Experience the beauty of your words and taste your ink. Twist a vague word, send a innocence, and let the heart talk with the wind. Let the fallen flowers be sealed with ink and listen to the wind and rain. Holding the coolness of the season and the moon, listening to your music in the place where the smoke is curling. Quietly admiring bloom, a stranger in the world of mortals, I sent a message to my heart, letting the red notes on the case bypass the tenderness of my fingertips. I missed it and became a blessing. ...
A flute string, a touch of sorrow, a pool of elegance. Twisting the mottled years, turning the past into ink and flowing down the fingertips; Carve a smile with a clear spring, and watch the situation lightly; Sitting in the depths of the years, I will compose my heart sound into a ray of natural light, wash away the dirt and dance out the fatigue of life. This shore, the other shore, this shore, the other shore, stick to Ming Che's inner purity, dye a piece of colored paper, break the wind and clear the willow rhyme, lie still in the wind lotus, and laugh at the world of mortals!
2. The sentence describing the ink fragrance of calligraphy 1, such as the breeze on the sleeve, will be in your arms tomorrow.
2, the sound of silence, the invisible phase.
3, academic classics, all from the heart, their hearts are not right, it is evil. Liu Gongquan said: the heart is right and the pen is right.
4, so the book is also, the heart is also; Writer, writing also.
5. Books originate from nature.
6, the book is still clear and thick, clear and thick must be heart-oriented. Otherwise, this book is not obscure, but it is only a portrayal of others.
7. People's appearance is ugly, but the attitude of gentlemen and villains can't be concealed, words are argumentative, and the anger of gentlemen and villains can't be deceived. Books are clumsy, but the hearts of gentlemen and villains should not be confused.
8. The person who represents the product has an aboveboard outline outside the pen and ink.
9. Mortals have different qi and blood and different bones and muscles. The heart is dense, the hand is skillful, and the book is ugly in the heart.
10, the rule of one word at a time, one word is the last one.
1 1, pen drawing, the swan flies high, it is elegant.
12, the ancients said: first, we must be noble in character, and second, we must learn from the ancients. This is the law of books. Scholars know, so when you are familiar with your hands, you must cultivate virtue before you can be familiar with your body. Virtue is familiar to the body and the book is in hand, so it is a book.
13, writer, Yingjie, other things, the urgency of the article is also. Although it is like this, we can learn from the good and the bad, but there are many good ones and few bad ones, and it is not a problem that all the bad ones are rejected!
14, the characters should be bones, the meat should be covered with tendons, the tendons should hide the meat, and the stickers should be beautiful and moist.
15, lofty calligraphy and painting, first character, excellent quality. Everyone not only values their own pen and ink, but also respects others.
16, outstanding body image, extraordinary today. The pearls are shattered and the tassels are fluttering.
Over the past 60 years, Mr. Qian Zhongshu has devoted himself to the research of humanities and social sciences, is indifferent to fame and fortune, is willing to be lonely and diligent, enjoys a good reputation at home and abroad, has made outstanding contributions to the country and the nation, and has trained several generations of scholars, which is a valuable asset of China.
Ling Ke once praised: "* * Whether prose or novel, its characteristics are: brilliant ideas, macro-knowledge, witty remarks, humorous. This is a tree of wisdom that has experienced the Spring and Autumn Period and is flourishing. This is Zhong Ling Yu Xiu, full of mysterious flowers and fruits of the soul, which everyone can enjoy. As long as you don't close your eyes and refuse, you will always be happy to get it. -the deep one gets its depth, and the shallow one gets its shallowness. "
Qian Zhongshu is a master of humor. He is eloquent, eloquent, witty and often makes people laugh. Qian's eloquence is the legacy of Mencius and Han Yu, and it is almost a household name in China Academy of Social Sciences.
Over the past 60 years, Mr. Qian Zhongshu has devoted himself to the research of humanities and social sciences, is indifferent to fame and fortune, is willing to be lonely and diligent, enjoys a good reputation at home and abroad, has made outstanding contributions to the country and the nation, and has trained several generations of scholars, which is a valuable asset of China.
Ling Ke once praised: "* * Whether prose or novel, its characteristics are: brilliant ideas, macro-knowledge, witty remarks, humorous. This is a tree of wisdom that has experienced the Spring and Autumn Period and is flourishing. This is Zhong Ling Yu Xiu, full of mysterious flowers and fruits of the soul, which everyone can enjoy.
As long as you don't close your eyes and refuse, you will always be happy to get it. -the deep gets deep, and the shallow gets shallow. "
Qian Zhongshu is a master of humor. He is eloquent, eloquent, witty and often makes people laugh. Qian's eloquence is the legacy of Mencius and Han Yu, and it is almost a household name in China Academy of Social Sciences.
5. The sentence about the brush Although Tang Yang put everything in his bag, He Jian couldn't drill it.
Once you grasp the political handle, you will be crowned with three ends. Pen is one of Yin's good gentlemen's three ends, although he holds it carefully.
The emperor ordered Wang Yan to treat me as a success. The potential health has not been spared, and the front is still practicing.
Who moistens the hair when it is dry and hates it when it is burned. Purple Pen Tang Bai Juyi's purple pen is sharp as a cone and sharp as a knife.
There are old rabbits on the rocks in Jiangnan. Eating bamboo and drinking spring water produce purple hair. People in Xuancheng use pens, one tenth of the hair.
Although the hair is light, the work is heavy. Don't use a worker's name casually.
Don't use it easily, what are the consequences? I am willing to give advice to Dongxi Mansion, and I am willing to make a living for the left and right. The pipe rushed into Jinmen and stood in white jade.
I have evil deeds, I am playing, and you have straight books. Living in Lang, I am a counselor and know that purple is not easy.
Every year when Xuancheng writes, the price of cents is as expensive as gold. Be careful not to miss musical instruments in the air, and don't remember words in the air.
Tang painted with a pen and blossomed every year, but there were still many flowers, which easily faded. People hate them more for making waves, and whoever wins in the spring breeze is lighter.
Tang Geng, written by Xu Xuanzhou, is ashamed of cold bamboo and somewhat heavy. The edge of the shadow is straight, but the mind is lazy to hide the front.
The paper falls in the wind, and the dew is thick when it is shaken. Dan Qing and Shi Wen, what should we do without this?
Tang Tang, an anonymous writer with a good pen, was blessed by Meng Tian and found that he was voted by Zhong Shu. If my husband doesn't guide me, where can I find the silver hook?
Learning from the monarch, poetry and autobiography. You should know that the name Wang and its price have been moving for thousands of years.
It can make news spread thousands of miles and solve the problem of dragons and snakes. Disappointed, Jiang Sheng doesn't like each other. He should be conceited.
Two poems about Tang Xukui, the general of Qin Dynasty, who wants to make contributions and help heroes by cutting dragons and finding rabbits. Anyone who uses too much hair will pull it out, but it will be more uncomfortable to throw it away.
History should only go straight, and Jiang Yan is well informed. Ban Chao couldn't help it, so he threw it from Wanli Rong.
A gentleman is good at one thing, though Qiu Hao is not light. The emperor ordered Wang Yan to treat me as a success.
The potential health has not been spared, and the front is still practicing. When the hair is dry, no one can moisten it, and it will only be flat if it is burned and hated.
As soon as he got the pen, Tang began to confess, and the red paper was covered with flowers. All fate is exhausted with a long front, and it is not allowed to be in the hands of Xi.
Play pen Song Yang Wanli wild chrysanthemum wild moss each casting money, resplendent and beautiful; God gives money to poor poets, only to buy sorrow and not to buy fields. Poetry: Jade Tube "Today, the jade tube is inherited, and the word cloth becomes a silver hook."
(hey? ; Xue Daoheng's Beginners? ; The jade window throws a jade tube, and the sleeve covers the silver phoenix. (Tang? ; Li Yuan's "Guanlian Nuzhen Burial") Silver tube "The snow in Shu Palace is beginning to disappear, and the silver tube is full of green spots."
(yuan? ; Jue Yuan's "Xue Tao Note") elephant tube "The thin axis of the elephant tube reflects Ruijin, and Yulin hides the clouds." (Song? ; Mi Fei's "Send Xue Langzhong to Shao Peng") said, "The sun flies wild horses in the window, and the desk is Prue."
(Tang? ; Han Wo's "Poverty Alleviation") tries to "gently manage the mind of the book and write hate words on the silver letterhead." (yuan? ; Bai Renfu's "Inscription on Yang Chunqu" pays attention to "clouds and waves touch the wind, and clouds and smoke are born".
Tell me about your dream trip and save it for the Zen master. "(Tang? ; Lu Guimeng's "Kanluoji Sleepwalking" is an inch tube. "The history of this book is a chapter of words, and its development is talented. "
(Qing? ; Lin Zexu's Notice of Watching the Wind in the Three Counties of Hangjiahu said: "Open the golden key at night and resign, and the tobacco will be self-restrained." (Song? ; Wang Anshi's "Book Wall in the Title") Zi Hao "There are old rabbits on the rocks in the south of the Yangtze River, and eating bamboo and drinking springs gives birth to Zi Hao.
Xuancheng workers use pens, one tenth of a hair. "(Tang? ; Bai Juyi's "Purple Brush") rabbit hair "will get a glimpse of the results, and the window will dye rabbit hair. "
(Tang? ; Luo Yin's "Send Master Xue of Qianzhou") is gentle. "I remember the softness in the stone canal, and the ode is playing with the hem." (Qing? ; Yao Nai's Works under the Tomb of Cheng Yumen is weak. "Things are different, only people are old, and weakness is more suitable."
(gold? ; Tao Yuanming's "Answer Pang Congjun") Qiu Hao "turns the wrist and destroys the peak to increase the battery, and the cocoon paper often follows." (Tang? ; Zhu Kui's "Huai Su Cursive Song" is 1000 inches. "Lack of one thousand inches, arms without feet.
I will never know what I have saved in my life until I die. "(Tang? ; Lu Guimeng's "Reward for attacking the beautiful ancestors in Wuzhong") first frost's "Frost throws it and leans on the cold, let it go, drop and light ink. "
(Qing? ; Gong Zizhen's "Ji Hai Za Shi" is full of silver and knows old sentences. (Qing Kong Ren Shang "Peach Blossom Fan Send Fan") Hao Zhongshan "Tibetan Hou San Xuan, give me Li Gangyan.
Sprinkle and dye Zhongshan Mao, and light reflects Wumen's practice. "(Tang? ; Li Bai's "Singing Eleven Gifts to Li Gangyan") Jade Rabbit's Essence "Sharp wins the golden distance, and the essence is divided into the essence of Jade Rabbit. "
(Five generations? ; Miracle's "Send Huang Hui to Chu Shi") Qiu Tuhao "Don't think that literature and history don't know martial arts, you should try to satisfy first frost Qiutu." (Song? ; Huang Tingjian's Uncle Liu Hui Taohe Qingshi inkstone is full of cones.
(Tang? ; Bai Juyi's "Hundred Rhymes on behalf of the Book") Hao Ying's "voluminous, don't teach Ou Jiu to know Liu Ji." (gold? ; Zhou Ang's "Send Li Tianying down") Han "also played a chapter, waving Korean disease."
(Song? ; Wang Anshi's "Send Dong Boyi to Jizhou") is satisfactory and hopes to adopt it.
6. Why do people always ask this question in sentences describing calligraphy? Do you want the following?
Full pen and ink: pen and ink are used freely and full. Describe calligraphy and poetry.
The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
Huang Ting: There is the Taoist classic Huang Tingjing, and the Jin people have the lower case Huang Tingjing. In the old days, there was an idiom to comment on calligraphy: "Writing Huang Ting at first is just right". Later, the metaphor was just right.
Spring earthworm autumn snake: metaphor for poor calligraphy, bending like the trajectory of spring earthworm autumn snake.
The sword has been drawn and the bow has been drawn. Describe the situation as tense and explosive. Later, it also refers to the vigorous and magnificent calligraphy.
For example, Zuo Qiuming wrote Chunqiu Zhuan, and summarized and explained the calligraphy of Chunqiu into several examples. Later, because of the classification examples, the style of the book was described as "draw inferences from one instance and draw inferences from another". See "Draw inferences from one instance".
Penetrating the back of the paper: Originally, calligraphy was vigorous and powerful, but now it is also used to describe vivid and profound poems.
Fly like a dragon, fly like a phoenix. The original description is unrestrained and magnificent. Nowadays, calligraphy is described as a lively, flexible and lifelike plastic arts of dragons and phoenixes.
Flying dragons and snakes: describe the vitality and vividness of calligraphy strokes. Su Shi wrote in the poem "Xijiang Yuepingshan Hall": "I haven't seen the old fairy for ten years, and the dragon and snake fly to the wall."
Luan Piao Feng Bo: Luan: a legendary bird like a phoenix. Originally, calligraphy was used to describe chic. It is also a metaphor for the separation of husband and wife in high flyers.
Luan Xiang: Jane: Fly high. Metaphor calligraphy flying posture.
Beauty hairpin: describes the beauty of calligraphy or poetry style.
Get to the point: the initial description of calligraphy was strong (according to legend, Wang Jinxi wrote on the board, and the ink penetrated into the board three points deep), and now the analysis, description and discussion are more profound and powerful. Similar characters permeate the back of the paper, which appropriately describes the roots of calligraphy.
Iron painting silver hook: painting: strokes; Hook: hook. Describe the vigorous and beautiful calligraphy.
Graffiti: letter pen: write casually. Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "letter graffiti" and "graffiti" to describe poor handwriting or careless writing.
Graffiti of letter: letter: listening, freedom; Letter pen: write casually; Graffiti: The figurative words are poorly written and scribbled casually. Later, people used "graffiti" or "letter graffiti" to describe poor handwriting or careless writing. Others claim to believe that graffiti is to show modesty.
7. As for the sentence describing the writing brush in the Spring and Autumn Period and the Warring States Period, the vassal is a hero. At this time, countries have different names for writing brushes. Wu (now Jiangsu) called Liu, Yan (now Hubei) called X (bamboo), and after Qin Shihuang unified China, they were all called "writing brush".
Perhaps out of the treasure of the brush, the literati of past dynasties also gave the brush some nicknames, posthumous title.
1 Irregular: the ancient name of the brush. Erya, the earliest monograph that can explain the meaning of words in China, recorded irregular pens, which were said in the Eastern Han Dynasty (Xu Shen's Shuo Wen Jie Zi); "Wu called it irregular."
Sheng Mao: The name of the brush comes from the ancient book Hong Xue Tian Xuan.
Book 3: "I have to long for a hairy life, to explain and to be indifferent." Before the Qin Dynasty, there were different opinions. Chu called it "reason", Wu called it "irregularity" and Yan called it "boiling". It was not until the Qin Dynasty that it was called a pen. Legend has it that "General Meng Tian of Qin Dynasty made a pen".
Mao Ying: Another name for the brush. Tang (Han Yu's Biography of Mao Ying) called the pen.
6. Carving gold tubes (referring to the metal pen tubes carved into different rods to show their value and beauty) has existed since ancient times. In the Ming Dynasty (Slaughter the Dragon on the Rock), it was recorded that "there were gold tubes, silver tubes ... carved gold tubes ... but none of them were white and thin, which was the most convenient to use".
Awl: a disparaging term for a writing brush. Also known as the hair cone. In History of the New Five Dynasties, Shi Hong, a general of the late Jin Dynasty, denounced and wrote the same language as Korean. "Tingting, extremely dangerous, straight for pike and sword; If there are enough awls. " Three departments make five chapters in return; "If there is no awl hair, how to prepare for the pay, anbang rule the country? Song Chen Qi's "Negative Xuanyeqing" records that "the front of the pen is called an awl. "
8 Cao Mo is unified; Another name for a writing brush. It is the hypothesis and name of the literati's curiosity game. Xue Ji, a calligrapher in the early Tang Dynasty, was recorded in the Ming Dynasty (Peng Dayi's Examination of Mountain Hall). He once named the brush play, which absorbed ink for a living, "the combination of ink and Cao", and was also the king of blackwater, which was the secretariat.
9 Guanchengzi; The pronoun of writing brush. It is recorded in the Tang Dynasty (Han Yu's Biography of Mao Ying); Qin Shihuang gave it to Tom and named Guanchengzi as the Guanchengzi. At this point, the brush got the reputation of Guanchengzi. There are some nicknames for pens, so I won't mention them one by one.
10 Bai Juyi called the pen a "millicone", so the poem "Send Micro" said: "The eyes are like a stick, and the front is like a cone."
In addition, the pen has many nicknames, such as "Xu Longyou", "Haozhou Secretariat" and "Jade Tube".
8. Sentences describing calligraphy describe sentences with good calligraphy.
1. Full of pen power: pen and ink are used freely and fully. Describe calligraphy and poetry. The dragon and snake in the pen: the dragon and snake jumped into the pen. Describe the vigorous and free brushwork of calligraphy. Also for the conductor.
2. flowing, flowing.
3. One move, one look, and you get rid of the steed and fly away; Another example is the dragon flying in the sky, which comes from nothingness and returns to nothingness. It is almost crazy and contains the aura of heaven and earth.
4. Calligraphy incorporates the perseverance, boldness and enterprising spirit of Confucianism, and also includes the emptiness, dispersion, quietness and leisure of Laozi and Zhuangzi, and often omits the worldly glitz in brushwork in order to be ethereal and far-reaching.
5. Look at its strength without losing, show its posture without boasting, and its pen is flowing.
6. Du Shijie's bone strength and calligraphy and painting are slightly thinner. If there are no leaves in the frost forest, the waterfall will fly.