One water protects the field and two mountains row to send green —— moonlight in its groves of pine, stones of crystal in its brooks —— Wang Anshi's "Mr. Yin's Wall of Shuhu Lake" —— Wang Wei's Tianmen interrupted the opening of the Chu River, and the clear water flowed back here ——— Li Bai's "Looking at Tianmen Mountain" reflected the water in the setting sun, and the grass was ruthless.
-Fan Zhongyan goes to Mount Emei in the mid-autumn and falls into the Pingqiang River. At night, Qingxi went to the Three Gorges, and Sijun did not see Yuzhou.
-"Emei Mountain Moon Song" Li Baishui He Lian, a mountain island. -Cao Cao's "Watching the Sea" protects the field with one water, and the two mountains row to send green-Wang Anshi's "Mr. Shu Hu Yin's Wall" is beautiful and sunny, and the mountains are empty and rainy.
-Su Shi's Drinking Rain after Chu Qing on the Lake, the water is eye-catching, and the mountains are gathering eyebrows.-Wang Guan's Buji. 2. Poems about landscapes
1. Poems describing mountains: in a straight line to heaven, its summit enters heaven and tops the five Holy Peaks, and casts a shadow through China in tianmu Mountain Ascended in a Dream by Li Bai.
with the hundred-mile length of the Heavenly Terrace Range, which, just at this point, begins turning southeast. Su Shi, the stone wall of Xilin, is seen as a peak on the side of the ridge, with different heights.
I don't know the true face of Lushan Mountain, but I am in this mountain. Wang Wei's "Mount Zhongnan" its massive height near the City of Heaven, from mountain to corner of the sea.
clouds, when I look back, close behind me, mists, when I enter them, are gone. The central peak divides the south - west, and the mountain valleys are varied.
needing a place to spend the night, I call to a wood-cutter over the river. Second, the poem describing water: how the Yellow River's waters move out of heaven and entering the ocean, never to return are not seen in Li Bai's "Coming into Wine"! In Bai Juyi's "Remembering Jiangnan", the sunrise is more red than the fire, and the river is as green as blue in spring. Can you not remember Jiangnan? Poems describing mountains and waters: Qingxi by Wang Wei, I have sailed the River of Yellow Flowers, borne by the channel of a green stream.
rounding ten thousand turns through the mountains, on a journey of less than thirty miles. Rapids hum over heaped rocks, but where light grows dim in the thick pines.
the surface of an inlet sways with nut-horns, and weeds are lush along the banks. My heart is idle, and Qingchuan is so light.
please do it on the trading plate. And to cast a fishing-line forever!.
Wang Wei's Overlooking the Han River, with its three southern branches reaching the Chu border, and its nine streams touching the gateway of Jing. This river runs beyond heaven and earth, where the colour of mountains both is and is not.
the dwellings of men seem floating along, on ripples of the distant sky. These beautiful days here in Xiangyang, make drunken my old mountain heart!.
Mountain: 1. There is no way to recover from the mountains and heavy waters, and there is another village. (Lu You's Tour of Shanxi Village) 2. and then he disappears at the turn of the pass, leaving behind him only hoof-prints.
(Cen Can's "a Song of White Snow in Farewell to Field-Clerk Wu Going Home") 3. Where there is water, there are mountains and islands. (Cao Cao's Watching the Sea) 4. we watch the green trees that circle your village, and the pale blue of outlying mountains.
(Meng Haoran's "Crossing the Old People's Village") 5. Looking at the side of the ridge, it becomes a peak, and the distance is different. (Su Shi's Title Xilin Wall) 6. once climbing to the top of the peek, one would see, the other mountains all appear dwarfs under the sky..
(Du Fu's "Looking at Yue") 7. Climb the East Mountain and be small, climb Mount Tai and be small in the world. (Confucius) Water: 1. Gushan Temple is north of Jiating West, and the water surface is flat and the cloud feet are low.
(Bai Juyi's Spring Trip to Qiantang Lake) 2. how the Yellow River's waters move out of heaven, entering the ocean, never to return. (Li Bai's "Going into Wine") 3. Who knows that life is no less? The water in front of the door can still flow west, so don't sing yellow chicken with white hair.
(Su Shi) 4. Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun's. (Li Bai) 5. As for Xiashui Xiangling, it is blocked along the back.
(Li Daoyuan's "Three Gorges") 6. The waters are all green and blue. You can swim with fine stones and look straight at them.
(Wu Jun's Book with Zhu Yuansi) 1. Yu Xia is scattered into Qi, and Chengjiang is as quiet as practice —— (Southern Dynasties) Qi. Xie Tiao's "Going to Wangjing Town in the Late Three Mountains" 2. The sky is grey, the wild is vast, and the wind blows grass and the cattle and sheep are low —— (Northern Qi Dynasty) Northern Dynasty folk song "Chile Song" 3. Has beleaguered the city of Yueyang —— Tang Meng Haoran's a message from lake dongting to premier zhang 6. The wild sand shore is clean, the sky is high and the autumn is bright —— (Southern Song Dynasty) Xie Lingyun's First Visit to the County 7. how the Yellow River's waters move out of heaven, entering the ocean, never to return —— Tang Li Bai's Going into Wine 8. and while one man guards it, ten thousand cannot force it —— Tang Li Bai's Difficult Road 9. The green hills on both sides of the strait are opposite. It is suspected that the Milky Way has set for nine days-Tang Li Bai's Looking at Lushan Waterfall 11. The lonely sail is far from the blue sky, but the Yangtze River flows in the sky-Tang Li Bai's Yellow Crane Tower a farewell to meng haoran on his way to yangzhou 12. Castle Peak is never tired of seeing it, and the flowing water is so interesting-Tang Qian Qi's "Banquet at the East Pool Pavilion with the Kao Gong Wang" 13. Jiang Zuoqing Luodai, the mountain is like jade hairpin- -Song Su Shi's Title Xilin Wall 17 The water is bright and sunny, and the mountains are empty and rainy.-Song Su Shi's Drinking the Rain after Chu Qing on the Lake 18. There is no way for the mountains to be suspicious, and the willow flowers are bright and another village-Song Lu You's Tour Shanxi Village 19. One water to protect the fields will be green.
Book Jiangxi to Build a Mouth Wall 21. Clouds come to the mountains better, clouds go to the mountains like a picture, mountains are bright because of clouds, and clouds * * * mountains compete with each other-Yuan Zhang Yanghao's "Double-tune geese fall and win". 3. Poems related to mountains and rivers (complete)
When Wang Wei lived in seclusion in Wangchuan, he once wrote a number of exquisite poems about mountains and rivers.
He wrote "Collection of Wangchuan" by himself, including 2 five-character quatrains that he and his friend Pei Di sang to each other. The main content is to describe the scenery near Wangchuan's other businesses and express the interest of seclusion. First look at Xinyiwu: hibiscus flowers with minced wood and red calyx in the mountains.
there are no people in the stream, and they all open and fall. In the silent mountain stream, the magnolia flower blooms and falls on its own, surviving and dying. It's not fake, it's nothing to do with the world, and no one knows it.
This is a world far away from the hubbub, and it is also the unique artistic conception of the poet Wang Wei's integration of subjectivity and objectivity, which is simply the symbolic realm of the Buddhist concept of emptiness and silence. Therefore, Hu Yinglin, a literary critic in the Ming Dynasty, said that this poem is a work of "entering Zen". "I have forgotten my life experience and all my thoughts are silent."
(Volume 6 in Poems) The artistic conception created by Wang Wei here is born outside the image, which is a combination of poetic and Zen, and it has great implication and artistic appeal. Can achieve this artistic achievement, can't help but say that it is beneficial to his study of Buddhism and the edification of Buddhist way of thinking.
Wang Wei was called "Shi Fo" by later generations. He believed in Buddhism in his early years.
Mother Cui Shi has been practicing meditation for more than 3 years. Wang Wei and his younger brother, Wang Jin, "all worship Buddhism and live in vegetables, so it is better to eat meat and blood" (Biography of Wang Wei in Old Tang Dynasty).
when Wang Wei was 31 years old, his wife died and he no longer married. He lived alone in one room, and his screen was extremely tired, and he had "no children" ("Responsibility Bow Recommend Brother Table"). He also wrote many poems about Buddhism, and he has high attainments in Buddhism.
among the schools of Buddhism in the Tang dynasty, Wang Wei believed in Zen, and mainly believed in Nanzong Zen. Nanzong Zen is the product of the combination of Buddhism and Confucianism and Taoism in China, and its life philosophy of fate has provided the latest and most complete way for China literati.
Some practice methods of Nanzong Zen are similar to China's poetry creation. Yan Yu, a literary critic in the Song Dynasty, said: "Generally speaking, Zen is only in wonderful understanding, and poetry is also in wonderful understanding" (Cang Lang Shi Hua).
Miao Wu is an insight into Zen, and it can also be expressed as a feeling for art. Both poetry and Zen need keen inner experience, both emphasize revelation and metaphor, and both pursue implication.
when talking about "epiphany", Nanzong Zen often uses image expression to convey the law, with special emphasis on the role of intuition, suggestion, induction and association in understanding. Wang Wei learned from Zen meditation, and naturally he has a deep understanding of this method of grasping the world.
He integrated his understanding of Buddhism into his outlook on life, turned religious feelings into poetic thoughts, and created a poetic mood of "emptiness", "silence" and "leisure". Zen advocates the style of beautiful scenery in mountains and forests, and it also plays a guiding and enlightening role for Wang Wei to consciously get close to mountains and rivers and explore their aesthetic value.
Wang Wei described his inner experience in the poem Zhuliguan as follows: leaning alone in the close bamboos, I am playing my lute and humming a song. Too softly for anyone to hear, except my comrade, the bright moon.
The poet sat alone in the deep bamboo forest, playing the piano and whistling. No one knew his existence, only the bright moon accompanied him. Nature knows his inner loneliness best, and the brightness of the bright moon brings him a quiet happiness.
Things and I are one, but things and I forget each other. Zen and poetry are in perfect harmony. The same is true of Luchai: there seems to be no one on the empty mountain, and yet I think I hear a voice.
where sunlight, entering a grove, shines back to me from the green moss. There was no one in the empty mountain, only heard intermittent voices floating in the deep forest, and a ray of sunset was transmitted on the moss deep in the forest, which was so trance-like and sad.
this is the kind of empty realm that Wang Wei pursues, which is far away from the hubbub. Although lonely, it is also meaningful. Wang Yuyang in the Qing Dynasty said that Wang Wei's poems were "Zen-like" and "subtle words, no different from the Buddha's flowers and Jia Ye's smile" (The sequel to Silkworm Tail).
that is to say, this kind of landscape poems by Wang Wei are full of Zen interest, Zen joy and Zen flavor, and convey the meaning of Zen. Naturally, it fully shows the poet's unique taste in the beautiful scenery of mountains and rivers.
Wang Wei doesn't necessarily just go to lonely places to seek Zen. He also looks at the vast world and the lively peasant life: the new sunny Yuan Ye is vast, and there is no atmosphere. The Gatehouse of the outer city abuts on the ferry pier, and the trees at the edge of the village connect the stream to the mouth of the river.
outside the white water field, behind the Bifeng mountain. It is during the busy farming season that there are no idle people, and the farmers are all busy with the fields.
-"New Sunny Wild Hope" A spring rain washed away the dirt and made a new scene. Farming is busy, people and scenery are bathed in fresh air.
The phrase "white water" combines the close-range view and the distant view into a layered picture. The water is bright, the mountains are green, and the contrast between light and color is very harmonious. On the surface, we can't see the Zen meaning of this poem.
In fact, that spring rain was like holy water poured from a Buddhist net bottle, which washed everything clean and ethereal. It's just that everything blends Zen and poetry wonderfully, and he doesn't let Zen overwhelm poetry.
Of course, what we pay attention to is the kind of praise for farm life, and we appreciate the beauty of the mountains and rivers, without having to pursue Zen. Wang Wei is a versatile cultural giant who is good at poetry, music, painting and calligraphy.
Su Dongpo, a great writer in the Song Dynasty, said: "Wei Mo (Wang Wei)' s poems contain pictures; Watch the painting, there are poems in the painting. " ("Shu Mo Lan Tian Yan Yu Tu") His words are incisive and to the point.
Wang Wei was an accomplished landscape painter in the Tang Dynasty. He painted with Xiao Shu's simple ink and wash brushwork, created ink and wash landscapes, and became a family of his own, and was called the founder of the Southern Sect of Landscape Painting by later generations.
His paintings emphasize freehand brushwork, pursue spirit likeness and express subjective feelings. Therefore, "When painting things, you often paint a scene with peaches, apricots, hibiscus and lotus flowers", and "it is difficult to ask for shapes and objects." (Shen Kuo quoted Zhang Yanyuan in Dream Stream) Therefore, Wang Wei is also known as the ancestor of China literati's freehand brushwork.
painting can be likened to spirit, so it has the charm and interest of poetry, that is, there is poetry in painting. Using this painting idea to stare at the natural landscape, it is a sigh, and it is bound to have the charm of painting in the poem.
Wang Wei's profound artistic attainments in painting, music and calligraphy enable him to feel and capture the beautiful scenery, magical acoustics and ever-changing nature more accurately and meticulously than ordinary poets in his poetry creation, and appeal to the pen. I will also use words to set colors and pay attention to the harmony of poetry tones.
There are artistic conception of painting, fluency of music and changes of calligraphy in poetry. In this way, his unique poetic artistic style of "painting in poetry" and "hundreds of warblers, repeated performances by palace merchants" was formed invisibly.
When we appreciate his landscape poems, we should firmly grasp this feature. Wang Wei is good at describing grandeur in a general way. 4. Ancient poems about landscape and brief introduction: The author Dynasty < P >, "Ascending the Mountain" Tang Du Fu in a sharp gale from the wide sky apes are whimpering, birds are flying homeward over the clear lake and white sand leaves are dropping down like the spray of a waterfall, while I watch the long river always rolling on I have come three thousand miles away. Sad now with autumn, and with my hundred years of woe, I climb this height alone ill fortune has laid a bitter frost on my temples and heart-ache and weariness are a thick dust in my wine introduced that this poem was written in the autumn of 767, the poet was in Kuizhou, on the Double Ninth Festival. Climbing high and overlooking, bleak autumn scenery aroused the feeling of wandering life. The first four sentences describe the scenery and the last four are lyrical, but in fact, the scene is integrated. The first sentence, such as the soaring of the sky and the mourning of the apes in the deep valley, is soul-stirring, which makes the whole poem shrouded in a sad atmosphere. The second sentence comes out gently, making people feel a kind of quiet desolation, empty melancholy and lonely sadness. This piece of emptiness is vast. The eternity of "endless", the ruthlessness of "falling trees and rustling" and the endless surge of "rolling the Yangtze River" have written the eternity of cosmic time and the infinity of space, as well as the eternal wonder, shock and understanding of human beings in the face of natural laws. leaves are dropping down like the spray of a waterfall certainly made human beings feel small and helpless in the face of nature, but while I watch the long river always rolling on often did. Demonstrating a never-ending enterprising spirit to mankind. Because of this, this poem full of sadness makes people taste a sense of sadness and see an artistic conception of great courage. As a result, the following four sentences have the same aesthetic spirit: I have come three thousand miles away. Sad now with autumn is a sad enterprising spirit; And with my hundred years of woe, I climb this height alone is the indomitable struggle of the unfortunate against fate; Difficulties and hardships, poverty and sorrow, jade is as good as success. The ups and downs and sorrows of the poet's life journey are hard to see, but his indomitable progress is also touching. The gloomy life is heavy and sad, but it is also rich, deep and powerful. The four verses of this poem are all right, and the first two sentences are correct. This writing has always been noticed by critics. For example, the coral on the sea floor is indescribably thin and unfathomable, but it is completely clean and powerful. There are no predecessors in the past, and there is no learning in the future. Du Fu's poems are the ones who say something slightly, not the ears of Tang poetry. However, this poem should be the first in the seven-character rhythm of ancient and modern times, and it is not necessary to be the first in the seven-character rhythm of Tang people. "Du Shi Jing Quan": "High and muddy." 5. What are the poems about the fish in the mountains and rivers and lakes?
Mountains: 1. The mountains are heavy and heavy, but there is no road to doubt, and there is another village. (Lu You's Tour of Shanxi Village) 2. and then he disappears at the turn of the pass, leaving behind him only hoof-prints. (Cen Can's a Song of White Snow in Farewell to Field-Clerk Wu Going Home) 3. Seen from the side of the mountain, the distance is different. (Su Shi's Title of Xilin Wall)