Question 2: Is it a plucked instrument or a stringed instrument that varies from region to region? On our side, it's the * * * Er family playing the strings!
Hope to adopt
Question 3: What is the difference between musical instrument, piano and harp? 1. Appearance: the harp has Dan Xian and double strings;
Harp long box-shaped * * * sound box, graceful pipa-shaped * * * sound box:
The side of the harp singing box is bare, and there are a row of geese on the left and right sides of the harp singing box:
Harp columns are cylindrical, and harp columns are generally square columns.
In addition, as a decoration, those with crests at the top of the piano column must be elegant. The * * * box of the harp has a narrow trapezoid shape with a straight edge, and the lower end of the string is directly connected with the inclined plane of the * * * box, while the graceful double-sided pipa-shaped * * box is larger with a vertical side, and the string is connected with the lower end of the * * * box above the wild goose column. Second, timbre: the sound of the harp seems to be emitted underwater, and the whole water surface absorbs some scattered energy, which is relatively pure, soft and stable: the sound seems to be emitted from transparent water, and even the water surface has a slight vibration, which is relatively clear, floating and drifting. Compare the timbre of Yayue and Harp: Harp is more mellow and far-reaching, and it is easier to blend, like a lotus pond with green water overnight; Elegant and more ethereal, more vivid, as cold as the sound of a snowy mountain spring. Third, techniques: Ya is based on the harp, supplemented by national musical instruments such as guzheng, and then developed. There are more vibrato techniques, which bring more changes with charm. It is more convenient to play fast melodies and overtones with double-row strings with the same degree left and right. The left and right hands can play chord rhythm and accompaniment at the same time, without interfering with each other, which enhances harmony and polyphony. The kneading area and the plucking area are combined with each other. It is very convenient to switch between kneading and plucking strings, and the harmony color is more abundant. You can even play different pitches between different fingers of both hands at the same time. Because the two hands are independent of each other, unlike the two fingers of one hand, it is more likely to combine the techniques of kneading strings with both hands at the same time. The left and right rows of strings completely surround the * * * sound box, and there is no clapping technique on the * * * sound box of the general harp. The strings are arranged in the wild goose column, and there is no tonal area, which is one yard more than the general harp.
4. Tune: Tune the strings in C major according to the seven-tone twelve-average rhythm. Although the seven-tone string has a large span, it may take a little time to play the melody with a large pitch change than the five-tone string, and the maximum interval of one hand is also smaller, so it is not as smooth as the five-tone string in expressing the melody. But the pentatonic string can be played directly on the pentatonic string with one hand, but on the pentatonic string. After all, seven-tone and string law are much more than five-tone and string law. In terms of range, large majors use more than six octaves, or even seven octaves. However, the average swing is still five octaves.
Question 4: What kind of musical instrument is the "Ball Ball" in Peacock Flying Southeast? Kohongó u has a long history, a long history, a wide range, soft and clear timbre and strong expressive force. In ancient times, in addition to court music, it was also widely circulated among the people. Now it is often used for solo, ensemble and accompaniment for song and dance, and is applied in large national orchestras.
In ancient times, there were three shapes: lying, vertical and crown.
Vertical basket
During the Eastern Han Dynasty, a trumpet-shaped harp was introduced into China from Persia (now Iranian).
Harvest itself.
Feng Shou was introduced to China from India through Central Asia in the Eastern Jin Dynasty, but he was lost after the Ming Dynasty.
Lie still.
Wozou is similar to lyre and harp, but it is a traditional musical instrument of Han nationality. It prevailed from Han Dynasty to Sui and Tang Dynasties, but it was lost after Song Dynasty. Handed down in North Korea, it became today's Xuanqin after successive generations of inheritance and perfection.
Xiaozou
In ancient China, northern minorities plucked stringed instruments. Also known as corner basket, it is a kind of vertical basket.
There are improved models in modern times, so I won't list them one by one.
Question 5: If there is any analogy between ancient Han musical instruments and modern musical instruments, it is the harp.
Question 6: There are many technical differences between graceful Zheng and graceful Zheng (vertical stringed instrument and flat stringed instrument respectively). In addition to the differences between pentatonic scale and heptatonic scale in tuning strings and the special features of graceful and restrained double strings, here are three points to add-first, you should wear fake nails to play the guzheng. This is because * * * singing and plucking methods are different from those of the guzheng, and the angle at which fingers touch the strings when playing the guzheng is also different from that of playing the guzheng. Therefore, plucking the strings by hand can reach enough volume, and the strings are vertical, so you often need to pluck the strings with your fingertips on the left and right sides when playing. This also makes it common to wrap steel rope with nylon rope and nylon instead of bare steel wire. Correspondingly, Zheng's strength is a little less, but some techniques are more nuanced. Hehe, it's more convenient and economical not to wear fake nails, but it's harder to study. Second, the strings of the guzheng are arched with a certain radian, so every time the hand jumps between two strings separated by a certain distance, it should be raised a little, and the midpoint of the whole string is tilted badly, sometimes the distance is actually increased, so it takes a little time to move than in the plane or straight line direction. In addition, each string is slightly higher than its two adjacent strings (although the amplitude is very small), so it is easier to pluck a single string on the guzheng. The strings are completely flat, so you hardly need to raise your hand every time you jump between two strings separated by a certain distance, and the midpoint of the whole string is not inclined to a great extent, which actually shortens the distance, so sometimes it moves faster than on the arch and diagonal. In addition, each string is on the same plane as its two adjacent strings before and after, so it is not the easiest to pluck a single string on the basket ―― sometimes the downward pointing angle is not too flat, and it is easy to touch the adjacent strings if it is too fast. Third, in terms of the number of overtones, with the help of the left hand, each string of the guzheng can have multiple overtones. However, due to the division of double-row strings, two hands can't touch the same string, so each string can only pop up a overtone without stepping on it, but it can be flexibly decorated by vibrato. Historically and culturally, guzheng has been loved by people since the Eastern Han Dynasty because of its prominence and simplicity, and gradually replaced the noble musical instrument-harp in the prosperous times, that is, when it was introduced into the Central Plains from the Western Regions. At the same time, they have also become important playing instruments since Wei and Jin Dynasties. In the early days, the spread of guzheng was very narrow, and guzheng was paid more attention. For example, Ruan Li, the seventh son of Jian 'an, praised Zheng as the crown of all kinds of music in Fu Zheng, and its sound accords with heaven and earth; Describe his ups and downs, the way of a gentleman, the festival of a strong man, and praise his elegant tune, which is not as good as playing the piano to prolong life. From the shape of guzheng to becoming a teacher of various musical instruments, its musical effect, artistic style, playing techniques, musical aesthetics and even social influence have been incisively discussed. He pointed out that the Zheng at this time has become a kind of musical instrument with high and low, and praised the dominant position in all musical instruments with waste, bud, crown, sex and cage. It can be seen that the guzheng was a very noble musical instrument in the Three Kingdoms period, which was widely valued by scholars and scribes in the ruling and opposition, and reached a high level in playing ability, playing skills and production technology. However, in the Sui and Tang Dynasties, another prosperous time needed the music that was most in line with this era. Obviously, the implicit guzheng could not meet people's pursuit gradually, and the gorgeous and elegant piano exuded dazzling brilliance. Whether it is the honor won by performers or the praise of poets, it seems that elegance has gained greater glory. But it was also an unfortunate beginning: the rulers couldn't put it down, didn't want it to spread abroad, and even hindered the development of the people by binding the court. Gu Kuang, a poet in the Tang Dynasty, revealed such a message in "Song of Li Sacrifice to Qin": "There was a Yuanyang Hall early, and there was a moonlight floor at night ... I didn't teach outsiders, but the voice inside could not be uttered." -In addition, the complexity of its own production and performance was not suitable for the popularity of the people at that time, and it was stagnant ... From the Tang and Song Dynasties to the Ming Dynasty, the guzheng abandoned the deer bone claws with a nail, and its expressive power was further improved; However, after being imprisoned in the dark hall for a long time, elegance failed to improve its modeling, its technology deteriorated, its repertoire was scarce, and its days were dying. Finally, he was viciously attacked by the Confucian Orthodox Committee with the voice of decadence, and finally lost his life. All works of art end in the same unfortunate fate. The early guzheng was loud and rough, and it was said that Qin Zheng was generous. After the Eastern Han Dynasty, it gradually developed into an elegant and simple style. Thousands of years later ... >>
Question 7: What kind of musical instrument is elegance? Yayue is a very old stringed instrument of Han nationality in China. Originally known as "Kanhou or Konghou", it was widely circulated among the ancient people, except for the use of court music. In ancient times, there were three shapes: lying, vertical and phoenix head. From the late14th century, it was no longer popular, so that it gradually disappeared. In the past, only some beautiful patterns could be seen on murals and reliefs.
Judging from the vertical crates depicted in a large number of ancient performance images, and the remains of lacquer crates and mother-of-pearl preserved in Masakura, Nara, Japan, its speakers are set on curved wood that bends upward. The shape of the phoenix head is similar to the vertical head, and it is often named after the phoenix head as decoration. Its sound box is located at the lower part of the crossbar, and the upward bending wood is provided with or plays the role of tightening the strings. As recorded in Tang Le Shu, the phoenix head is tortuous, and Du You's Tongdian is also tortuous. Whether there are images or not, we can see them in Dunhuang mural books. After being introduced from India, Feng Shou was used in the Indian music of Yan Yue in Sui and Tang Dynasties. Until the Song Dynasty, there were still many graceful dances in Le Shu, which were lost after the Ming Dynasty.
Question 8: What kind of musical instrument is the ball? How to play? Which dynasty did it appear in? Like what? A very old stringed instrument, originally called "Kanhou" or "Konghou", has three shapes in literature: lying, vertical and phoenix head. Elegance has a long history, a long history, a wide range, soft and clear timbre and strong expressive force. In ancient times, in addition to court music, it was also widely circulated among the people. Now it is often used for solo, ensemble and accompaniment for song and dance, and is applied in large national orchestras. In ancient times, there were three forms of lying, vertical and phoenix head, which were called Historical Records: "So I went to South Vietnam to pray for the ancestral temple and began to call songs with music and dance, making 25 strings." Du You's Tong Dian in the Tang Dynasty: "Emperor Wu of the Han Dynasty made musicians listen to a lot of music ... Today, according to its shape, it is as small as a harp, with seven strings, like playing a lute." This is a kind of lyre. Judging from the brick books in the Wei and Jin tombs in Jiayuguan, Gansu, there are no pillars on the panel. Vertical graceful, introduced from the Western Regions in Han Dynasty, was later called "Hu graceful". "Sui Shu Yueji" records: "Today's music is a vertical pipa, and it comes from the western regions, not a musical instrument of China." Judging from the vertical crates depicted in a large number of ancient performance images, and the lacquer crates and snail remnants of the Tang Dynasty preserved in Nara Temple, Japan, its speakers are set on curved wood that bends upward. The shape of the phoenix head is similar to the vertical head, and it is often named after the phoenix head as decoration. Its sound box is located at the lower part of the crossbar, and the upward bending wood is provided with or plays the role of tightening the strings. For example, Le Tang Shu said that "the phoenix head is full of twists and turns, and there is something like twisting", and Du You's Tongdian said that "the phoenix head is full of twists and turns, and the head has twists and turns". Whether there are images or not, we can see them in Dunhuang mural books. Feng Shou was introduced from India and used as Tianzhu music in Yan music in Sui and Tang Dynasties. To the Song Dynasty, there were still various forms of Polygonum hydropiper in Le Shu, which were gradually lost after the Ming Dynasty. Lofty and graceful, like a semi-arched back and a curved * * groove, it is covered on a curved wood that bends upwards, and has sufficient columns and ribs. More than 20 strings are held vertically in your arms and can be played simultaneously from both sides with your thumb and forefinger. Therefore, in the Tang Dynasty, people called it "elegance". "Tongdian" records: "It is a good thing for Emperor Gaozu to be upright, and Le Hu is also a good thing. The piano is long and curved, with 22 strings, held vertically in the arms, and played with both hands, commonly known as "broken". According to ancient murals and documents, there are 23, 22, 16, 7 vertical strings. Yayue is an ancient plucked instrument with a long history in China. According to textual research, it has been circulated for more than two thousand years. In ancient times, cricket was not only used by court bands, but also widely spread among the people. During China's prosperous Tang Dynasty (6 18-907), with the rapid development of economy and culture, the art of piano performance reached a fairly high level, that is, during this period, China's ancient piano performance was first introduced to neighboring countries such as Japan and North Korea. There are still two Tang Dynasty relics in Liang Dong Temple. However, this ancient musical instrument has been out of fashion since the late14th century, so that it gradually disappeared. People can only see some beautiful patterns on the previous murals and reliefs. Since 1950s, musicians and musical instrument makers in China have done a lot of research to make this instrument reappear on the stage. According to the characters recorded in ancient books and preserved in ancient murals, they designed and trial-produced several types of crickets, but these crickets have many shortcomings, so they have not been popularized and spread. In the early 1980s, a new type of e-e-e-e was developed. Its structure is relatively perfect and scientific, and its sound has national characteristics, so it is widely used in music practice. There were horizontal baskets and vertical baskets in ancient China. The new goose-column basket was developed according to the basic modeling of ancient vertical baskets. The shape of the new type of wild goose column is similar to that of the western harp, but the difference is that it has two rows of strings with 36 strings in each row, and each string is supported by the herringbone string column on the * * * sound box. This string column looks like the formation of geese flying in the sky, so it is called the goose column. Yanzhu's timbre is soft and clear, with a wide range and rich expressive force. You can play both ancient and modern folk music and harp music. Because the left and right strings are homophonic, which is equivalent to two harps. It has a lot of convenience in playing fast melody and overtone, and it can also play alto melody and accompaniment with the most beautiful timbre at the same time, which is incomparable to other instruments. In addition, Yanzhu also has its own uniqueness in playing techniques such as kneading strings, sliding strings and vibrato.
Question 9: What kind of musical instrument is the harp? Ya: An ancient stringed instrument, formerly known as "Kanhou" or "Konghou". There are three styles in the literature: "lying elegance", "vertical elegance" and "abundant longevity elegance". Elegance has a long history, a long history, a wide range, soft and clear timbre and strong expressive force. In ancient times, in addition to court music, it was also widely circulated among the people. Now it is often used for solo, ensemble and accompaniment for song and dance, and is applied in large national orchestras. During the Eastern Han Dynasty, a trumpet-shaped harp was introduced into China from Persia (now Iranian). In order to avoid confusion with the Han nationality, it is called vertical graceful, or "Hu graceful". The origin of vertical cymbals can be traced back to ancient Assyria, Babylon, Egypt, Greece and other very popular musical instruments, called the harp. Now, although there are no physical objects in ancient times, there are many people playing the piano in the murals of the Han and Wei Dynasties, such as the harp in Cave 436438+0 of Mogao Grottoes in Dunhuang, which is exactly the same as the harp seen on Assyrian reliefs. Lofty and graceful, like a semi-arched back and a curved * * groove, it is covered on a curved wood that bends upwards, and has sufficient columns and ribs. More than 20 strings are held vertically in your arms and can be played simultaneously from both sides with your thumb and forefinger. Therefore, in the Tang Dynasty, people called it "elegance". "Tongdian" records: "It is a good thing for Emperor Gaozu to be upright, and Le Hu is also a good thing. The piano is long and curved, with 22 strings, held vertically in the arms, and played with both hands, commonly known as "broken". According to ancient murals and documents, there are 23, 22, 16, 7 vertical strings. In ancient royal music, the harp is indispensable and one of the main musical instruments in performance. Because it has a string array, it can not only play melody, but also play * * *, which is better than other instruments in both solo and accompaniment. As early as the Spring and Autumn Period and the Warring States Period, the State of Chu was already lying on the harp. In the Han Dynasty, the couch, as a representative instrument of "China Zheng Sheng", was included in Shangqingle. At that time, there were five strings and more than ten columns, with bamboo as the groove and water as the play. It is not only popular in Central Plains and South China, but also spread to Northeast China and North Korea. This musical instrument was very popular in the Han Dynasty and was often used in poetry. For example, Han Yuefu wrote "An Ancient Poetry as a Wife", which includes "weaving thirteen skills, cutting fourteen skills, playing fifteen skills and reciting sixteen skills". "Historical Records": "So I went to Senegal to pray for Taiyi and Hou Di, and began to write songs with music and dance, and made 25 strings by myself, waiting for the harp, and from then on." Du You's Tong Dian in the Tang Dynasty recorded that the music "Emperor Wu of the Han Dynasty ordered the musicians to wait for the tune, making the hall too one." Or shrouded in clouds. Its sound should be a festival called Kanhou. ..... As the old saying goes, one should follow the piano department. Today, according to its shape, it is like a small instrument, with seven strings, which can be plucked, like a pipa. " It is a kind of lyre, similar to lyre, but its long * * * singing speaker panel has the taste of pipa, which is the main difference between lyre and lyre in shape. The musical instrument played by Koguryo murals in Ji 'an, Liaoning (now Ji 'an, Jilin) is Lie. Wozou was used in Korean music in Sui and Tang Dynasties, but it was gradually lost in China and later in Song Dynasty. However, it was handed down in North Korea, and after several generations of inheritance and improvement, it became today's Xuanqin. In Japan, it was introduced from the then Baekje country (both Korea and Baekje were ancient Korean names), and it was called Baekje. In the early years of the Eastern Jin Dynasty, the phoenix head was introduced to China from India via Central Asia. In Pi's poem Ya Fu, it was described as "a dragon with a phoenix shape, golden color and green algae". It is known that it was named after the phoenix head. The shape of the phoenix head is similar to that of the harp, and its sound box is located in the lower part of the crossbar, which is boat-shaped, while the upward bent wooden strip is provided with or plays a role in tightening the strings. The neck of the song is engraved with a phoenix head, as recorded in Reading the Book of the Tang Dynasty: the phoenix head is swaying and there is something like squatting. Du You's Classic: The phoenix shakes its head and its head squats. Whether there are images or not, we can see them in Dunhuang mural books. Today, the musical instrument played by the Jin Dynasty Thinking Bodhisattva in Cave 38 of the Ancient Cave in Qizil, Xinjiang is the phoenix head. During the Sui and Tang Dynasties, Feng Shou was used in Tianzhu music, Guo Si music and Koryo music. In Tang Dezong (78O~805), it was also introduced to Feng Shou from Qi (now Myanmar). This is a kind of phoenix-headed harp with tapestry, which is still popular in Myanmar, and is called "Sang Ke" or "bent harp", also known as "Burmese harp". In China, the phoenix head was lost after the Ming Dynasty. In the early 1980s, Kun Chang of Shenyang Conservatory of Music designed and Suzhou No.1 National Musical Instrument Factory manufactured a new variety-Yanzhuya. In 198 1 ~ 1984, we have designed and produced seven-tone and full-tone Phyllostachys pubescens. Swallow-bead Gull draws lessons from the string array design of harp and absorbs the structural principle of "double string vibration" of Han Qihua (Shenyang Musical Instrument Factory). * * * The speaker is a three-dimensional double-sided pipa, which is made of A Zheng ... >>