Du Fu's Refined Poems

1. What are Du Fu's poems? First, Du Fu's deliberate pursuit of poetic language and serious attitude towards literary creation are one of the important conditions for him to become a great poet. According to his own poem "Talking about the value of water on the river as the sea", it is said that for human nature, words are not surprising and endless. I like writing poems and sentences very much. If I can't write amazing words, I won't stop until I die. )

These two sentences show that the poet attaches great importance to the choice and tempering of language in his poetry creation.

Second, he refined examples of words:

1. Pay special attention to the practice of verbs. For example, the word "cast" in "Twilight Cast for Shihao Village" ("Li Shihao") describes the poet's desire to stay on the way during the war, which is called "inaccurate and full of god"; Another example is the word "go" in "Wanling Valley near Jingmen" (the third of "Five Historical Monuments"), which makes the mountain peak feel like flying; The word "pressure" in "Thousands of flowers press branches" (the sixth quatrain of "Looking for flowers by the River") means that flowers are many, large and heavy, giving people a sense of "three-dimensional".

Du Fu also took pains to temper adjectives. For example, how accurate and powerful the word "fishy" is in "Dead Bodies and Plants Are Fishy" ("Farewell the Old and Welcome the New")! Imagine, after years of war, the people have suffered great sacrifices, corpses are everywhere, bones are mountains, and even the vegetation exudes a disgusting stench. For example, the word "duo" in "Nine Yuntai Moonshine" ("Night Walking in Zuoting") is far better than the words "yuan" and "Ming". No wonder Ye Xie praised the word "including the night view of the palace" in Qing Dynasty.

He is also good at expelling empty talk. For example, "There are Bashu mountains and rivers, and all buildings are harmonious" (Shangdian), and the poem has a long history. Among them, the words "you" and "zi" have linked thousands of miles and hundreds of years. The proper use of "Jude" and "Zi" in "The Pink Wall is Still Bamboo, and the Pavilion is Comfortable" (Wang Teng Pavilion) makes this poem rich in artistic connotation.

2. The original publisher of poetry that can reflect the essence of words: Easy Publishing Network.

Elegant and popular characters in ancient poems The ancients wrote poems and attached great importance to elegant and popular characters. Many poets have personal experience in refining ci. For example, Lu Yanrang said in "Bitterness": "Sing a song and break a few stems." This is a hard struggle for the safety of a word. Another example is Fang Gan's "Giving Ming Lu Fu": "Sing in five words and use it to break your heart." In contrast, this is a lifetime of hard work. Du Fu, a great poet, also said that "words don't astonish and die endlessly", which shows the tempering of words. In Shi Shuo Xin Yu, Wang Guowei said: "The branches of red apricots are noisy in spring", and the word "noisy" is written, and the realm is exhausted. "Clouds break through the moon to make a shadow", and with the word "de", the realm is exhausted. "Apricot blossom, the word" noisy "originally described the complexity of bloom, but it played up the excitement of spring. Therefore, this is a good example to show that we should enjoy not saving money. The moonlight shone on the flowers through the clouds. A word "de" can write the change of flower shadow with moonlight, and can also see the trance of the soul. Jia Dao's careful use of allusions is well known, and it is also related to word refining. In the title of Li Ning's seclusion, he said: "Birds perch on trees by the pool, and monks knock at the door. "Originally, I couldn't decide whether to use" push "or" knock ".Later, Han Yu changed his performance to" knock ",which is dynamic and static. But Zhu Guangqian said in his book On Ci: "Only he knows what kind of artistic conception Jia Dao was playing in his mind at that time. If what he thinks is "push" and then "knock", or "knock" and then "push", I think that's impossible. So the question is not whether the word "push" or "knock" is more appropriate, but which realm he wanted to say at that time and blended with the whole poem. In words, it is really' deliberation' in thought and emotion. "Although this is from the perspective of creation, it is also linked with appreciation. In the appreciation of ancient poetry, the expression of refined words should focus on the artistic conception of the whole article and cannot be separated from the poet's thoughts and feelings.

3. The poem of refining words and sentences Miracle wrote a poem "Early Plum", and there is a sentence: "Zita Law Qiancun, a few branches opened last night." Zheng Gu changed the word "number" to "one" because the title was "early plum blossom". If a few branches are opened, it means that the flowers have been blooming for a long time and cannot be regarded as "early plum". Miracle admired Zheng Gu very much and called him a "word teacher".

Wang Jia wrote a poem "Sunny Days": "Look at the flowers before the rain, and there will be no flowers at the bottom of the leaves after the rain. Bees and butterflies fly over the wall, but they think spring is in the neighbor's house. " Wang Anshi changed "flying in" to "flying in succession", because only the clever pen of the busy butterfly outline can truly feel the unique beauty after the late spring rain.

Verb refinement is the main content of ancient poetry refinement. The word "green" in Wang Anshi's Spring Breeze and Green Jiang Nanan, the word "see" in Tao Qian's "Seeing Nanshan leisurely", the word "de" in Zhang Xian's "Clouds breaking the moon to make a flower shadow" and the word "noisy" in Song Qi's "Red Apricot Branches Full of Spring" are all well known. A word "Noisy" expresses the poet's feelings about spring, and a word "Nong" expresses the poet's appreciation of the beauty of flowers dancing in the breeze under the moon. Du Fu's poem: "Four more mountains spit on the moon, and jathyapple is bright." The word "Ming" is an adjective, used as a verb to make the picture dynamic, and even better, the word "spit".

If function words are used well, they can also achieve the aesthetic effect of dredging literary spirit, opening and closing echoes, melodious twists and turns, and activating emotional charm. Du Fu has a poem: "There are Bashu in the mountains and rivers, and the towers and terraces are harmonious." Ye Mengde commented: "The distance is hundreds of miles, up and down for thousands of years, only between the word" you "and the word" zi ",but it is beyond words to appreciate the atmosphere of mountains and rivers and cherish the past and present.

Hehe, it's okay.