Poems longing for landscape life

1. Poems about landscape life (verses describing landscapes, verses describing life)

Poems about landscape life (verses describing landscapes, verses describing life) 1. Verses describing landscapes, verses describing life

Pedestrians fight against the wind and sand, and the princess plays the pipa with much resentment.

Camping for thousands of miles without a city wall, the spring vegetation in the city is deep in Liangzhou Ci (Tang Dynasty) Wang Han's luminous cup of grape wine, I want to drink pipa immediately. (Bai Juyi: (Farewell to the ancient grass)) 6. Plant a grain of millet in spring, and drink your horse by the river at dusk.

(Du Fu. Don’t laugh when you are lying drunk on the battlefield. How many people have fought in ancient times.

Hu Yan flies every night with a cry, and Hu’er’s tears fall. Hearing the Tao, the jade gate is still covered : "Lovesickness)) 4. Good rain knows the season.

(Meng Haoran: "Spring Dawn") 2. Whoever speaks of the heart of an inch of grass will receive three spring rays. (Meng Jiao: "Wandering Son's Song") 3. Red beans grow in the southern country, and the lonely city looks at Yumen Pass in the distance.

Yellow sand wears golden armor in a hundred battles: "Spring Hope}) 8. Falling red is not a heartless thing: "Spring Night Joyful Rain)) 5. Wildfire can't be burned out? (Wang Wei: "Compassion for the Farmers") 7. The country has been destroyed by mountains and rivers, but Loulan will never be returned until it is destroyed. 1. Sleeping in spring without waking up.

Li Qi, an ancient soldier, climbed the mountain during the day to watch the beacon fire. In the autumn, he harvested thousands of grains. Rain and snow covered the desert one after another, so he should put his life at risk. (Du Fu.

(Li Shen, the spring breeze blows and springs again: "Ode to the Willows") 10. The garden is full of spring scenery, and a branch of red apricot comes out of the wall. (Ye Shaoweng, spring brings a few branches.

(Gong Zizhen: (Miscellaneous Poems of Jihai)) 9. I don’t know who cut out the thin leaves. The spring breeze in February is like scissors. (He Zhizhang.

Every year, the bones of battles are buried outside, and nothing is seen. Pu Tao enters the Han Dynasty. Wang Changling joins the army. The clouds cover the snow-capped mountains in Qinghai. Spring is here. Birds are heard singing everywhere, turning into spring mud to protect the flowers.

2. What are the poems describing landscapes and pastoral life? p>

Poems describing landscapes: North of Gushan Temple and west of Jia Ting, the water surface is initially flat and the clouds are low.

My favorite lake is the east side, where the green poplars are shaded and the white sand embankment is in May. It's cool, the clouds and trees on the sand are green at night.

The water flows down three thousand feet, and it seems that the Milky Way has set in the sky. The sun is over the mountains, and the Yellow River flows into the sea. The traces of thousands of people are gone. The gate of heaven cuts off the opening of the Chu River, and the clear water flows eastwards.

There is only a lonely grassy stream, and there are oriole trees singing in the distance. The scenery of the Dongting Mountain is like a silver plate. A green snail.

The east wind blows my boat across the lake.

A poem describing pastoral life: A river protects the fields and surrounds them with green. Come and plant beans at the foot of the southern mountain.

In the morning, I clean up the wasteland and return home with a hoe.

I am invited to the farm. The rain is clear, the fireworks are late, the quinoa is cooking, and the rice is cooked in the east. The house is isolated from the noise, but the spring doves are singing on the house, and the apricot blossoms are white for a few days in the village.

Farming is a simple matter, and I have been in prison for a long time.

Landscape poems refer to poems that describe landscapes. In the first landscape poem, not both mountains and water have to appear at the same time. Some only write about mountain scenery, while others mainly focus on water scenery.

But regardless of the water light or mountain scenery, they must have never been written by the poet. Landscapes that are intellectually intervened or emotionally disturbed, that is, the landscapes must maintain their original appearance as seen by the eyes and ears. Of course, the landscapes in the poem are not limited to barren mountains and wilderness, but other famous scenic spots that have been artificially decorated, as well as city suburbs, palaces and gardens. The landscape of the manor can also be included in poetry.

Representative figures: Xie Lingyun, Meng Haoran, Xie Tiao, Wang Wei, Liu Changqing, Wei Yingwu, Liu Yuxi, Liu Zongyuan, Pei Di, Chang Jian, Chu Guangxi, Li Bai, Du Mu, Tao Yuanming, Wang Zhihuan. The pastoral poetry school is a genre of ancient Chinese poetry. The most important representative is Tao Yuanming, a poet of the Eastern Jin Dynasty.

Throughout the ages, Tao Yuanming's poetry and art have had a profound impact on later generations, especially pastoral poetry. The genre has always influenced the development of the creation of later poets. Most of Tao Yuanming's poems are based on pastoral life, derived from Tao Yuanming's deep feelings about pastoral life. Some are close to spoken language, some are close to ballads: some express the heart directly, directly expressing the author's feelings. The love for working hard in life, the language is plain and natural, simple and without any lack of color, giving people a fresh, pure and poetic feeling.

Representative figures: Tao Yuanming, Wang Wei, Meng Haoran, Fan Chengda.

3. Poems related to landscapes (complete)

1. Spring

Author Zhu Xi Dynasty Song Dynasty

Looking for beauty in Surabaya on a beautiful day On the shore, the boundless scenery is new for a while.

It is easy to recognize the east wind, and it is always spring with its colorful colors.

Vernacular translation:

It’s a beautiful spring outing on the shores of Surabaya, and the boundless scenery takes on a new look.

Everyone can see the face of spring. The spring breeze blows flowers into bloom and becomes a riot of purple and red. Spring scenery is everywhere.

2. Spring trip to Qiantang Lake

Author Bai Juyi Tang Dynasty

North of Gushan Temple and west of Jiating, the water surface is initially flat and the clouds are low.

In several places, early orioles compete for warmth in the trees, while new swallows peck at the spring mud.

The wild flowers are becoming more and more charming, and only Asakusa has no horse hooves.

My favorite part of the lake is the east side of the lake, where there is a white sand embankment in the shade of green poplar trees.

Vernacular translation:

After walking around the north of Gushan Temple and west of Jiagong Pavilion, the lake water has just risen and is level with the shore, and the white clouds are hanging very low.

A few early yellow warblers are vying to roost in the sunny warm trees, and the newly arrived swallows are busy building nests and carrying mud.

The wildflowers are dazzling when they bloom, and the spring grass has not grown tall enough to just cover the horses' hooves.

My favorite scenery in the east of the lake is unforgettable, with rows of willows passing through a white sand embankment.

3. Jiang Xue

Author Liu Zongyuan Tang Dynasty

Thousands of mountains and birds have disappeared, and thousands of people have disappeared.

A man in a boat with a coir raincoat fishing alone in the snow in the cold river.

Vernacular translation:

There are no traces of birds in thousands of mountains and ridges; there are no traces of pedestrians on thousands of roads.

On a lonely boat, a fisherman wearing a raincoat and a bamboo hat fished alone in the wind and snow.

4. Visiting Shanxi Village

Author Lu You Song Dynasty

Mo Xiao’s farmhouse is full of wax and wine, and in good years there are enough chickens and dolphins for visitors.

There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers.

The flutes and drums follow the spring society, and the clothes and clothes are simple and ancient.

From now on, if I can take advantage of the moonlight, I will knock on the door all the time and night with my stick.

Vernacular translation:

Don’t laugh at the turbid wine brewed by farmers in the twelfth lunar month. In the year of harvest, the dishes for entertaining guests are very rich.

The mountains are overlapping and the water is twisting. I am worried that there is no way to go. Suddenly, another mountain village appears in front of me.

The day of playing the flute and playing the drum in the Spring Society is approaching, but the villagers still retain the ancient custom of simple clothes.

If I can still take advantage of the beautiful moonlight to go out for a leisurely trip in the future, I will knock on your door at any time with a cane.

5. Wanglu Mountain Waterfall

Author Li Bai Tang Dynasty

The incense burner in Rizhao produces purple smoke, and the waterfall hangs in front of the river in the distance.

The flying stream falls three thousand feet, and it is suspected that the Milky Way has fallen into the sky.

Vernacular translation:

Purple haze rises from Xianglu Peak under the sunlight. From a distance, you can see the waterfall hanging like white silk in front of the mountain.

The plummeting waterfall on the high cliff seems to be thousands of feet long, making people feel as if the Milky Way is falling from the sky to the earth.

4. What are the poems that describe mountains and rivers?

1. There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers. (Lu You's "Visiting Shanxi Village")

2. You can't be seen on the mountain winding road, leaving a place for horses to walk in the sky above the snow. (Cen Shen's "Bai Xue Ge Sends Magistrate Wu Back to the Capital")

3. Where is the water? The mountains and islands are standing tall. (Cao Cao's "Viewing the Sea")

4. The green trees are adjacent to the village, and the green mountains and hills are sloping outside. (Meng Haoran's "Passing the Old Friend's Village")

5. It looks like a ridge from the side and a peak from the side, with different heights near and far. (Su Shi's "Inscription on the Wall of the Western Forest")

6. Standing at the top of the mountain, you can see all the small mountains at a glance. (Du Fu's "Looking at the Mountains")

7. Climb Dongshan and Xiaolu will be small; climb Taishan and Xiaotian will be small. (Confucius) Water

1. North of Gushan Temple and west of Jia Pavilion, the water surface is initially flat and the clouds are low. (Bai Juyi's "Spring Journey to Qiantang Lake")

2. The water of the Yellow River comes up from the sky and rushes to the sea never to return. (Li Bai's "About to Enter the Wine")

3. Who said there is no less in life? The water flowing in front of the door can still reach the west, so don't sing the yellow chicken with white hair. (Su Shi)

4. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun’s love for me. (Li Bai)

5. As for Xiashui Xiangling, it is blocked along the way. (Li Daoyuan's "Three Gorges")

6. The water is all pale blue, and the bottom is thousands of feet away. There are fish and rocks swimming around, which are unobstructed even if you look directly at them. (Wu Jun's "Book of Thoughts with Zhu Yuan")

7. "The sun reflects on Qingqiu Island, and the dust rises from the Handan continent. The river moves and the forest bank is faint, and the rock is deep and the smoke returns" ("Zuo Zhu Fang Road")< /p>

8. "The mountain peaks overlap in the distance, and the bamboo trees are close to the cage. I open my lapels and bathe in the cold water, and untie them in the breeze" ("You Shen Taoist Hall")

9. "Long Branches" The purple leaves are cute, and the green moss spreads from the clear source. The mountain light floats on the water, and the cold comes." ("Fan Yongkang River")

10. Birds fly across thousands of mountains, and thousands of people pass by. Traces disappear. (Liu Zongyuan: "Snow on the River")

11. As the sun fades over the mountains, the Yellow River flows into the sea. (Wang Zhihuan: "Climbing the Stork Tower")

12. Standing at the top of the mountain, you can see all the mountains at a glance. (Du Fu: "Wang Yue")

13. The country is broken by mountains and rivers, and the city is full of spring vegetation. (Du Fu: "Spring Hope")

14. No one can be seen in the empty mountain, but the sound of people's voices can be heard. (Wang Wei: "Lu Chai")

15. The bright moon rises above the Tianshan Mountains, among the vast sea of ??clouds. (Li Bai: "Moon over Guanshan")

16. I never get tired of seeing each other, only Jingting Mountain. (Li Bai: "Sitting Alone on Jingting Mountain")

17. Beans are planted at the foot of the southern mountain. The grass is thick and the bean seedlings are sparse. (Tao Yuanming: "Returning to the Garden and Living in the Fields")

18. The green mountains cannot cover it, and it will flow eastward after all.

(Xin Qiji: "Bodhisattva Man? Book on the Ostomy Wall of Jiangxi")

19. I don't know the true face of Lushan Mountain, just because I am in this mountain. (Su Shi: "Inscription on the Wall of the Western Forest")

20. The so-called beauty is on the side of the water. ("The Book of Songs? Jianjia")

21. How can the water be dull, but the mountains and islands are standing still. (Cao Cao: "Viewing the Sea")

22. White hair floats on the green water, and anthurium stirs the clear waves. (King Luo Bin: "Ode to the Goose")

23. The Tianmen interrupts the opening of the Chu River, and the clear water flows eastward to this point. (Li Bai: "Looking at Tianmen Mountain")

24. There is no way out despite the mountains and rivers, and there is another village with dark flowers and bright flowers. (Lu You: "Visiting Shanxi Village")

25. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's gift to me. (Li Bai: "Gift to Wang Lun")

26. The willows are green and the Qingjiang River is level, and I hear the singing on the Langjiang River. (Liu Yuxi: "Bamboo Branch Ci")

27. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. (Bai Juyi: "Remembering the South of the Yangtze River")

28. The spring is silent and cherishes the trickle, and the shade of the tree shines on the water and loves the clear and soft water. (Yang Wanli: "Little Pond")

29. A few peach blossoms outside the bamboo, a duck prophet of the warmth of the spring river. (Su Shi: "An Evening Scene on the Spring River in Chongchong, Hui")

5. Ancient poems about mountains and rivers

Poems about mountains

1. Thousands of mountains are filled with thousands of birds. All traces of people are gone. (Liu Zongyuan: "Snow on the River")

2. As the sun sets over the mountains, the Yellow River flows into the sea. (Wang Zhihuan: "Climbing the Stork Tower")

3. Standing at the top of the mountain, you can see all the mountains at a glance. (Du Fu: "Looking at the Mountains")

4. The country is broken by mountains and rivers, and the city is full of spring vegetation. (Du Fu: "Spring Hope")

5. No one can be seen in the empty mountain, but the sound of people's voices can be heard. (Wang Wei: "Lu Chai")

6. The bright moon rises above the Tianshan Mountains, among the vast sea of ??clouds. (Li Bai: "Moon over Guanshan")

7. I never get tired of seeing each other, only Jingting Mountain. (Li Bai: "Sitting Alone on Jingting Mountain")

8. Beans are planted at the foot of the southern mountain. The grass is thick and the bean seedlings are sparse. (Tao Yuanming: "Returning to the Garden and Living in the Fields")

9. The green mountains cannot cover it, and it will flow eastward after all. (Xin Qiji: "Bodhisattva Man? Book Jiangxi Ostomy Wall")

10. I don't know the true face of Lushan Mountain, just because I am in this mountain. (Su Shi: "Inscription on the Wall of the Western Forest")

Water in Poetry

1. The so-called beauty is on the side of the water. ("The Book of Songs? Jianjia")

2. How can the water be sluggish, but the mountains and islands are standing tall? (Cao Cao: "Viewing the Sea")

3. White hair floats on the green water, and red palms stir the clear waves. (King Luo Bin: "Ode to the Goose")

4. Tianmen interrupts the opening of the Chu River, and the clear water flows eastwards to this point. (Li Bai: "Looking at Tianmen Mountain")

5. There is no way out despite the mountains and rivers, but there is another village with dark flowers and bright flowers. (Lu You: "Visiting Shanxi Village")

6. The water in Peach Blossom Pond is a thousand feet deep, and it is not as deep as Wang Lun's love for me. (Li Bai: "Gift to Wang Lun")

7. The willows are green and the Qingjiang River is level, and I hear the singing on the Langjiang River. (Liu Yuxi: "Bamboo Branch Ci")

8. When the sun rises, the flowers on the river are as red as fire, and when spring comes, the river is as green as blue. (Bai Juyi: "Remembering the South of the Yangtze River")

9. The spring is silent and cherishes the trickle, and the shade of the tree shines on the water, loving the clear and soft water. (Yang Wanli: "Little Pond")

10. A few peach blossoms outside the bamboo are a prophet of the warmth of the spring river. (Su Shi: "An Evening Scene on the Spring River in Hui Chong"))

Li Bai's>

Purple smoke comes from the incense burner in the sunshine, and you can see the waterfall hanging in front of the river in the distance.

The flying stream falls three thousand feet, and it is suspected that the Milky Way has fallen into the sky.

Looking at the Water"

Sikong Shu of the Tang Dynasty

The sky is clear and the water is visible, the color of Chu is harmonious with the mist. The wild sky is as empty as practice, and the sky is far away and there is no wave.

There is never a trace of anyone, but there are birds passing by from time to time. The situation is that outside the vast sky, the setting sun shines the most.

"Distant Water"

Tang Xiangsi

The sky is dim and dim, and the evening light shines on one side. The broad duckweed misses the distance, and the wild goose grows sad when the cold comes.

The North Pole is connected to the flat land, and the eastward flow is my hometown. The boat came to stay at the place, which seemed to be like Xiaoxiang.

"Water of the Shu River"

Xiong Rudeng of the Tang Dynasty

Traveling thousands of miles to the emperor day and night, his pity for the river water attracted the hearts of the people.

When it comes to Baxia being a sad place for people, the sound of ape than beach is a good sound.

"Water"

Tang Xuyu

The nature of fire is as soft as the nature of water, how long does it stop when it comes from the west and comes out from the east?

Don’t say that if you open the sea, you can open the Han Dynasty, but even if you untie the floating boat, it will capsize it.

The twilight in Xiangpu is filled with the resentment of Yao's daughter, and the Fenhe River is full of sorrow for the Han emperor in autumn.

Wherever the torrential waves return, peach blossoms fill your eyes in February.

"Big Water"

Tang Xuefeng

The heavy rain is followed by thunder, and the wind comes suddenly. The waves drove away the three islands, and the river dismantled the two rivers.

The potential is afraid that the round pivot will be broken, and the sound is suspicious that the thick axis will be destroyed. Ming Xin asked Yuanhua, when will the Eye of Heaven return?

Water

Wherever the fallen flowers go, the mysterious heron comes alone for an infinite time.

The old monk who washes his bowl has been on the shore for a long time, and the fishermen and leisure fishermen have been waiting for a long time.

The evening clears up and the sedge is green, and I regret that I have an old relationship with Canglang.

"Ode to Water"

Zhang Wencong of the Tang Dynasty

The name indicates the best qualities, and the school indicates the wisdom. The map contains four areas, and the astronomy contains five areas.

The square shape is jade-like, and the round shape is full of pearlescent light. There are only officials in Mengyuan who live in Yan and play in Haoliang.

6. Poems describing pastoral life and poems describing landscapes

Poems describing pastoral life:

Mountains and rivers are full of doubts and there is no way out, and willows and flowers are bright in another village. . —— Lu You's "Visit to Shanxi Village"

The orioles sing in thousands of miles, reflecting the red green, and the wine flags in the mountains and rivers of the water village are blown by the wind. ——Du Mu's "Jiangnan Spring"

Where is the restaurant? The shepherd boy points to Xinghua Village in the distance. ——Du Mu's "Qingming Festival"

The green trees border the village, and the green mountains and hills slope outside. —— Meng Haoran's "Crossing the Old Friend's Village"

The children and grandchildren have not yet been asked to farm and weave, and they also learn to grow melons near the mulberry tree. ——Fan Chengda's "Summer Pastoral Miscellany Part 7"

Farming in the fields during the day and planting hemp at night, the children of the village are responsible for their own affairs. ——Fan Chengda's "Summer Pastoral Miscellany Part 7"

One or two roosters crow in the rain, and the bridge on the road in Zhuxi Village is slanted. ——Wang Jian's "Rain Passes the Mountain Village"

Planting beans at the foot of the southern mountain, the grass is full of bean sprouts and there are few bean sprouts. ——Tao Yuanming's "Returning to the Garden and Living in the Fields·Part 3"

Mo Xiao's farmhouse is full of wax and wine, and in good years the guests are full of chickens and dolphins. —— Lu You's "Visit to Shanxi Village"

The setting sun is setting in the isolated village, the jackdaws in the old trees are lightly smoked, and there is a shadow of a flying dragon. ——Bai Pu's "Tian Jing Sha·Autumn"

There is no vulgar charm, and nature loves mountains and hills. ——Tao Yuanming, "Returning to the Garden and Living in the Fields Part 1"

The mountains are green and the rivers are white, and the rain is like smoke amid the sound of the rules. ——Weng Juan's "April in the Countryside"

Date blossoms fall on clothes and towels, reeling wheels ring in the south and north of the village, and cucumbers are sold by cows and old willows. ——Su Shi's "Huanxi Sha·Jujube Blossoms Falling on Clothes and Scarves"

What I love most is when a child dies, lying down at the head of the stream and peeling off lotus pods. ——Xin Qiji's "Qing Ping Le·Village Living"

It's not enough to regret the stains on your clothes, but your wishes are true. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 3"

A river of water protects the fields and surrounds them with green, and two mountains are lined with gates to bring in green. ——Wang Anshi's "Book on Mr. Hu Yin's Wall"

Birds nostalgic for the old forest, fish in the pond miss the old abyss. ——Tao Yuanming, "Returning to the Garden and Living in the Fields·Part 1"

Lying stiffly in the lonely village, I don't feel sorry for myself, but I still think about guarding the Luntai for the country. ——Lu You's "Wind and Rain on November 4th"

Poems describing landscapes:

A river of water protects the fields and surrounds them with green, and two mountains are lined with gates to bring in green - Song Dynasty. Wang Anshi's "Book on the Wall of Mr. Hu Yin"

The bright moon shines among the pines, and the clear spring flows upstream - Wang Wei

The Tianmen interrupts the opening of the Chu River, and the clear water flows eastward here - Li Bai's "Looking" Tianmen Mountain"

The mountains reflect the setting sun and the sky meets the water, and the grass is ruthless, even outside the setting sun.--Fan Zhongyan

The half-moon in Emei Mountain is full of autumn, and its shadow is reflected in the water flow of Pingqiang River. The clear stream flows towards the Three Gorges at night, and I miss you as I go to Yuzhou without seeing you.--"Moon Song of Mount Emei" by Li Bai

The water is so sluggish that the mountains and islands stand tall.--Cao Cao's "Viewing the Sea"

A river of water protects the fields and surrounds them with green, and two mountains with rows of gates bring in the green - Wang Anshi's "Book on the Wall of Mr. Yin in the Lake"

The water is shining brightly and the sky is clear, while the mountains are empty and covered with rain. Strange.---Su Shi's "Drinking from the First Sunny and Later the Rain on the Lake"

The water is like waves across the eye, and the mountains are like the gathering of eyebrows and peaks."--Wang Guan's "Businessman"

1. The mountains are heavy and the water is back. There is no road in doubt, but there is another village with dark willows and bright flowers. (Lu You's "Visiting Shanxi Village")

2. The mountain winding road turns away and you can't be seen, leaving a horse trail in the sky above the snow. (Cen Shen's "Song of Bai Xue Sending Magistrate Wu Back to the Capital" )

3. Where is the water? The mountains and islands are standing tall. (Cao Cao's "Viewing the Sea")

4. The green trees are close to the village, and the green mountains are sloping outside. (Meng Haoran's " "Passing the Old Friend's Village")

5. Viewed from the side, there are ridges and peaks, with different heights near and far. (Su Shi's "Inscription on the Wall of the Western Forest")

6. When viewed from the top, you can see it at a glance All the mountains are small. (Du Fu's "Looking at the Mountains")

7. Climb Mount Dong and you will see a small Lu; climb Mount Tai and you will see a small world. (Confucius)

Water

1. To the north of Gushan Temple and to the west of Jia Pavilion, the water surface is initially flat and the clouds are low. (Bai Juyi's "Spring Journey to Qiantang Lake")

2. The water of the Yellow River comes from the sky and rushes to the sea never to return. (Li Bai's "Spring Journey to Qiantang Lake") About to enter the wine")

3. Who said that there will be no more time in life? The water in front of the door can still flow to the west, and I will never sing the yellow chicken with my gray hair. (Su Shi)

4. Peach Blossom Pond The water is a thousand feet deep, not as deep as Wang Lun's love for me. (Li Bai)

5. As for Xia Shui Xiangling, it is blocked along the way. (Li Daoyuan's "Three Gorges")

6. The water is all empty Blue, thousands of feet deep, you can see the bottom. Fish and rocks are swimming, and it is unobstructed to look directly at. (Wu Jun's "Book of Thoughts with Zhu Yuan")

Hope you will adopt it

7. Poems related to landscapes (complete )

When Wang Wei lived in seclusion in Wangchuan, he created a number of exquisite landscape poems

He compiled it into "Wangchuan Collection", which he and his friend Pei Di exchanged. There are twenty five-character quatrains each, which mainly describe the scenery near Wangchuan Bieye and express the taste of seclusion life. Let's first look at "Xinyiwu": the hibiscus flowers are at the end of the wood, and the calyx is red in the mountains.

There is no one in the stream, opening and closing one after another. In the silent mountain stream, Xinyi flowers bloom and fall by themselves, growing and dying by themselves. They are not fake, have nothing to do with the world, and no one knows about them.

This is a world far away from the hustle and bustle of the world, and it is also the unique artistic conception of the poet Wang Wei that integrates subjectivity and objectivity. It is simply a symbolic realm of the Buddhist concept of emptiness and annihilation. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work that "enters Zen". "When I read it, I forget my life experience and all my thoughts are silent."

(Volume 6 of "Shisou") Wang Wei The artistic conception created here is born outside the image. It is a combination of poetry and Zen. It has great suggestiveness and strong artistic appeal. This kind of artistic achievement can only be attributed to his study of Buddhism and the influence of Buddhist thinking.

Wang Wei was called the "Poetry Buddha" by later generations. He believed in Buddhism at an early age.

My mother, Mrs. Cui, has been practicing Zen for more than thirty years. Wang Wei and his younger brother Wang Jin "both worshiped the Buddha and lived on a vegetarian diet, which is not as good as meat and blood" ("Old Book of Tang·Biography of Wang Wei").

When Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in a room, isolated from the world, and "had no descendants" ("Referring to Brother Biao"). He also wrote many poems and essays about Buddhism and had high attainments in Buddhism.

Among the Buddhist schools of the Tang Dynasty, Wang Wei believed in Zen, and mainly believed in Southern Zen. Nanzong Zen is the product of the combination of Buddhist thought and China's native Confucianism and Taoism. Its philosophy of life of letting one's fate prevail provides the latest and most complete way of life for Chinese scholar-bureaucrats and intellectuals.

Some of the practice methods of Southern Zen are similar to poetry creation with Chinese characteristics. Yan Yu, a literary critic in the Song Dynasty, said: "In general, the path of Zen only lies in wonderful enlightenment, and the path of poetry also lies in wonderful enlightenment" ("Canglang Poetry Talk").

Wonderful enlightenment is the insight into Zen and can also be expressed as the sensitivity to art. Both poetry and Zen require keen inner experience, both emphasize revelation and metaphor, and both pursue implication.

Nanzong Zen talks about "sudden enlightenment" and often uses visual expressions to teach the Dharma, with particular emphasis on the role of intuition, suggestion, induction, and association in understanding. Wang Wei has gained experience in Zen practice, so he naturally has a deep understanding of this method of grasping the world.

He integrated his understanding of Buddhism into his outlook on life, turned religious emotions into poetic thoughts, and created a poetic artistic conception of "emptiness", "silence" and "idleness". Zen Buddhism advocates the style of scenic mountains and forests, and it also guided and inspired Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.

Wang Wei described his inner experience in the poem "Zhuli Pavilion": Sitting alone in the secluded bamboo, playing the piano and whistling loudly. People deep in the forest don't know that the bright moon comes to shine.

The poet sat alone in the deep bamboo forest, playing the piano and screaming. No one knew his existence, only the bright moon came to accompany him. Nature understands his inner loneliness best, and the clear brilliance of the bright moon brings him a kind of quiet happiness.

Things and I are one and things and I are forgotten, Zen and poetry are in harmony. The same is true in "Deer Chai": No one can be seen in the empty mountain, but people's voices can be heard.

Returning to the deep forest, the light shines on the moss again. There is no one in the empty mountain, only intermittent human voices can be heard floating in the deep forest, and a ray of sunset shines on the moss deep in the dense forest, making it so trance-like and desolate.

This is exactly the kind of empty and lonely realm far away from the hustle and bustle that Wang Wei pursues. Although it is lonely, it is also enriching. Wang Yuyang of the Qing Dynasty said that "every word of Wang Wei's small poems is Zen" and "the wonderful truth is spoken in a subtle way, which is no different from the World Honored One holding a flower or Kasyapa smiling" ("Silkworm Continuation").

In other words, Wang Wei's landscape poems have Zen interest, Zen joy, and Zen flavor. They are full of words and endless meaning, conveying the meaning of Zen. Naturally, it fully expresses the poet's unique taste for the beautiful scenery of mountains and rivers.

Wang Wei does not necessarily only go to deserted places to seek Zen. He also looks at the vast world and the lively farm life: the clear fields and open fields, as far as the eye can see are unsullied. . Guomen faces the ferry, and the village trees connect to the mouth of the stream.

Beyond the white water fields, behind the green peaks coming out of the mountains. There is no idle person in the farming month, and the whole family is busy in the south.

——"New Sunny Ambition" A spring rain washes away the dirt and makes the scene completely new. Farming is busy, and people and scenery are bathed in the fresh air.

The two sentences "White Water" combine the close-up and distant views into a hierarchical picture. The water is bright, the peaks are green, and the contrast between light and color is very harmonious. On the surface, we cannot see the Zen meaning of this poem.

In fact, the spring rain is more like the holy water pouring from the Buddhist purification bottle, washing everything until it is clear and ethereal. It's just that Wanwu combines Zen and poetry so wonderfully that he doesn't let Zen principles overwhelm poetic taste.

Of course, what we pay attention to is the kind of praise of farm life, and what we appreciate is the aura of the beauty of the landscape, without necessarily seeking its Zen philosophy. Wang Wei was a versatile cultural giant who was good at poetry, music, painting, and calligraphy.

Su Dongpo, a great writer in the Song Dynasty, said: "When you taste the poems of Mojie (Wang Wei), there are paintings in the poems; when you look at the paintings of Mojie, there are poems in the paintings." ("Shu Mojie Pictures of Misty Rain in Lantian") His words are insightful and to the point.

Wang Wei was an accomplished landscape painter in the Tang Dynasty. He used Xiaoshu and light ink brushwork to paint, created ink landscape painting, and became his own brand. He is called the founder of the Southern School of landscape painting by later generations.

His paintings emphasize freehand brushwork, pursue spiritual resemblance, and express subjective emotions. Therefore, "there are many paintings regardless of the four seasons. For example, when painting flowers, peach, apricot, hibiscus, and lotus flowers are often used to paint the same scene." Seeking for it." (Zhang Yanyuan quoted in Shen Kuo's "Meng Xi Bi Dan") Therefore, Wang Wei is also known as the ancestor of Chinese literati's freehand painting.

If paintings can achieve spiritual resemblance, they will also have the charm and interest of poetry, that is, there is poetry in the paintings. If you use this kind of painting idea to gaze at the natural landscape, chant it, and create a scene into a poem, you will inevitably have the charm of painting in the poem.

Wang Wei’s profound artistic qualities in painting, music, and calligraphy enabled him to feel and capture the wonderful scenery and beauty of nature more accurately and meticulously than ordinary poets when creating poetry. Magical sounds and the ever-changing nature, and put them into writing. He is also better at using words and colors, and pays attention to the harmony of the tone of poetry.

There is the artistic conception of painting in the poem, the flow of music in the poem, and the changes in calligraphy in the poem. In this way, his unique poetic artistic style of "paintings in poems" and "hundreds of warblers and palace merchants playing in succession" was formed.

When appreciating his landscape poems, we should closely grasp this feature. Wang Wei is good at describing the majesty and splendor in general.