The source of this sentence is "The Peony Pavilion" by Tang Xianzu. ?
I passed among the flowers, but not a single leaf touched me. There are apricot blossoms in the light smoke at dawn, and the deep green is condensed on the flat sand in the evening. The long strip has its own romantic place, closely reflecting the Su Xiaojia in Qiantang. Take me back to the Baiyi Poetry Hall, and everyone will be busy writing poems. Stir up the emotion and sweep across the nine states, and pour out the poems to show the romance. To die under the peonies is to be a ghost.
Formal Characteristics
Du Fu's "Quatrains"
1. The neatness of sentences
In addition to lyrics and music, most classical poems are The sentences are of regular length. For example, "The Book of Songs" is basically four characters, "Chu Ci" is generally six characters plus the word "xi", and most ancient and modern poems are five or seven characters.
2. Level and oblique tone
Ping and oblique are the two major categories of Chinese tones. In modern poetry, lyrics and music, there are very strict regulations on the use of flat and oblique characters. In some positions, characters with flat tones must be used, and in other positions, characters with oblique tones must be used. For example: "The country is broken, the mountains and rivers are there, the city is springy and the vegetation is deep" (Du Fu's "Spring View"), which is the sentence pattern of "廄廄廄平平, 平平廄廄平".
The antithesis refers to the fact that in a couplet of poems, the words in the same position in the upper and lower sentences must belong to the same category, such as "Green plum blossoms bloom in the east garden, and green grass blooms in the west garden." "East" and "West", "Pu" and "Garden", "Green Plum" and "Green Grass", "Fa" and "Open" are each opposite to each other.