Hebei bangzi poetry

1. Describe the poetic era of traditional Chinese opera: Modern Author: Lao She

Hebei bangzi theatre yuejin troupe

The whole people leap forward in unison, and the operas strive for the first place.

A strong man goes up the mountain, but a hero stops the horse.

The red flag will dawn tomorrow, and the black powder is a good youth.

In Qinhuangdao in August, the song waves meet the sky.

Year: Tang Author: Yuan Zhen

Qujiang the aged baiyun

Why did you cry before you finished spending it? It used to be an ancient spring. The first emperor was in the pickaxe, and the son of a bitch traveled in Qin.

After setting things right, people celebrate the scriptures with ceremonies and music. The emblem hangs like Wei and the tiger is picturesque.

Martial arts no longer talk about war, and Tang Yaonian got married. Lin Lang paved the plinth, and the Maohe River in Ziggy.

It's still a pity, and searching for information is also a salary. Wang Pei holds the algae mirror and Yao Song swims in Tao Jun.

Folk history is called Zhang Chang, and the whole people borrow Kou Xun. Famous officials only talk about virtue, and their lives are shameful and poor.

Can't use it, but don't forget to ask. Hang gold to collect horses, drum instruments to recommend guests.

Many wings follow the phoenix, and Zhang Gui is willing to be expensive. There are many people in the class and they are gentle.

Baidu depends on the emperor, and thousands of doors are purple. Measures and punishments are not simple, but follow the old rules.

The book is absurd, and the poem is far from being heard. Push three tigers in public, push eight dragons in group.

2. What are the poems describing traditional Chinese opera? I am eager to send poems praising opera to Yuejin Troupe of Hebei Bangzi Theatre.

Lao She

The whole people leap forward in unison, and the operas strive for the first place.

A strong man goes up the mountain, but a hero stops the horse.

The red flag will dawn tomorrow, and the black powder is a good youth.

In Qinhuangdao in August, the song waves meet the sky.

Popular music

[Tang] Zhang Hu

Hot dramas fight for heart and fire, and copper hammers wait for no man.

When the emperor loses his joy, you laugh, and the fruit shakes.

View "Continuous Promotion to Level 3"

Lao She

Quanzhou Gaojia Opera, a three-story building,

Open a new style and dig out the sound of ancient music;

The champion has no ink, and the emperor seems affectionate.

People's eyes are clearer when they are ridiculed.

3. What are the poems about drama? 1. Di Wei sewed a real play, and Fu Jian's vote was even more absurd. -Tang Du Mu's "Xijiang Nostalgia"

Looking back at history, Guo Wei's strategy is like a drama, and even an absurd strategy like Fujian Investment has appeared.

2, who can be the first pair of dramas, I laugh at Weng Er for being more virtuous. -Song Sushi's "Ancient Meaning"

Interpreting Su Shi's tracing back to the beginning and end, he smiled at Weng and asked, "Who was the first to practice drama? I smiled and said to the old man,' My son is more virtuous than you!

3. When Wan Qi is not enough, people are expensive, and one Song Ling is worth ten thousand gold. -Zhang Songji, "Appreciating Zhu Qingyu"

Although there are many other girls wearing clothes made of exquisite silks and satins from the same place of origin, they are not worthy of the attention of the world. Only this song of bachelor is worth 1000 dollars.

Her art even attracted the appreciation of experts, and her beauty attracted the envy of all major dancers. -Tang Bai Juyi's Song of Eternal Sorrow

Once I finished playing the music, all the teachers admired me (playing well), and the geisha around me envied me (looking beautiful after makeup).

5. The intonation contains frustration, and the singing is euphemistic and passionate. -"Seven Laws Praise Peking Opera"

The deductive pause and cadence in traditional Chinese opera reveal firmness in euphemistic singing.

6, an official talks about drama, and three roads are willing to be teased. -Song Chendi's "Three Poems of John Wan"

If an official starts to talk about China's traditional drama, then the area he manages must be barren within three roads.

7. Life is like other dramas. You are just a small area. -Song Han Qi "I have no guests during the day"

This life is like a traditional opera, with ups and downs, and it will definitely not be smooth sailing.

8. The whole people leap forward in unison, and the operas strive for the first place. -Now Lao She's "Gift to Hebei Bangzi Theater Leap Forward Troupe"

If the whole people cheer together, then the opera will make great progress.

9. Mr. Wanqiu is as long as a hill, and Wanqiu Academy is as small as a boat. -Song Su Shi's "The Actor's Classic"

The performer's voice is sometimes as long as the teacher's voice and sometimes as small as the school house.

10, the style should only be in the sky, and the singing skills are not in line with the world. -Tang, "Drinking with Zheng Xianghe Ge"

The interpretation of this style should be in the sky, and it is unreasonable for this singing method to exist in the world.

4. The historical and artistic features of Hebei Bangzi.

Loudness, agitation, generosity and sadness are the inherent style characteristics of Hebei Bangzi singing, which can make people feel sour and spicy. Hebei Bangzi's singing belongs to banqiang. The singing is loud and intense, and he is good at expressing generous grief and indignation. The main boards are adagio, Erliu board, running board, sharp board, crying board and various lead boards and take-up boards.

Flexible board is divided into big flexible board and small flexible board. Adagio is one of the most melodious and slowest singing methods in Hebei Bangzi (recorded as quartets), which is more than that of Tsing Yi and Laosheng. He is good at expressing the depression, worry, memory, meditation and other emotions of characters. You can't end it by yourself. You must turn Adagio after singing. Flexboard is a widely used board, which can be used in all walks of life. This board can be both lyrical and narrative. It is a bridge between Adagio and Erliu. Adagio leads to Erliu, but it is often played alone and becomes its own aria.

The Erliu board is basically divided into two categories, one is positive tone and the other is negative tone, all of which belong to the same board (recorded as two quartets).

There are also names of boards with different speeds: slow 26 followed by Adagio, which is characterized by strong melody and leisurely lyrical singing. Used in front of the water board, it is called "fast and flowing" and is characterized by narrative. Between the above two is the medium speed 26, which is the main body of the 26-plate. The latter is easy to sing smoothly, has the function of fast and slow, and is the most widely used. Erliuban is very plastic and elastic, and can be used to express the feelings of characters and communicate with any board except Adagio, so it can be said to be the core of Hebei Bangzi singing.

Anti-tune Er Liu is commonly known as "anti-bangzi" or "anti-tune". It has neither a rising board nor a closing board, so it cannot rise or fall by itself. Its inheritance or downward transformation must be brought in and brought out by the positive tune of 26. So it is not a complete board, but it is good at expressing the sadness and sadness of the characters.

Running water board is a form of sound production in Hebei Bangzi, which can be divided into whole board running water and scattered board running water. The whole board is short of water, with many words and few cavities, almost one word and one board, or even two words, so it is called "tight singing". The running water is relatively free, and the length of the line cavity can be long or short as needed. However, in the process of singing, you need to play the bangzi quickly and symmetrically, so it is called "tight playing and slow singing". Two kinds of water boards are mainly used to express the anger, anxiety and panic of characters.

Pointed board is a kind of singing without board and eyes. Lame is also a kind of singing without board and eyes. There is no instrument in the middle of singing except the door at the beginning and the instrument at the end.

Hebei Bangzi singing is divided into four lines: life, Dan and ugliness. Xiao sheng and Wu sheng, who belong to the live line, basically sing along with the old students instead of adagio; Hua Dan, Beijing Opera Blues, Cai Dan and Lao Dan all belong to Danxing, singing Tsing Yi and rarely singing Adagio. The network cable has a set of self-contained basic boards, including flexible board, sharp board and running water, but it is not complete; Ugly behavior also has its own set of vocals, except adagio.

Male and female voices sing on the same stage, and it is more difficult for actors to sing. The positive tune singing method is fine-tuning, and the anti-tune singing method is Gongdiao. Four or five big jumps in singing are the outstanding characteristics of melody. Special skills such as "jaw cough", "spout" and "smashing rammer" are paid attention to in singing, and they are impassioned.

The lyrics are mostly "334" cross and "223" seven characters, with occasional five-character, six-character and multi-character. Although the endings of the upper and lower sentences of a word are usually homonyms, most of them are upper and lower sentences. In a long paragraph of lyrics, the situation of middle rhyme change occasionally occurs, but it is rare.

Traditional accompaniment instruments are mainly banhu, supplemented by flute, and other instruments are sheng, suona and sanxian. After the founding of People's Republic of China (PRC), the band has made great progress. Today, Wenchang's musical instruments are Banhu, Bangzi, Sanxian, dulcimer, Erhu, Zheng and Ruan. Musical instruments in martial arts include drums, banquets, gongs, cymbals, hand gongs, cymbals, bells, Tang, Hua Pengu and suona.

There are about 50 commonly used One Happy and Fifty music cards, including more than 50 string cards and 100 wind music cards. Except for the vocals in individual plays, most of the qupai (especially the stringed qupai) are mainly used to render the environment and atmosphere in the play and accompany the dance movements of the characters.

5. The word fireworks (Hebei Bangzi) My family lives in Nanyang, ten miles away from the city.

My father has a strong martial arts and a strong ancestral fireworks. Jiang Guizhi was born without brothers, and her mother only had one daughter.

I have been practicing fireworks with my father since I was a child, and my parents love me very much. The lives of the three of us depend on each other. One day forty years ago, it was snowing heavily on the ground in the morning, and a young man fell ill in the temple.

Father picked him up and asked him carefully. He said that he lived in Zichuan and his name was Luo Yi. He went to Beijing to take the exam, but unfortunately he fell ill in Anjiang Jiaji on the way.

The old father carried him home and his mother changed his cold clothes. Cured his illness and accepted him as an apprentice.

Luo Yi practiced fireworks, and I taught him. Fireworks road * * * six times, one hundred single eight guns.

He learned to sew a needle skillfully, but the white snake didn't learn to spit out the core. Practice fireworks whistle, practice fireworks love.

One day, my parents sat me in front of the hall and told me about marriage. My face turned red with shame and my head bowed, and I wanted to hide my head in that water tank.

Shy and shy, my heartbeat is beyond words, and a sweet smile expresses my heart. My parents knew my heart and told Luo Yi about it. Se was so happy that she smiled at me.

I was nineteen that year and Luo Yi was twenty-one. (Backman) Invited guests to hold banquets and beat up houses.

(Ginger sings) Light a candle (backup singer) Light a candle to worship heaven and earth, make a good couple with fireworks, and make a good couple with fireworks. My hero is determined to be on the battlefield. How can I waste this wonderful time?

Luo Yi, he will also go to Beijing to attend the examination room, and he will also win the first prize with the fireworks. How can I stop him as a wife? I am pregnant and can't bear to leave my husband.

When I saw him off, he reminded me to take care of myself when I was pregnant, and to make boys and girls become pillars. When I sent him away, I reminded him to stay away from home and be a soul mate. I must exchange that letter often.

Looking at yourself with tears in your eyes and watching your loved ones leave, it hurts and breaks your heart. Since farewell, my family fled Nanyang and came to this Longkou village.

Wandering around and never heard from again. (Backman) The autumn night is long, and the lonely lamp is cold.

You are worried, silently looking forward to your husband. Jiang Guizhi: Pan Fulang, Pan Fulang, I have been looking forward to going to Liuyehuang in Qiu Lai for many spring days, because my husband is ill in bed; I miss my husband so much that I lean against the door every day; Looking forward to her husband's tears, I always worry about you; I hope my youth is over. My temple is Bai Rushuang.

I look forward to my son's wife's room day and night. Gave birth to a grandson named Xiao, whose martial arts is higher than his grandfather's.

My son has a lot on his mind and often mentions why there is no father but only mother. A word brought tears to my eyes, and a word reminded me of the past decades. I am very sad. After you left, there was nowhere to go. How do you know that the wife and children at home are looking forward to your heartbreak? For forty years, I have lived with my children and grandchildren. For forty years, I have been with my husband's old fireworks day and night.

(backup singer) shed all kinds of tears and endured all kinds of hardships. After decades of separation, deep feelings are always unforgettable.

When we meet again, we will bid farewell to desolation. When we meet again, we will bid farewell to desolation.

Jiang Guizhi: A loud sound of spring thunder pierced the sky, and a happy event dispersed the dark clouds in the sky. I am glad to learn that my son's father is in that Wagangzhai today. I only know that my husband is by my side today; Today I am very happy to open my heart; I am glad that the haze of forty years has been swept away today.

I will sit firmly in the hall and wait for Songer to come back with the letter. I will take my children and grandchildren with me. The reunion of flesh and blood, drawing lessons from mistakes, makes the family happy.

This is Jiang Guizhi's 23 minutes of singing. I don't know if this is what you want.

6. Introduction of Hebei Bangzi 100 words Hebei Bangzi: In 2006, Hebei Bangzi was approved by the State Council to be included in the first batch of national intangible cultural heritage list.

In Hebei, it is called Zhili Bangzi, Hebei Bangzi and Bangzi Chamber. Outsiders call it Jing bang, flute stick, anti-tune and so on; In addition, some people call it Wei Bangzi or Shanxi Bangzi. 1952 is called Hebei Bangzi. Popular in Beijing, Tianjin, Hebei, Shandong, Henan, Heilongjiang, Jilin, Liaoning, Inner Mongolia and other places, mainly distributed in Shanghai, Wuhan to the south of the Yangtze River.

Hebei Bangzi was born in the late Qing Dynasty and has a history of nearly 200 years.

Hebei Bangzi's music is sonorous, vigorous and melodious, with strong lyric charm. Adagio is good at expressing characters' depression, troubles, memories, meditation and other emotions. Adjust the second and sixth boards like running water and stretch them calmly. However, the anti-tune Er Liu Ban is sad and touching, sad and sad.

Hebei Bangzi's actors include Tian Jiyun, Wei Liansheng, Hou Junshan, He Jingshan, Zhao Peiyun (Num), Wang Yingxian (Jin Gangzuan) and other outstanding people who are well-known in China. They are all loved by the audience for their beautiful and changeable vocals. These actors are the pearls on the stage of Hebei Bangzi, and their exquisite performing arts give the audience beautiful enjoyment, which also makes the audience love Hebei Bangzi more.

Hebei Bangzi is divided into four lines: raw, denier, clean and ugly.

Life is divided into Hu Zisheng, Xiao Sheng and Wu Sheng. Hu Zisheng occupies the first place in his career, including Hu Zisheng (duet), crisp Hu Zisheng (heavy work) and Wu Zisheng (heavy work); Xiao Sheng Penny Xiao Sheng, Vu Thang Xiao Sheng, poor students and precious students; Wushu is divided into two parts: Wushu and Wushu. Before 1888, when Bangzi, Pi and Huang performed together, Wu of Hebei Bangzi was not independent. After Bangzi Huang co-performed, under the influence of Peking Opera, Wushu students gradually separated from all walks of life and became independent businesses.

Danhang is divided into five categories: Tsing Yi, Hua Dan, wudan, Lao Dan and Cai Dan. Tsing Yi, also known as "Zheng Dan", often wears black clothes in dramas, but in a few traditional dramas, there are also Tsing Yi wearing white shirts, such as Sun Shangxiang in river of no return and White Snake. Hua Dan, because of his diverse personality types, is divided into ladies, banters, beatings, shrewish and petty; There are two kinds of martial arts, one is called "Beijing Opera Blues" and the other is called "Hag Dan". In the past, Cai Dan used to be an ugly actress, but after having an actress, she was played by a woman.

Network cables are divided into four categories: large-flowered face, two-flowered face, Wu Hualian and fragmentary-flowered face. In the big face line, there are four types: blackhead, white traitor, red head and net-born (old face), each of which pays more attention to singers. In particular, Hua Xiu Laosheng (Jingsheng) is unique to Hebei Bangzi. He has a plain face and a white beard, which is similar to that of the old man, but his singing and performances are colorful, such as Zhu's, Wang Yun with three high-fives, and Wu's luxury in frying oil. Double-sided, heavy work, divided into shelf surface, Wu Hualian and fragmentary surface.

Ugliness, also known as "three faces" and "small faces", can be divided into Wen Chou and Wu Chou. There are ugly robes, ugly Taoist robes, ugly pockets, ugly ghosts and gods, ugly old people and so on in Wen Chou. Wu Chou, also known as "mouth jump", is also the product of the joint performance of Bangzi and Pi Huang.

Wushu can be divided into two categories: heroic generals and combat generals. It is customary to call the former the beginning and the latter the beginning. Such as animal modeling, four executioners, four prisons and so on. , all belong to martial arts. In addition, there are miscellaneous businesses, such as flag pawns, gongs, umbrellas, newspaper pawns, rickshaw pullers, bearers, domestic slaves, courtiers, maids, colorful girls and walk-on.

There are more than 500 operas in Hebei Bangzi, most of which are from Shanshan Bangzi, and some are transplanted from Beijing Opera, High-pitched Opera, Sixian Opera and Drinking Opera. In addition, there are more than 100 fashion dramas, which are the products of the joint performance of Bangchun (Erguotou), but most of them have not been handed down.

Traditional dramas are mostly based on historical stories from Yin and Zhou Dynasties, other countries, Han Dynasty, Three Kingdoms, Sui and Tang Dynasties, Song and Yuan Dynasties, Ming and Qing Dynasties to the early years of the Republic of China. The number of small plays with folk life as the theme is small and there are few performances. The representative repertoires handed down to this day are: Butterfly Cup, Qin Xianglian, Yuanmen Chop, Jiangdong Ji, North-South Harmony, Golden Branch, Du Shiniang, Sanshangjiao, Shuang Suoshan, Wu Yudai, Xin Anyi, Huatiancuo and Penalty Zi. Traditional scripts, with easy-to-understand words, are often mixed with Hebei local dialects and have the flavor of farmers' life. Few people process the characters, so some operas are rough. The main lyrics are the same sentence, seven words, ten words, and occasionally five words.

Hebei Bangzi fashion drama began around the 16th year of Guangxu (1890) and ended in the 26th year of the Republic of China. It can be roughly divided into three periods: 1890 to 19 10, which is the initial stage of Hebei Bangzi fashion drama. Most of the plays are based on the social life at that time, such as Ms. Comet, The Smoker Sighs, Sleepwalking in Shanghai, Burning the First Floor, The Ant Takes the Worm and so on. At the beginning, most of these fashion dramas were staged by Yu Chengban, who was run by Tian Jiyun, and most of them were written by Yu Chengban. Xuantong three years to fifteen years of the Republic of China is the middle period of fashion drama. Influenced by the Revolution of 1911 and the May 4th Movement, the themes of fashion dramas have expanded, including not only domestic social news, but also some dramas adapted from famous foreign novels, such as La Traviata, Resurrection and Napoleon. In addition, he also wrote plays reflecting modern science and technology, such as "Strange Talk of Electrosurgery". The Republic of China 16-26 was the end of Hebei Bangzi fashion drama. At this time, the number of plays with the theme of "Sanyan", "Erpai" and "Liaozhai" increased greatly, such as "Biography of Fifteen Stories", "Biography of Geng Niang" and "Hu Siniang". Because most of these dramas have been adapted into contemporary stories and dressed in fashion, they are also called fashion dramas.