in ancient China. Its connotation is profound and broad, and its melody is rich and touching. It deserves to be a classic in guqin music. After listening to this song, a feeling of admiration and reverence arises spontaneously. In the thousands of years' history of guqin music, King Cao Wen is regarded as an elegant work by the ancients, a piano music that can cultivate people's noble sentiments and purify people's souls: "Drumming this music makes people wash away the dregs." (Ming dynasty piano score "xingzhuang taiyin addendum"); The Qin Lun written by Cheng, a master of the Northern Song Dynasty, said that "its voice is quaint and secular"; In the Northern Song Dynasty, Su Shi wrote an ancient poem "Listening to an adult playing the piano on a boat" in order to listen to his father Su Xun playing songs such as King Cao Wen. When commenting on it, people "strive for sonority with new songs" and "several times as fragile as a spring", and then sigh that "the ancient meaning is fading away" Finally, "Jiang Kongyue never echoes, please play" King Wen "at night. The first paragraph: Guqin is played with an empty string bass, which is solemn and majestic. The sound of the piano led us into the time and space two thousand years ago, and great sages like the ancient king of literature and Confucius appeared in front of us ... not religion, just like religion, there was the worship of the ancients here; Mountains, mountains, ancient totems ... The empty strings at the beginning are like the sound of knocking bells, huge bells, heavy acoustics and colors ... The above is a piece of music in the first half, which plays the role of "introduction" in the whole song, and some incomplete tones appear in the second half, which reveals the original melody of piano music. The second paragraph: a kind melody appears completely, full of singing. This melody and its changes appear in the second, third, fourth and sixth paragraphs of the whole song, which is the most important musical theme of the whole song. The warm and calm emotions in music well express the Confucian thought of "benevolence", and a deep love for people from the heart and the expression of rich human emotions begin. The third paragraph: at first, it is a calm tone dominated by empty strings, which is the initial lead-in part of the paragraph and the usual structural mode of the following paragraph (called "couplet" in traditional music form). Simple music creates a peaceful atmosphere, in which the change and development of music and the entry of new music materials gradually begin. The melody originally presented in the whole song gradually changes, develops and deepens here. Melody is sketching a beautiful picture, including the beauty of human living environment, and the beauty of human nature and human feelings behind the beautiful picture. There is an emotional climax in the middle of the paragraph, as if excited by a beautiful ideal. The rhythm of music and the artistic conception of music began to flow, with passion, ups and downs, ups and downs ... the picture was more dynamic than before. The fourth paragraph: a small paragraph with transitional nature. The melody is performed in the bass area, and the music is mellow, warm and gentle. Here is a short detour after the end of the third period of music, like a stop in the music journey, looking back around. Fifth paragraph: There are new music materials. This piece of music is gloomy and thoughtful, which is a variety of doubts and puzzles in human life and a questioning of the world. Music is played in the bass area, and the tone changes from time to time ... Music changes from melody and aria to chanting, and the rhythm fluctuates freely, thinking and talking to yourself. This piece of music reflects the rational thinking of Confucianism from the formal structure and musical artistic conception, and is a profound reflection on one's own heart and universe, thus showing concern for the society in which human beings live. The end of this paragraph makes people suddenly enlightened. The sixth paragraph: The dignified music atmosphere is so comfortable and soft, and this piece has the characteristics of singing and lyricism. The seventh paragraph: overtone, which is in sharp contrast with the timbre of the previous paragraph, gives people a detached and fresh aesthetic feeling. It's like entering a magical realm. The pursuit of beauty is pinned on the place where the gods live. We saw auspicious clouds flying, cranes walking slowly and elk swimming in the water. Paragraph 8: Music material returns to the fifth variation. Its tone is like thinking hard, asking questions, deep twists and turns, and seeing Wang Wen's "deep thoughts on Mu Ran" and "prospects for the future". He is thinking deeply about the ideal society and ideal personality of human beings. The overtone ending sentence at the end of the song makes the whole music return to silence and peace. The eighth image once again presents people with the image of a saint and a king of literature. He is magnificent, far-sighted and broad-minded, giving people unlimited admiration. Confucius Reading Classics is a guqin song, also known as Reading Classics and Reading Classics in Autumn Wind, which evolved from the story of Confucius and Wei Sanjue. According to legend, it was written by Zhang, a Taoist priest of Qingcheng Mountain in the late Qing Dynasty. He once taught piano in Wuchang and trained many piano masters. Zhang Kongshan played a very important role in the development of modern Qin culture. Confucius' reading of the Book of Changes is a treasure of Qin Le. The whole song is divided into four sections, namely, the positioning of Gankun, the intricacy of Yin and Yang, the combination of rigidity and softness, and the unity of heaven and man. The sound of the piano is free and easy, which embodies the illusory Taoist thought of harmony between man and nature. "Three Drunks in Yueyang" and "Three Drunks in Yueyang" are based on the myth that Lv Dongbin is three drunk in Yueyang and flies to Dongting. It embodies the Taoist immortal thought and the thought of being divorced from reality. The tune is interesting and smooth. Great practice for piano music. The whole song consists of 20 paragraphs, and the scores can be found in Piano Score of Chuncaotang, Introduction to Qin Xue, Piano Score of Liaofengtang, etc. The scores are different from each other. According to "Introduction to Qin Xue", this song is an abridged version of "Feathering and Ascending Immortal". The main paragraphs are similar, but the order is different. Mo Zi Ai Si, also known as Mo Zi Ai Ge and Mo Zi Ai Si, is said to have been written by Lu during the Spring and Autumn Period and the Warring States Period. This song is one of the famous songs of Guangling Qinpai. The technique of "Mozi is sad for silk" can be found in Mozi's Dyeing: Mozi saw white silk dyed in various colors, which triggered his philosophical thinking about society and life. In his view, not only can silk be easily dyed into various colors, but also the monarch of a country will be influenced by various aspects, whether it is "benevolence and righteousness" with fame and fortune or "shame of injustice" that makes the world ridiculous, all of which are caused by external influences. "Scholar" is no exception, making friends carelessly is the greatest misfortune in life. So I sighed "so I can't be careless." The music score was first seen in Yang Lun's Boya New Law (1609) in the late Ming Dynasty, and also collected in Wuzhizhai Piano Score and Ziyuantang Piano Score. Music embodies Mozi's sentimentality about the world that he can't extricate himself with his desires, just like Jess has lost his true colors. The melody is profound and the rhyme is sad. This song is melodious, sad and generous, revealing a feeling of self-love.
Guqin music "Running Water" and "Running Water" are ancient piano music. In historical legends, people often associate it with Boya in the Warring States Period. It is said that Boya is an excellent folk musician. He plays the piano very well. "Boya played the drums and played the piano, but Liu Ma was Yang Wan." ("Xunzi advised to learn") means that when Boya played the piano, all the horses grazing should look up and listen. Once, while Boya was playing the piano, a man named Zhong Ziqi stood by and enjoyed it. When Boya thought of the towering mountains in his heart, Zhong Ziqi said, "It's good to play drums, as majestic as Mount Tai." When Boya yearned for running water, Zhong Ziqi said, "Playing the drum and playing the piano is good, and the soup is like running water." Zhong Ziqi can accurately understand Boya's feelings in the piano, and make them feel at home and form a "bosom friend". After the death of chef hippo, Boya was deeply saddened by the loss of his best friend and never played the piano again. This touching ancient legend also shows that there may have been music works such as "Mountain" and "Running Water" with lyrical techniques for the scenery in the third century BC. The earliest spread of Qin Le's Running Water can be found in the Magic Secret Music published by Zhu Quan 1425 in Ming Dynasty. Zhu Quan is the seventeenth son of Zhu Yuanzhang, the founding emperor of Ming Dynasty, and the mysterious music score is the earliest extant collection of ancient piano scores in China. But the song "Running Water" was produced much earlier. According to Zhu Quan's textual research in the explanation of the book, "There was only one song in the original" Mountain "and" Running Water ",but it was divided into two songs in the Tang Dynasty, and it was not divided into sections. In the Song Dynasty, the "mountain" was divided into four sections and the "flowing water" was divided into eight sections. " This paper briefly explains the evolution of this piece of music in ancient times. At present, there are twenty or thirty kinds of biographies and styles of piano music "Running Water", but they all have similar themes or melody factors, which shows that they have the same foundation. /kloc-In the 20th century, Zhang Kongshan, a Taoist priest in Sichuan, added rolling techniques to his music, which made the artistic image of music more vivid. People call it "seventy-two rolling streams". The piano music "Running Water" introduced in this book is based on the version circulated by Sichuan musicians, and included in "Tianwenge Piano Music" published by 1876. The piano piece Running Water is an excellent work in China's national music heritage. It does not stop at the objective description of natural scenery, but expresses people's thoughts and feelings, showing an open-minded and unyielding spiritual realm. In music performance, lyrical tunes are the main body, combined with the development of imitation, which not only shows gorgeous and novel skills, but also maintains a simple and depressed style. 1On August 20th, 977, the United States launched two "Voyager" spaceships, and scientists hoped to meet "humans" outside the earth one day. There is a gold-plated copper record on the spaceship, which is as bright as new even after a billion years. This album contains 27 world-famous music works, including China's piano piece Running Water.