(1) Reference Appreciation: First of all, Zhuan Xu wrote about the temperament and charm of plum blossoms. The words "thin shadow" and "delicate fragranc
(1) Reference Appreciation: First of all, Zhuan Xu wrote about the temperament and charm of plum blossoms. The words "thin shadow" and "delicate fragrance" not only describe the sparse characteristics of plum blossom, but also describe its delicate fragrance; "Tilt" depicts its posture, "float" writes the charm of plum blossom. Secondly, the beautiful artistic conception and the clear water environment at dusk and under the moon highlight the personality of plum blossoms, and draw a wonderful picture of plum blossoms under the moon by the stream. Quiet artistic conception, hazy moonlight, sparse plum shadow and faint fragrance are really intoxicating. Therefore, future generations all praised "a faint fragrance makes a beautiful sentence, which overwhelmed the eternal lack of poetry." (3 points)
(2) The poet borrowed the noble character of Plum Blossom, and embodied his own personality spirit of loneliness, lofty, clear but not turbid, no desire, no desire and self-admiration. (3 points)
Lin Bu, who is obsessed with planting plums and raising cranes, never marries, and is known as "the wife of plum, the crane", so the plum in his eyes is full of feelings, and the plum in his works is even more fascinating.
In the first couplet, Mei stood in the wind with a smile despite the cold. The words "numerous" and "unique" are relative, which means that there is only one flower between heaven and earth. How clean and noble it is. However, although Mei Pin is tall, she is not arrogant. The small gardens and gardens that are only in the mountains are castles in the air. What a "rich tranquility" and full beauty.
Zhuan Xu is the most praised by the world, giving people a beautiful picture of a garden in the mountains. The light pen in the previous sentence outlines the skeleton of plum, which is light and "like a thin shadow" and "like a shock"; "Horizontal" conveys charm and sings against the wind; "The water is clear and shallow" shows its clearness, agility and warmth. The next sentence depicts Mei Yun in thick ink. "Dark fragrance" is invisible and fragrant, and it comes with the wind, which is as interesting as hide and seek. "Gone with the wind" comes from its leisurely style, drifting away, quite fairy; Moonlight Dusk, with its wonderful background, brings people to a touching moment in time, and introduces people to a charming artistic conception of "sunset and lonely Qi Fei, autumn water is the same color as the sky" in space. The first couplet is extremely eye-catching and concise. Lin Bu's two poems are not fiction. He not only has a real sense of life, but also draws lessons from the poems of his predecessors. There is a remnant sentence in Nantanghe in the Five Dynasties: "Bamboo shadows are shallow, and Gui Xiang floats at dusk." These two sentences are all about bamboo and osmanthus. Not only did I not write the characteristics of bamboo shadow, but I also didn't talk about the fragrance of osmanthus. Because there is no title, no complete poem, no unified and harmonious theme and artistic conception, and no passion of the protagonist, it lacks touching power. Lin Bu just changed the word "bamboo" to "sparse" and changed the word "laurel" to "dark" to make plum blossom vivid. The first two couplets are written in real words, and the last two couplets are written in vain.
Necklace couplets "look at things with things", "frost bird" refers to white cranes, and "stealing eyes" describes their impatience, which is full of temptation because of the beauty of plum fragrance; Comparison between Pink Butterfly and Frostbird. Although they are all flying creatures, one big and one small, one bird and one insect, one timely and one untimely, the picture is full of changes. "Broken Soul" is slightly exaggerated, and the language is extremely heavy. The color, fragrance and taste of plums are praised as "the ultimate beauty".
The poem "Yin Wei" is actually about "plum in the mouth", and "taste" means indifferent and elegant. Although not full of food, it can warm the heart, cleanse the taste, be emotional and cast the soul, expressing the poet's life purport and spiritual pursuit of being one with Mei. At this point, the poet's appreciation of plums entered what Feng Youlan called "the realm of heaven and earth", but what people saw was the "frost bird". Su Shi once said in "After Lin Bu's Poems": "Mr. Wang is a peerless man with a clear heart and a cold bone." The General Catalogue of Sikuquanshu says: "His poems are pure and elegant, just like people." It can be seen that what he said is true, and the charm of poetry is the portrayal of the poet's lonely, lofty and indifferent personality.
From the perspective of image construction, it is not easy to talk about Xiaomei in Mountain Garden, but it is unique that the poet takes things as the lining and scenery as the support, making it the central image in a painting.
When describing plum blossoms in detail, the poet combines reality with contrast, which makes the whole poem ups and downs in rhythm, shades in color, dynamic environment and dreamlike scenery, fully embodying the beauty of "mountain garden", which is also ignored by many appreciators. It is through this point that the author vividly expresses the spiritual character of "being rich and thriving" and "being interesting and broad". This is also necessary.
The author's theme of Mei shows the consistent pursuit of China traditional literati, but it is also quite distinctive. As far as "thin shadow" is concerned, Ouyang Xiu said: "There were many people in Yongmei in the last life, and there was no such thing." Chen said, "I read the poem by the West Lake, and I watched the quiet posture by the water every year. Clear the window and draw a horizontal oblique shadow, which is better than a thousand villages of night snow. " He thinks that Lin Bu's Yongmei poems overshadow the famous sentence "A thousand villages in Zita Law, a flower bloomed last night" in Tang Qi's poem "Early Plum". Wang gave him a higher evaluation and praised him as the eternal swan song: "The fragrance and kind words of Yue's family overshadowed the eternal swan song." In Nian Nujiao, Xin Qiji advised poets not to send plum blossoms hastily: "There is no need to send plum blossoms hastily, there are many poets. I have been in Chu Shi, West Lake Forest, and refused to leave the romantic. " Because this couplet is particularly famous, the words "thin shadow" and "faint fragrance" became key signature who wrote plum poems for later generations. For example, Jiang Kui's two Yongmei Ci poems, Fragrant Fragrance and Thin Shadow, have since become proper nouns of Yongmei. It can be seen that Lin Bu's Yongmei poems have a great influence on later scholars. This can only mean one thing. More importantly, Lin Bu's Mei is no longer full of Leng Xiang, but full of "plump beauty", full of spirit, strength, temperature and great prospects. Because of this, poetry has a strong sense of reality, which makes people feel very real. Back to nature, Lin Bu, as the wife of Mei, wrote this poem with an idealistic tendency, which really made people embark on a spiritual and aesthetic journey. These three things are also unique.
It is not easy for the author to write such a wonderful sentence. There were many other poets in the early Song Dynasty, who focused on depicting fresh and small natural scenery in a narrow pattern by means of bitter songs, expressing the frustrated or relaxed interest of literati. This mainly inherited the poetic style of Jia Dao and Yao He in Tang Dynasty, and Lin Bu was one of these poets. In addition, the pattern of "a beautiful garden in the mountains" is too small, and the slogan behind it is really afraid of being unknown.