The poem about word refining is 1. A poem that can embody the refined characters.
Original publisher: easy publishing network
Elegant and popular characters in ancient poems The ancients wrote poems and attached great importance to elegant and popular characters. Many poets have personal experience in refining ci. For example, Lu Yanrang said in "Bitterness": "Sing a song and break a few stems." This is a hard struggle for the safety of a word. Another example is Fang Gan's "Giving Ming Lu Fu": "Sing in five words and use it to break your heart." In contrast, this is a lifetime of hard work. Du Fu, a great poet, also said that "words don't astonish and die endlessly", which shows the tempering of words. In Shi Shuo Xin Yu, Wang Guowei said: "The branches of red apricots are noisy in spring", and the word "noisy" was written, and the realm was exhausted. "Clouds break through the moon to make a shadow", and with the word "de", the realm is exhausted. "Apricot blossom, the word" noisy "originally described the complexity of bloom, but it played up the excitement of spring. Therefore, this is a good example to show that we should enjoy not saving money. The moonlight shone on the flowers through the clouds. A word "de" can write the change of flower shadow with moonlight, and can also see the trance of the soul. Jia Dao's careful use of allusions is well known, and it is also related to word refining. In the title of Li Ning's seclusion, he said: "Birds perch on trees by the pool, and monks knock at the door. "Originally, I couldn't decide whether to use" push "or" knock ".Later, Han Yu changed his performance to" knock ",which is dynamic and static. But Zhu Guangqian said in his book On Ci: "Only he knows what kind of artistic conception Jia Dao was playing in his mind at that time. If what he thinks is "push" and then "knock", or "knock" and then "push", I think that's impossible. So the question is not whether the word "push" or "knock" is more appropriate, but which realm he wanted to say at that time and blended with the whole poem. In words, it is really' deliberation' in thought and emotion. "Although this is from the perspective of creation, it is also linked with appreciation. In the appreciation of ancient poetry, the expression of refined words should focus on the artistic conception of the whole article and cannot be separated from the poet's thoughts and feelings.
2. Ancient poems about refining characters
As follows, hope to adopt:
On wine author: festival.
I don't care about three cups of face-lifting. If I am a hundred years old, where should I go? After all, the young man has a romantic life, and the rest is illness and worry.
Cangjiang tired new yellow hair, empty valley beauty old green moth. Zhu Guo's Pengshan can ask, drunk in the depths of his hometown, dancing.
Author: Tang Yin
No alchemy, no meditation, no ploughing for merchants.
Free to write and sell, there is no money on earth!
Old dream author: Bai Juyi
Don't come to the boss for monasticism, it will turn to ashes.
I've been thinking about this problem all my life. Why did I dream last night?
Jiao Jiaolian Author: Changling Wang
The middle peak is covered with moss, and sometimes a little cloud is born. Do you mean you have to meet a hot person in the stone hall?
The case is fragrant and pure, and it is loose and leisurely. Thanks to years of medicine, I have crossed the West Sea.
Xu Lingshan Author: Li Bai
Ding Ling, who passed away, brushed his clothes for Lu Xian. Reunited nine Dan, Fang and Wuyun.
Pineapple cover secluded cave, peach and apricot hidden deep. I don't know how many degrees Zeng He Hua and Liao Haigui got back.
To Hu Author: Wu Zetian
Ye, Master Shanyi has gone to Shanjia. This is a romantic trip, in order to get rid of the haze.
Bixiu peeks into the secluded cave, and the jade furnace makes alchemy sand. Today, in Xingjin, I look forward to the spirit.
Zhang Yuan opens Twenty-four Poems of Xiyuan Palace (orderly)
The alchemist is like a cloud crossing the sea, and the truth is not cinnabar.
Ten thousand gold is refined into a pot of Chinese medicine, and I am worried about killing the immortal sepals.
Medicine refining island and Zheng Junxi drunk stele by Ge Yilong
Where immortals refine medicine, weeds are not continents. Shui Xin is a little green, and the guests sleep like Bai Ou.
Taihu Lake is shallow this year, but it is several bows wide. I'm afraid of Ma Gu coming. I'm afraid of meeting people.
Author Liu: Ancestors had no choice.
Immortals never die, but stones never die.
If you want to practice, practice well. Don't knock the stick on the moss mark.
Nanping Author: Yi Zhu
The first step is to advance, and the Nanping hall is vertical.
For me, it is obviously a waste of time to try to refine and carve my poems.
Injured Wang Ji Author: Zheng Yi
If you want to refine this heart into an ancient mirror, it will be clear.
Hearing the tears of an old friend, the dust is still full.
Jade Butterfly Spring by Natalie
Fairy practice place, Yujing magic. See the sun and the moon in two rounds, and yin and yang are connected.
It can be as clear as the bottom, which is even more endless. Pay attention to the strength of cinnabar, but pour ash on it.
Alchemist: Huang Jia
Heaven and earth are furnace changes, and cinnabar fossils are Dan.
Dan Cheng was left empty and left to the master to look at the picture.
3. Ancient poems about practicing calligraphy
1, Lian Shen
Five Dynasties: Li Yu
Deep courtyard quiet, small courtyard empty, intermittent cold anvil, intermittent wind.
But people can't sleep at night, and the sound of the moon reaches the curtain.
translate
The autumn wind brings cold anvil sounds, which is particularly vivid in the small courtyard. In the middle of the night, the moonlight and the sound of anvil penetrated into the curtains, which made people think of recruiting people outside and evoked endless lovesickness. Therefore, I can't sleep at night and my mind is full of worries.
2, folding willow/and practicing scholar willow
Tang Dynasty: Juyuan Yang
I'll bother you to fold one at once.
Only the spring breeze knows how to cherish it best, and still holds the trunk that I have left affectionately.
translate
Walking by the river, the willows by the river droop like delicate wine bars, which reminds me of a walking person's reluctance, so I stopped to dismount. Please help me to fold a willow when I bid farewell.
Only the spring breeze knows how to cherish it best, and still blows enthusiastically to Yang Liuzhi, who left the trunk in my hand.
3, playing tricks, hoping to return to the book
Song Dynasty: He Zhu
The distance is far, and the posts are sparse. Attached with clothes lined with iron. I might as well dream all night often, but I hope to have a book home during the New Year.
translate
The front of the struggle against the enemy is far away, and the post stations for delivering documents are extremely rare. Hurry up and send the finished clothes to my husband to wear. Only in dreams can you see your loved ones many times. I only hope that winter will go and spring will come, and I can get a reply from my relatives.
4. Yu Jiexing is nostalgic in autumn
Song Dynasty: Fan Zhongyan
The fallen leaves are fragrant. Rolling up the brocade curtain of pearl string, the magnificent castle is empty, only the sky is faint, and the milky head is sprinkled on the earth. Every night, we can see the tulle moon, but the one we love is thousands of miles away. Sadness is inch by inch, and it is hard to make yourself intoxicated if you want to drown your sorrows in wine.
Wine has no entrance, but it turns into bitter tears. The night is deep, the lights are gone, the lights disappear between the lights, but I lean on the pillow and chat to sleep. This endless loneliness really makes the taste of loneliness similar. This bitter waiting is still far away, although it is a long time, there is no way to escape.
translate
Miscellaneous leaves fall on the fragrant stone steps. When the second night was still silent, the sound of fallen leaves added to the coolness of autumn. Roll up the brocade curtain made of pearls, and the magnificent pavilions are empty, only to see the sky is dark and the head of the Milky Way hangs down to the earth. Every year tonight, you can see the bright moon. Every year tonight, your sweetheart is thousands of miles away.
My heart is broken, and it is hard to get drunk if I want to drown my sorrows in wine. The wine has not yet entered the mouth, but it first turns into bitter tears. It was late at night, and the lights were broken and flickering, so I had to lean on my pillow and talk about sleeping. This endless loneliness really makes people taste like loneliness. There is still a long way to go to wait for this difficult period. Although I am sad all day and have a lot of emotions, I can't get rid of it.
5. Qiu Hong Xunyang was at the scene.
Yuan Dynasty: Zhou Deqing
Wanli Yangtze River is as white as practice, and Hu Aishan Mountain is as green as a lake.
Fan Jiang is like an arrow, and the mountain spring thousands of feet flies like electricity.
Sunset dew, new moon learning fan.
The word Saihong comes like a line.
translate
The Yangtze River flowing in Wan Li is like a white silk; A few spots on the other side seem to be stained with cyan pigment, which is the distant mountain of Huaidi. Several white sails flew across the river like arrows.
On the nearby mountain, a long spring water flows down like electricity. The sky is getting dark, and the clouds in the twilight are hard to distinguish, as if they had become dew all over the place. A crescent moon hangs high in the sky like a fan. Approaching, approaching, the horizontal line of "one" is lined up in the air, which is a wild goose flying from the north.
4. Poetry about writing.
1, I have learned a lot since I was a child, and I have a high ambition all my life; Others have swords, and I have pens like knives. -"The Poetry of a Prodigy"
2. I have been lazy to write books all my life, and books are fast. The wind is howling day and night, and people can live everywhere. -Li Mingzhi's "Continued Burning Books"
3, there is nothing wrong with the brow, and the pen has a thousand years. -Song Shaoding, "In the Mountains"
4, the paper was shaken by the wind, and it was exposed. Dan Qing and Shi Wen, what should we do without this? -Tang Gengkun's "Yong Xuanzhou Pen"
5, the pen is shocked by the wind and rain, and the poem becomes a cry. -Tang Du Fu's "Send Li Twelve Whites and Twenty Rhymes"
6. I don't like being trapped by nature and often violate class rules. The head teacher often punishes me for copying the class rules 20 times and asks me to take three pens together. I often tell people that this is how I practice my good handwriting. -Han Han
5. What are the sentences of ancient Chinese characters?
In the green legend of "Spring Breeze and Green Jiang Nanan", Su Dongpo has a clever sister named Su Xiaomei, and her poems are above Dongpo.
Once, my sister gave my brother a test and asked him to add a word to "breeze and willow" and "light moon plum blossom" to tell his poetic eyes. Su Dongpo opened his mouth without thinking: the first sentence added "shake" and the second sentence added "reflect", that is, "the breeze shakes the willow, and the bright moon reflects the plum blossom."
Unexpectedly, Su Xiaomei dismissed it as "inferior". Su Dongpo thought about it carefully and added two more sentences: "The breeze and the willows dance together, and the plum blossoms are hidden in the moonlight."
Miss Jie smiled and said, "Yes, but it's still not up to grade." Dongpo was speechless.
Su Xiaomei took his time and read the answer: "The breeze helps the willows, and the plum blossoms are defeated in the bright moon." After Dongpo recited meditation, he couldn't help but marvel.
"Breeze" slowly, if there is nothing, "slender willow" is lifeless. Only the word "Fu" can vividly describe the gentle state of Xu Lai and willow branches, which is suitable for "lightness" and "delicacy" and harmonious and natural. The word "fu" personifies the wind and gives people a feminine taste.
Dongpo's "shaking" and "dancing" should be properly matched with "strong wind" Adding "reflecting" in the next sentence is not hazy beauty, and "hiding" is not appropriate.
Since the quiet moon has filled the earth, plum blossoms are naturally less conspicuous during the day. In the moonlight, it will be eclipsed.
In this way, a word "lost" outlines the scene of moonlight and plum blossoms blending with each other. With this word, the sentence is full of light.
The ancient poets in China were very touched by the refinement of Chinese characters. Lao Du claimed that "new poems need to be changed and sung for a long time", Meng Jiao lamented that "ghosts and gods are sad because they can't learn at night", Du Xunhe boasted that "Jianghu poets are the poorest in the world", Lu Yanrang lamented "singing a word and breaking a few stems", and Jia Dao was even more excited that "two words for three years, a song of tears".
If refined well, it will become a poetic eye, and even every sentence will be named after a word, and poetry will be passed down through the ages. "Cicada is quiet in the forest, and the sound palace mountain is quieter", and the characteristics of "quietness" are more prominent and distinct with noise and sound.
"The branches of red apricots are noisy in spring", and the word "noisy" is written dynamically, which shows the vitality of spring and gives people a good enjoyment. "The breeze swallows are inclined", a word "inclined", turns motion into stillness and depicts a leisurely modality.
The first song of Li Bai's "Song of Xia Sai": "When you fight at dawn, you will follow the golden drum, and when you sleep at night, you will hold the jade saddle." Both "Sui" and "Hug" are well practiced.
Drum is the signal of marching, so only the word "Sui" is the most appropriate. "Holding the jade saddle at night" is much better than "carrying the jade saddle" and "beside the jade saddle", because only the word "holding" can show the tension waiting for you.
The third and fourth sentences of Du Fu's "Spring Hope": "Where the petals have shed tears, the lonely bird has already mourned." "Spit" and "essence" are both refined words.
They are all verbs: flowers make people cry and birds make people tremble. Spring has come, birds and flowers are fragrant, which should be happy; Now, because of the national turmoil, families are ruined and people are killed, and flowers and birds can only make poets cry.
Chairman Mao's "Bodhisattva Man Yellow Crane Tower" has three or four sentences: "The misty rain is boundless, and the tortoise and snake lock the river." The word "lock" is refined.
The word "lock" fully illustrates the important position of Guisheshan in the situation and is very vivid. If you change it to "Jiahe" or something, it will be tasteless.
Chairman Mao's "Liupan Mountain in Qingpingdong" is followed by the first two sentences: "The peak of Liupan Mountain is full of red flags and westerly winds." The word "Juan" is refined.
The word "roll" is used to describe the red flag fluttering in the wind, which shows that the red flag is a symbol of revolutionary combat effectiveness. Chairman Mao's "Spring and Snow in Qinyuan" has two sentences: "The mountain dances with silver snakes, and the original wax elephant.
"Dance" and "pool" are refined words. Agkistrodon halys was originally used to describe the mountain after snow, and the wax elephant described the plateau after snow. Now it is said that "the mountain dances with the viper, the original wax image", which changes statically and becomes the language of poetry.
Put "dance" and "chi" in front of snakes and elephants to make the vivid image more prominent. The third and fourth sentences of Chairman Mao's Seven Laws "Long March" say: "The five ridges make waves, and Wumeng takes mud balls.
Teng and Zou are refined words. Grammatically speaking, these two sentences are also inverted sentences. Originally, what they said was that the waves were churning and the mud balls were tumbling, and what they said was "a trickle" and "walking the mud balls" was even more vigorous.
Chairman Mao vividly described the revolutionary spirit that the Red Army was not afraid of arduous expeditions with appropriate metaphors. Adjectives and nouns are often refined words when used as verbs.
The third sentence of Du Fu's "Farewell" wrote: "When the vegetation is declining, go beyond the sword and go out to block the old riverside." The word "Lao" is an adjective used as a verb.
Based on patriotic feelings, the poet lamented that the country was in turmoil and the family was ruined, stuck on the edge of Jinjiang. Only one word "old" is used here to fully express this strong emotion.
The seventh, eighth and ninth sentences of Chairman Mao's "Qinyuanchun Changsha" say: "Beautiful mountains and rivers inspire writing, and dirt was once in Wan Huhou." The word "dirt" is a noun used as a verb.
Chairman Mao regarded Wan Huhou as dirt, which was a contempt for the revolutionary spirit of class enemies. The word "earth" is not only used properly, but also concise.
Adjectives sometimes have the function of refining words even if they are not used as verbs. The third and fourth sentences of Wang Wei's Hunting Watch say: "The grass stalks the eagle's eyes, and the snow is as light as a horseshoe.
There are four kinds of sentence patterns in these two sentences, namely "dry", "sick", "tired" and "light", all of which are predicates. But "exhausted" and "exhausted" are common predicates, and "sick" and "light" are refined words.
After the grass withered, the eagle's eyes could see more clearly. The poet said "fast" (illness) rather than "clear", and "fast" is more vivid than "clear". After the snow left, horseshoes walked faster. The poet said "light" instead of "fast", and "light" is more vivid than "fast".