Li Bai was just about to leave when he heard a farewell song from the shore.
Even if the Peach Blossom Pond is deep, it is not as deep as Wang Lun's sending away my love.
Wanglushan Waterfall
The purple mist is illuminated by sunlight, and the waterfall hangs in front of the mountain.
On the high cliff, it seems to be thousands of feet high, which makes people think that the Milky Way has fallen from heaven to earth.
Li Bai bid farewell to his friends at Jingmen Ferry.
Sail from Jingmen Ferry, and soon you will be with southerners.
At the end of the mountain range and the beginning of the plain, the river winds through the wilderness.
Flying under the moon, the sea clouds shine like palaces.
The water brings you the feeling of home and makes your boat travel 300 miles.
Send a friend away
Green mountains are located on the north side of the city wall, and the sparkling water surrounds the east of the city.
Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away.
Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic.
With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave.
Say goodbye to Meng Haoran on the way to Yangzhou
Old friends frequently waved to me, bid farewell to the Yellow Crane Tower, and traveled to Yangzhou in this beautiful spring filled with catkins and flowers.
Sailing alone in the blue mountains, only the Yangtze River flows in the sky.
Thoughts in the dead of night
Look at the moonlight in front of the bed, will it have frost? .
Looking up at the mountains and the moon, and sinking again, I suddenly remembered home.
Zaofa baidicheng
Say goodbye to Bai Di,
Thousands of miles in Jiangling, one day.
Apes on both sides of the Taiwan Strait kept crying.
The canoe has crossed Chung Shan Man.
Li Bai (70 1-762), whose real name is Taibai, also known as "purple laity" and "fallen fairy", was a great romantic poet in the Tang Dynasty, and was praised as "poetic fairy" by later generations, and was also called "Du Li" with Du Fu. In order to distinguish himself from two other poets, Li Shangyin and Du Mu, that is, "Little Du Li", Du Fu and Li Bai merged again. He is cheerful and generous, loves to drink and write poems, and likes to make friends.
Li Bai was deeply influenced by Huang Lao's idea of sorting out villages. Li Taibai's Collection has been handed down from generation to generation, and most of his poems were written when he was drunk. His representative works include Looking at Lushan Waterfall, it is hard to go, Difficult Road to Shu, Entering Wine, Liang, The First Building of Baidicheng, etc.
There are biographies of Li Bai's Ci and Fu in the Song Dynasty (such as Wen Ying's Xiang Ji). As far as its pioneering significance and artistic achievements are concerned, Li Bai's Ci Fu enjoys a high status.
Li Bai has the highest achievements in Yuefu, Gexing and Jueju. His songs completely broke all the inherent forms of poetry creation, no one relied on them, and his brushwork was diverse, reaching the magical realm of unpredictability and swaying. Li Bai's quatrains are natural and lively, elegant and chic, and can express endless feelings in concise and lively language. Among the poets in the prosperous Tang Dynasty, Wang Wei and Meng Haoran were good at the Five Wonders, while Wang Changling and others wrote the Seven Wonders well. Li Bai is the only one who is good at both the Five Odds and the Seven Odds.
Li Bai's poems are magnificent and elegant, and his artistic achievements are extremely high. He eulogized the mountains, rivers and beautiful natural scenery of the motherland, with bold and unrestrained style, elegant and fresh, full of romantic spirit, and achieved the perfect unity of content and art, so he was called the "fallen fairy". His poems mainly described the mountains and rivers and expressed his inner feelings. Li Bai's poems have the artistic charm of "the pen is shaken by the wind and rain, and the poem makes the gods cry", which is also the most distinctive artistic feature in his poems. Li Bai's poems are full of self-expression and subjective lyricism, and the expression of feelings is overwhelming. He and Du Fu are called "Big Du Li" (Li Shangyin and Du Mu are called "Little Du Li").
In Li Bai's poems, imagination, exaggeration, metaphor, personification and other techniques are often used comprehensively to produce magical brilliance and magnificent artistic conception, which is the reason why Li Bai's romantic poems give people heroic and unrestrained, elegant and immortal.
Li Bai's poems and songs had a far-reaching influence on later generations. Han Yu, Meng Jiao and Li He in the middle Tang Dynasty, Su Shi, Lu You and Xin Qiji in the Song Dynasty, Gao Qi, Yang Shen and Gong Zizhen in the Ming and Qing Dynasties were all greatly influenced by Li Bai's poems.
The style is bold and unrestrained, fresh and elegant, with rich imagination, wonderful artistic conception, wonderful language, romance and clear artistic conception.
Li Bai lived in the prosperous Tang Dynasty. He has a heroic personality and loves the mountains and rivers of the motherland. He traveled all over the country and wrote many magnificent poems praising famous mountains and rivers. His poems are bold, fresh and elegant, with rich imagination, wonderful artistic conception and light language. People call him "Poet Fairy". Li Bai's poems and songs not only have typical romantic spirit, but also have typical romantic artistic characteristics from the aspects of image shaping, material intake, genre selection and the application of various artistic techniques.
Li Bai successfully shaped himself in his poems, expressed himself strongly, and highlighted the unique personality of the lyric hero, so his poems have distinct romantic characteristics. He likes to express himself in a magnificent image, expressing his feelings in his poems without disguise or restraint. For power, he "holds a chrysanthemum and stirs two thousand stones" (one of the two songs "Send Cui Shiyu after Drunk"); Seeing the hard work of the working people, he was "heartbroken like rain". When the country was destroyed and the people perished, he vowed to cross the river to clear the Central Plains. Draw a sword and hit the front column, and the sad song is hard to recover "("South Ben Shu Huai "), so impassioned; When drinking heartily with friends, "two people fall in love, one cup after another." I'm drunk and want to sleep. The Ming Dynasty intends to hold the piano ("Mountain Lovers"), which is so naive and straightforward. In a word, his poems vividly show his bold character and bold image.
Boldness is the main feature of Li Bai's poems. In addition to the factors of ideological character and talent, the artistic expression and genre structure used in Li Bai's poems are also important reasons for his bold and elegant style. Being good at relying on imagination and being subjective and objective are the important characteristics of romantic artistic techniques in Li Bai's poems. Almost every article has imagination, and some even use a variety of imagination throughout. Realistic things, natural landscapes, myths and legends, historical allusions and dreamland have all become the media of his imagination. With the help of imagination, we often transcend time and space, interweave reality with dreams and fairyland, and interweave nature with human society to reproduce objective reality. The images in his works are not the direct reflection of objective reality, but the externalization of his inner subjective world, which is the truth of art.
One of the artistic techniques of romanticism in Li Bai's poems is to skillfully combine personification with metaphor, empathize with things and compare things with people.
Another romantic artistic technique in Li Bai's poems is to grasp a certain feature of things and boldly imagine and exaggerate on the basis of real life. His exaggeration is not only strange in imagination, but also always combined with concrete things, so natural and unobtrusive; So bold, true and credible, it has played a role in highlighting the image and strengthening feelings. Sometimes he combines bold exaggeration with sharp contrast to enhance the artistic effect by increasing artistic contrast.
Li Bai's best genre is seven-character poems and quatrains. Li Bai's seven-character song also adopts the structure of opening, closing, jumping and swinging. The beginning of a poem is often abrupt, such as a sudden surge, while the middle image of the poem is abrupt, often omitting the transitional care, as if there is no trace to follow, and the end of the poem comes to an abrupt end at the emotional climax.
Li Bai's quatrains of five or seven words can better represent the fresh and lively style of his poems. For example, the beauty of "Come to Baidicheng early", "Farewell to Meng Haoran on the way to Yangzhou" and "Thinking of a Quiet Night" lies in "only looking at the prospect and oral language, but there are overtones and foreign flavors that make people stay away." (On Talking about Poetry).
The language of Li Bai's poetry, some fresh as spoken language, some bold, informal and close to prose, is unified in the natural beauty of "clear water produces hibiscus, natural carving" This is related to his conscious pursuit of natural beauty. He inherited Chen Ziang's literary thought and took it as his duty to restore the tradition of poetry and Sao. He once said, "Since Liang Chen, Yan Bo has been extremely thin, and Shen Xiuwen still pays attention to temperament and must go back to the ancients, not me but who?" (Bai Meng's "Gao Yi") He advocates "halal" and satirizes the ugly girl who is "naive" and learns from Handan. The natural beauty of his poetic language is the result of his careful study of folk songs and his understanding of popular characteristics, which is clear as words, popular and vivid.
Representative works such as Entering Wine, Difficult Road to Shu, Climbing Mount Tianmu in a Dream, Silent Night, Looking at Lushan Waterfall, Chivalrous Man, Sleeping in Love, Qiu Ge, etc.
There is no unanimous conclusion as to whether Li Bai created ci, but there are about 20 works handed down as Li Bai's ci today, whether true or false, such as Bodhisattva Man and Qin Yi E.
As far as its pioneering significance and artistic achievements are concerned, "Li Bai's Ci" enjoys a high position in the history of Ci. This position is just like the position of ancient Greek mythology in western art. As an unattainable norm, Li Bai's ci has become an eternal idol in people's hearts. Li Bai has made great contributions to the formation of the text mode and the creation mode of ci.
In fact, from the collection of flowers in the late Tang and Five Dynasties, Li Bai will never be forgotten in all the anthologies and collections of Tang and Song Ci, and at least one sentence should be mentioned in the preface and postscript. As the first great poet in the history of literature, although the copyright of only a few poems is often questioned, no one has ever expressed any dissatisfaction or criticism to him. If the world's first poet is selected, Li Bai will undoubtedly be elected as the "King of Ci" by unanimous vote.