Chen Shidao, a poet in Northern Song Dynasty
Between the city and Qingjiang River, between spring water and rocks.
The sunset is hiding underground, and the twilight is already on the mountain.
Where the bird wants to go, it is also free to run to the clouds.
Prosperity is endless, and a young child must be returned.
The author of "Deng Kuaizai Pavilion" came straight to the point and wrote down what he saw and heard when he boarded it. The first pair of couplets is a close-up view, describing the city gate. I saw a winding river flowing around the city, and the spring water slammed against the stone. This couplet is a scene sentence, intended to create a quiet environment, which is closely related to the characteristics of Xuzhou City built by Bianshui and Surabaya. With flowing rivers and springs flowing in static cities and rocks, the dynamic and static contrast, while the poet's line of sight from high to low, there are both large and small scenes, depicting the dynamics of winding rivers and splashing springs.
Looking at the distance, it says mountain. The author climbed the mountain at dusk, so when he wrote the mountain, it was set against the setting sun. The sentence "Sunset" depicts a picture of the sunset in the mountains: just after the sunset disappeared below the horizon, twilight rose in the mountains. These two sentences are about picturesque mountains at dusk, poems with flowing water, echoing up and down, and words and meanings flowing; The language of "Tibetan Land" and "Mountain" is ingenious, vivid and concrete, and full of picture sense; The verbs "hidden" and "dependent" are also used with great care to make the objective scenery active. When used here to describe the sun and dusk, it gives humanity to objective natural phenomena.
The third couplet is a famous couplet. Poetry captures birds and clouds in the distance from the dusk scenery and the twilight of distant mountains. The sentence "Du Bird" is about the scenery in the air, but it is in harmony with the scenery and has profound implications. Although these two sentences are straightforward, they also vaguely reveal the poet's desire for peace of mind and freedom. There is no lack of chewing, and the flying bird is a symbol of hurried life. In Du Fu's poem, he said, "Looking up at a bird has passed, and it is futile for a hundred years." It means life flies like a bird. Chen Shidao studied Du Fu's poems and refined words, and spent a lot of time on function words. The words "desire" and "also" in these two sentences are very verve. "Where do you want to go" comes from asking questions, giving people imagination; "I'm free, too." Say I'm free with affirmative sentences, and I also say I'm free. It means pun and expresses poetry.
The first three chapters all describe what they saw on the pavilion, describing water, mountains and sky respectively, from low to high, with distinct levels, and comprehensively describing the scenery of wild dusk, which is unique in the description of scenery. It shows the poet's careful observation and perfect appreciation. At the end of the poem, "boarding" is pointed out, which summarizes the top three with "endless excitement", while the youngest son and others at home are going back, indicating that they are still in full swing and reluctant to go. Writing in this way breaks the traditional layout of boarding poetry; Finally, I turned off the evil spirits with emotion, which also reflected the cuteness of the scene. I didn't go back by myself. When I left, I deliberately aggravated my mood. I was praised by Fang Hui, "The last sentence was particularly quiet and forced Lao Du." This conclusion is precisely the author's intention to increase the weight of the last sentence and create a situation for emotion.
Chen Shidao's landscape poems are usually famous for their independent vitality and profound feelings. While deliberating words and phrases, he pays more attention to expressing his understanding of the scenery, so as to explore the unique beauty of nature, and often can deeply inject his emotions into the scenery and appreciate its true interest. The scenery of this poem is orderly and lifelike, showing its personality realm. Qingjiang river winds, spring water flows, dusk comes, birds and flowers are fragrant. This image shows the noble interest of being carefree, poor and happy in the world. The whole poem is vigorous and vigorous, old-fashioned, and although there are no strange words, it is full of interest and pure gas to win. Ji Yun praised his "deliberate pottery washing and health preservation". The author's style is due to the aloof personality of Du Fu and Chen Shidao. Fang Hui commented: "The whole article is dark and the last sentence is particularly quiet, which makes Lao Du also." It is pointed out that the vigorous and powerful style of this poem is similar to that of Du Fu.