The storm was full of thoughts, and Su He's face changed. Alone in the southeast, where is Guangling? "All the scenes are sentimental."
Please briefly describe the feelings expressed in this poem from the perspectives of "mountain", "rain" and "bird". A: Scoring standard: loneliness and sadness from the perspective of "mountain" and "rain", 3 points; Judging homesickness from the perspective of "birds" gives 3 points.
Example: In autumn, the morning bell of the temple comes from the distant mountain, and the rain curtain hangs on the vast Chutian. The bleak evening scene sets off the poet's loneliness and homesickness. Finally, the poet wrote a lonely bird flying to Guangling, his hometown, and returning home. Birds fly southeast, and the closer they are to the nest; And the poet goes northwest, and the farther he goes.
This made him homesick and sad. The Story of Two Mountain Houses in Spring (Part Two) Crows are flying at dusk in Liangyuan, Cen Can, with three or two gloomy eyes.
I don't know how many people will go, but old flowers are coming. (1) Stylistically, this poem is a seven-character quatrain (or quatrain) with an A rhyme.
(2) Is there any way to write these three or four sentences? How is the expression effect? Three or four sentences use the method of contrast to write sad feelings with happy scenes, which makes Liangyuan more depressed. (3) What kind of emotion does this poem express? This poem expresses the feeling that things are different and changeable. )
The law of unity of opposites is the core of dialectical method. Contradictory things in real life are interdependent and interrelated.
In the mutual connection, they show each other and set each other off. In poetry, it is called "anti-criticism" as a means of artistic expression to set off the main object by describing things that are opposite to it.
To master this expression, the poet's eyes should be good at seeing opposites in all kinds of interrelated things and finding connections in all kinds of opposing things. Ai Qing said: "The more a poet thinks and observes things in connection, the more he can produce the image of life, and the poet can make all kinds of separated things find the image connection" (On Poetry).
The relationship between emotion and scenery in literary and artistic works should be unified on the whole. That is, the so-called situation depends on each other, and the situation lives with the situation to achieve the blending of the situation.
Wu Qiao said: "The scenery is not generated by itself, but is changed by emotion." Emotional sadness is a sad scene, and emotional joy is a happy scene "("Poetry Around the Furnace ").
There are countless successful examples of predecessors in this regard. With the scene of "going to the West Building alone without words, the moon is like a hook, and the lonely phoenix tree is locked in the clear autumn", the "pain of national subjugation" is set off and the scene is unified.
Counter-criticism means "doing the opposite". Wang Fuzhi's "Jiang Zhai Shi Hua" said: "It's twice as wax to write mourning for Syaraku with happy scenes."
At present, two poems have been selected into the fourth textbook of junior high school Chinese issued by the Ministry. One is Wang Wei's "Send Yuan Er Shi An Xi": "Weicheng is rainy and dusty, and the guest house is green and willow-colored.
I advise you to make an extra glass and go out of Yangguan for no reason. "This is a good poem, and it has also been set to piano music, which is called" Three Stacks in the Sun ".
The beauty of this poem lies in "happily writing mourning" The people who are sent will go out of Yangguan in the west and enter a strange desert.
Since then, he has never seen such fresh scenery or such affectionate friends. Have another drink and linger for a while-the mood of farewell is heavier and the scenery in front of you is more worthy of nostalgia. The other is Gao Shi's "Don't Move Big": "A thousand miles away in Huang Yun, the north wind blows geese and snow, and Mochow has no confidant in the road ahead. Who doesn't know you in the world? " The farewell scene was bleak, but the author gave the famous musician Dong Da enough courage and strengthened his belief.
The future is bright, and friendly friends will receive you everywhere. Don't be tempted, go ... This is the joy of "mourning Syaraku" and "friends all over the world".
"The news of this distant western station! The north has been recovered! At first I couldn't stop crying on my coat. In the era of war and chaotic life, I was overjoyed to hear such good news It should be "the first time I heard the whole family laugh". How can it be "tears streaming down my face"? Does Du Fu's writing violate the truth of feelings? Don't! It turns out that this kind of "tears full of skirts" move.
It is a spiritual phenomenon of "forgetting me". The year before last, China women's volleyball team played against Japan in the World Cup final, and finally won the championship through all-out efforts.
At the end of the game, the players wept bitterly. This scene moved many viewers in front of the TV screen to tears.
Are they suffering? Of course not. It's a sign of "ecstasy". My wife is sad when she feels extremely sad, and then she is happy when she is sad.
Because of intense excitement, feelings are extremely happy and sad. "At first, I couldn't stop tears from pouring down my coat" is exactly in line with this psychological feature. "Laugh proudly, and watch the cause of Baijia Collection sadly" (Du Fu: Baijia Collection).
Qiu Note: "Laughter is the host, and lobbyists suffer the most in poor roads." Here, obviously, happiness sets off sadness. This is a smile that suppresses infinite pain, and it is a bitter smile.
Deeply reveals the thoughts and feelings in a specific environment. "Laugh and anger, not only crack the corner of my eye; Long song is full of worries "(Liu Zongyuan).
It's just that it's unusually deep and strong. On the relationship between dynamic and static writing, some unique famous sentences of the ancients are more talked about by poets of all ages.
There are two lines in Wang Ji's poem "Entering Ruoyexi" in the Southern Liang Dynasty: "The cicada makes the forest quiet and the Yingong Mountain more secluded". The contrast between dynamic and static shocked the poetry circle and won "I thought I was unique outside the literary world at that time" (Biography of Liang Shu Literature).
Wang Anshi is undoubtedly an excellent poet. Earlier, he wrote a poem "At noon, pigeons sing in spring, living alone in the forest and quiet in the valley", which is a realm with the royal family.
However, his understanding of "seclusion" was somewhat biased and was criticized by later generations. He thinks that birdsong will destroy the tranquility of the mountain forest.
Therefore, there is a sentence in "Zhongshan is a thing" written by him that "the eaves of thatched trees sit relatively all day, and a bird does not sing the mountain, which is more secluded". Later generations laughed at his revision as "turning stone into gold".
Because Ji Wang focused on "quietness". Quiet, is a dynamic quiet, giving people a clear and comfortable feeling.
Therefore, cicada singing and bird singing enhance the sense of tranquility in the mountains. Wang Anshi's mistake is that he made "silence" absolute. Excessive silence and a world without living things can only arouse.
2. What's the date to send a friend off in the ancient poems with foil technique: Tang Author: Li Bai, the north of the Great Wall is a blue mountain line, and the east of the Great Wall is a white waterline.
Here we say goodbye to each other, and you, like losing your father, are floating in the wind and traveling far away. Floating clouds are like wanderers, like wandering, and the sunset slowly goes down the mountain, which seems to be nostalgic.
With a wave of his hand, he will be separated from now on, and his friend on horseback will carry him on a long journey, blowing a long wind, as if reluctant to leave. Note: This is a poetic farewell poem. The poet and his friends rode away, affectionate and touching.
The first couplet, "The mountains in the north are blue and the water in the east is white", points out the farewell place. The poet has sent his friends out of the city, but they are still together and unwilling to part.
In the distance, I saw the green hills across the north of the outer city, and the sparkling river gurgled around the east of the city. These two sentences "Qingshan" versus "Baishui" and "Northland" versus "Dongcheng" are unique in the first couplet. And "green" and "white" alternate with each other, and the colors are bright and beautiful.
The word "horizontal" outlines the static posture of Qingshan, and the word "around" depicts the dynamics of whitewater. Poems and pens are freely written, depicting a vast and beautiful picture.
The two couplets in the middle are related to each other and write about the deep feelings of parting. Zhuan Xu "You must leave me here and drift away for hundreds of miles like loose grass".
When you leave here, you will fly with the wind like a loose grass and go thousands of miles away. These two sentences express deep concern for the wandering life of friends.
Put pen to paper like running water, comfortable and natural, not constrained by antithesis, unique. The necklace couplet "I will think of you in the clouds, so I will think of me in the sunset", but it is neatly written, "floating clouds" to "sunset" and "wandering" to "old human feelings".
At the same time, the poet skillfully compares "floating clouds" with "sunset" to show his mind. A touch of white clouds in the sky, floating in the wind, symbolizes the uncertainty and arbitrariness of friends; A red sun slowly sets in the distance, which seems to be unbearable to leave the earth suddenly, which symbolizes the poet's mood of saying goodbye to his friends.
Farewell in the background of beautiful scenery and the sun shining in the west is particularly nostalgic and inseparable. There are both scenery and feelings here, and the scenes are mixed and colorful.
The end of the sentence is more affectionate. "We waved goodbye and my horse kept neighing."
A thousand miles to send you, not never say goodbye. "Waving" is the act of writing separation, so how do you feel inside? The poet didn't say it directly, but wrote a moving scene of "and my horse is neighing again and again"
This sentence comes from the Book of Songs, Car Attack and Sasha Vujacic A?vagho?a. Banma, a stray horse.
The poet and his friends waved goodbye at once and greeted them frequently. Two horses seem to know their master's mood and are unwilling to leave their companions. When they left, they couldn't help whistling, as if they had infinite affection.
With horses like this, how can people be inferior! Li Baihua used classical poetry to write the word "half", which was full of new ideas and set off romantic friendship. It can be described as ingenious. This farewell poem is novel and unconventional.
The green mountains, clear water, flaming sunset and white clouds in the poem are in harmony and bright colors. The horse is ringing, and the image is fresh and lively.
Natural beauty and humanistic beauty are intertwined and vividly written. The rhythm of the poem is lively, the feelings are sincere, warm and optimistic, and there is no lingering sadness.
This is the characteristic of Li Bai's farewell poems, which the critics deeply appreciate. Stepping on the sand era Author: Song Author: Yan Shu fine grass worries about smoke, secluded flowers fear, railings will always be a place that can disappear.
There is no one in the deep courtyard at sunrise, and Haiyan flies away from time to time. In a slow dress, the fragrance lingers, and the sky can't help but walk all the way.
Hanging up will only anger the spring breeze, it has never tied pedestrians! ? Note: This word expresses the feeling of hurting spring with a sad and gentle style, and at the same time reveals a deep sigh and regret for the passage of time, which is deeply hidden in it. I began to write "fine grass worries about smoke, and flowers are afraid of dew", which reads: the grass is foggy, and the dew on the stamens is rustling.
On the surface, these two sentences are all about external scenes, but in fact they contain extremely sharp feelings. The words "worry" and "fear" express the author's extremely delicate feelings and are perfectly combined with the close dual form.
The fine grass seems to be a sad expression in the fog, and the flowers in the dew seem to have a shocking feeling. "Sorrow" is used to express the feeling of grass in the haze, and "timidity" is used to describe the feeling of flowers in the morning dew. On the surface, it is the artistic conception of flowers and plants, but in fact, it expresses people's artistic conception through the personification of flowers and plants.
Yan Shu's other poem "Dead Hua Lian" is similar to the sentence "The threshold chrysanthemum is worried about smoke and blue tears", with the same realm, except that one is autumn scenery and the other is spring scenery. "Balcony is always a charming place", and the first two short four sentences "Fine grass worries about smoke, and the hidden flowers dare not show" are exactly what sad people see when leaning against the bar.
The poet "lost his soul" only because of the fog on the grass and the dew on the flowers, which shows that his affection is subtle and profound. No one in the high school in the sun, Haiyan flies away from time to time, is the last one.
In front of me, I changed from writing about scenery to writing about people. These two sentences set off the environment and further wrote people. "No one is quiet" is a poet, and no one comes to drown his soul except the railing.
The quietness of "Japanese Academy" sets off people's loneliness. Swallows Fly Together reflects people's loneliness.
"Haiyan flies away from time to time" means: Haiyan flies away from time to time, but it leaves endless feelings for lonely people. After the film, "a suit of slow clothes, lingering fragrance", from outdoor to indoor, still writing people.
Here, "clothes are slow" describes people who are thin with wide clothes, which means the pain of parting. The "Hui" of "Xiang" is Xiang Hui, a kind of incense made from Cao Hui as a spice, which was commonly used by ancient women indoors.
"Residual" refers to a period of burning. "Wick" refers to the wick of incense, that is, the wick of "one wick of incense".
"Fragrant fragrance, lingering" describes the rich fragrance lit indoors and burned to ashes one after another, suggesting the gloomy mood of indoor people. It is also a common image in ancient poetry to compare the residual ash of incense in the shape of seal characters burning in the incense burner with one's own inner sadness, emotional indifference and sadness.
Here, however, the author just objectively wrote "clothes are slow and fragrance is long", which is even more subtle. Only when it is silent can it not be limited by individual events, and it can give people infinite and far-reaching imagination and association.
Then the sentence "I can't help traveling all the way" ends with the last two sentences, and the two dual short sentences are followed by a long sentence, which is compact and complete. "Can't help it" is unstoppable.
"Tianchang" and "road adjustment" are well combined. Tianchang Road is far away and it is difficult to stop anyway. The word "I can't help it" conveys a kind of sadness that can't be recovered, immediately after the memory of "wearing slow clothes" and the wear and tear of "lingering fragrance".
3. There are both positive and negative contrasts in the five poems that use contrastive techniques.
Just like "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun".
This contrast is also dynamic and static, such as "moonlight in pine forest, crystal stone in stream";
The voice is silent, such as "the quieter the cicada forest, the quieter the sound palace mountain." "When the moon comes out to startle the birds, when the sound enters the spring stream";
Sadness is set off by joyful scenes, such as "Spring grass stains the steps, birds sing and flowers smell", which has long since passed away.
Dewdrops invaded the camel's brown, Han Xiao was bright, and the stars were dry and bright.
Lonely bridges and dreams, grass insects singing in the depths of rice fields.
This poem uses the technique of contrast. The sky is not bright, the stars are vertical and horizontal, especially bright, which sets off the darkness of the night; "The sound of grass bugs reflects the silence of the environment. The contrast between the two highlights the poet's early travels and his inner loneliness caused by wandering.
4. The contrast of ancient poems is used in artistic creation, which is an expression technique to set off the main writing objects from the side. This technique is used in ancient poetry, which makes the things to be expressed more vivid and prominent. When writing, first describe it from the side, and then lead to the theme, so as to make what you want to express stand out clearly. Generally refers to setting off to make it stand out. For example, Wang Wei's "Birds in the Stream" and "Birds in the Moon, Birds in the Spring" depict a perfect moonlit picture of the spring mountain. In this spring mountain, everything is intoxicated with the color and tranquility of the night. Therefore, when the moon rises and brings bright Yin Hui to the empty valley shrouded in night, the scene before and after the valley suddenly changes. At this time, birds accustomed to the silence of the valley seem to bring new excitement even when the moon rises. They can actually sing. This kind of writing with noise as a foil not only does not destroy the tranquility of the spring mountain, but makes the spring night mountain stream more peaceful. Another example is Wang Ji's "If you enter the stream", "The cicada makes the forest quiet, and Tonamiyama is more secluded". If the forest in Yexi is quiet, there are only one or two cicadas and birds singing from time to time. Silence is silence, and silence is broken by sound. However, the poet only said that the mountains became more and more lonely because of one or two "cicadas singing" and "birds singing". The author consciously uses the movements of "cicada singing" and "bird singing" to set off the quiet realm. This shows the poet's ingenuity. Through the artistic technique of "there is sound outside the static", Wang Ji creates a quiet and tranquil artistic realm here, which is fascinating.
5. What are the poems that use the technique of "contrast"? 1 and "quatrains"
Tang Dynasty: Du Fu
Jiangshan bathed in spring, how beautiful, flowers send flowers.
Swallows are busy nesting in wet mud and sleeping in pairs on the warm beach.
Two orioles are singing among the green willows, and a line of egrets is flying straight into the blue sky. Sitting by the window, you can see the Millennium Snow in Xiling, and the Wan Li ship from Soochow is moored at the door.
2. "birdsong flow"
Tang Dynasty: Wang Wei
People are idle, osmanthus flowers fall, and the night is quiet and empty.
When the moon comes out, the birds are startled, and the sound enters the spring stream.
In the silent valley, only osmanthus is falling silently, and it is deeper in the middle of the night, and everything is silent, like nothing. The bright moon rises and shines brightly, alarming the birds living in the mountains. They sing by the spring from time to time.
3. Enter Zoigesi
Northern and Southern Dynasties: Royal Family
What's average? Empty water.
The afterglow of the sunset rises from the distant mountains, and the sun shines on the winding water.
The cicadas are singing, and the Woods are particularly quiet; The singing of birds in the mountains is more beautiful than usual.
This place has given me a hermit's heart. I'm tired of my official career but I'm not retired and sad.
I am driving a boat and playing leisurely on the Ruoye River. The sky is reflected in the water, and the water and the sky are integrated and sway together. The sunset glow rises from the distant hill facing the sun, and the sun shines on the winding water. Cicadas sing loudly, but the Woods are particularly quiet; With the sound of birds singing, the mountains are quieter than usual. This place gave me the heart of seclusion, and I was sad because I was tired of my career for many years but didn't retire.
4. Look at Lushan Waterfall
Tang Dynasty: Li Bai
Rizhao incense burner produces purple smoke,
Looking at the waterfall hanging in front of Sichuan.
Flying down from 3,000 feet,
It's been nine days since I suspected that the Milky Way had set.
The censer peak produces purple mist under the sunlight, and a waterfall hangs in front of the mountain from a distance like white silk. There seems to be thousands of feet of waterfalls on the high cliff, as if the Milky Way had fallen from the cliff for nine days.
5, "successful summit"
Tang Dynasty: Wang Wei
Riding a bike to visit the border and passing through Juyan County.
Pengpeng also floated out of Korea, and the geese heading north also flew into the sky.
The vast desert is lonely, and the Yellow River sets the yen.
When I arrived at the small pass, I met a spy waiting for the knight and told me that Dou Hu was in Yan.
I want to go to the border crossing by bike, and the country I pass by has passed my residence. Like a grass drifting with the wind, wild geese belonging to the north are flying in the sky. Solitary smoke goes straight to the vast desert, and the sunset is round by the Yellow River. When I arrived at Xiaoguan, I met a reconnaissance knight who told me that Doohu had arrived in Yanran.
6. Several methods of setting off ancient poetry-setting off the second thing (main thing) with the first thing (thing).
(1) positive contrast: use similar things to set off the depicted things, such as "high" to set off "high" and "good" to set off "good".
For example, "Peach Blossom Pond is as deep as a thousand stones, not as deep as Wang Lun." Positive contrast mainly plays a further role in depicting things.
(2) contrast: use opposite or different things to set off the depicted things, such as "short" to set off "high", "bad" to set off "good" and "dynamic" to set off "static", such as "
The quieter the cicada forest, the quieter Tonamiyama. "Contrast mainly plays a double prominent role in depicting things. (Contrast and contrast)
Contrast technology of routine inspection:
1, dynamic lining: dynamic lining static, static lining dynamic, dynamic lining.
(silence: silence, silence. )
2. Virtual reality lining: virtual reality lining, virtual reality lining (combination of reality and reality).
3, set lining: set the sadness with music, and set the joy with sadness.
Positive contrast: happy scenes set off happy feelings, sad scenes set off sad feelings and so on. For example, Yan Shu's butterfly lovers and threshold chrysanthemum worries about fireworks and tears. )
4. Other general comparisons
7. What are the famous sentences in the ancient Chinese poems in middle school that can reflect the contrast technique? First, set off prosperity with decline.
Such as Qian Qi's "Returning to the Old Cottage in the Late Spring"
There are few yellow birds in Taniguchi in spring, and fragrant flowers are full of apricot flowers. Poor bamboo window, wait for me without changing the curtain.
(Note: Magnolia, also known as the brush flower, blooms in February of the lunar calendar)
In the first and second sentences of this poem, the author uses three images of "few yellow birds", "fragrant flowers are gone" and "apricot flowers are coming" to render the dying breath of "Taniguchi" (where the mountain cottage is located) and "spring remnant". However, did the author write this poem to express his thoughts of hurting spring? Not exactly. Please read three or four sentences: how lovely the bamboo under the mountain window is. It won't change its freshness and darkness, it will wait for me eagerly. Isn't this kind of "secluded bamboo" that is not afraid of the last spring a symbol of the harmonious unity of external beauty and internal beauty? Isn't it the author's favorite? After reading this, it suddenly dawned on us that the original author wrote the scenery of "spring remnant" not to express his feelings of hurting spring, but to use the "change" of spring birds and spring flowers to set off the "unchanging" of the secluded bamboo. Obviously, the author's fascination with Youzhu and his theme of praising loyalty and chastity are vivid and emotional.
Another example is Su Shi's To Liu Jingwen:
The lotus flower withered, so did the lotus leaf holding the rain, and only the branches of chrysanthemum stood proudly against the frost. You must remember the best scenery in a year, which is in the late autumn and early winter of orange and green.
In the third and fourth sentences of this poem, the author reminds his friends and readers in the language of the poem, and reminds readers that the best time of the year is the season of "orange, orange and green". Because oranges and oranges have withstood the test of cold in early winter, not only the branches and leaves are still full of vitality, but also the fruit shape is excellent and delicious, which can be used as gifts. Because from Qu Yuan's Ode to an Orange to Zhang Jiuling's Feeling (here, south of the Yangtze River, there is a red orange tree. ), citrus has always been the poet's "good tree", and citrus's "its leaves are green all winter" and "but because of its" nature "used to the cold" have always been praised by the poet. Obviously, the author deliberately praised the image of "orange, yellow, orange and green", just to praise loyal moral integrity and perfect character. In order to highlight this theme, the author compares two poems, "He Jin" and "Ju Can", so that readers can appreciate the loveliness and preciousness of oranges and how vivid and powerful they are. "Lotus" and "Chrysanthemum", which are usually praised by the following people, are actually the contrast of "orange" in this poem. How creative this technology is. Liu Jingwen, whom Su Shi called "a man of boldness and wonder", could not be deeply moved when he read this poem full of admiration and encouragement?
Secondly, dynamic lining is static.
Wangwei's Bird Watching Creek
People are idle, osmanthus flowers fall, and the night is quiet and empty. When the moon comes out, the birds are startled, the sound of spring comes, and the things are moistened silently.
Wang Wei likes to create a peaceful artistic conception in his landscape poems. In the eyes of the ancients, getting rid of selfish distractions is a noble life mentality. This poem describes the author's feeling of reveling in the spring scenery on a moonlit night.
In the meantime, the poet's heart was very quiet, and even subtle osmanthus (osmanthus fragrans include spring osmanthus and autumn osmanthus, which should refer to spring osmanthus here) fell from the branches. In the spring mountain where everything is sprouting, the author feels empty. When the moon rises and sprinkles Yin Hui on the empty valley shrouded by night, the mountain bird is startled. They cry from time to time in the mountain stream, which is so crisp and distant. In order to convey the feeling of tranquility in spring, the author uses the dynamic scenes of "falling flowers", "moonlight" and especially "singing birds" to reflect the tranquility and charm of the spring stream, so that it will never wither and show its inherent vitality. Dynamic contrast static, dynamic contrast. "Tonamiyama is more secluded" (Wang Ji's "Into the West") contains the dialectics of life and art.
8. Couplets and foil techniques in ancient poetry. There is no way to answer questions, and there is another village. (Lu You's Tour of Shanxi Village)
Looking at Lushan Mountain from the front and side of peaks and valleys, from far, near, high and low places, Lushan Mountain presents various faces. (Su Shi's topic Xilin wall)
Make further progress (Wang Zhihuan's "Heron Tower")
On the side of the sinking ship, Qian Fan crossed, in front of the tree, Wan Muchun. (Liu Yuxi's "The First Meeting in Yangzhou")
Ask where the canal is so clear, because there is running water at the source. (Zhu's reading thought)
People have joys and sorrows, and the moon has ups and downs. (Su Shi's "Water Tune Heading-When is the Bright Moon")
Try to climb to the top of the mountain: it dwarfs all the peaks under our feet. (Du Fu's "Wang Yue")
Two or three peach blossoms outside the bamboo forest and ducks in the water first noticed the warm spring. (Su Shi's "Hui Chong Chunjiang Night Scene")
As written in a China poem, we are not afraid of dark clouds covering our sight, because we are already on the top of the mountain. (Wang Anshi, "Waiting for the Flying Peak")
... night gives way to the ocean of the sun, and the old year melts in freshness. (Wang Wan's "A Stop at the foot of Beibao Mountain")
Everyone can see the face of spring, the spring breeze blows flowers open, thousands of purple, and the scene of spring is everywhere. (Zhu's Spring Day)
Swallows under the eaves of Wang Dao and Xie An have now flown into the homes of ordinary people. (Liu Yuxi's Wuyi Lane)
Wildfire can't burn it out, but the spring breeze can revive it. (Bai Juyi's "Parting from Ancient Grass")
9. This ancient poem with contrast and exaggeration was presented to Wang Lun.
Lipper
Li Bai was just about to leave when he heard a farewell song from the shore.
Peach Blossom Pond is deeper in thousands of feet than in Wang Lun!
-
Interpretation of poetry
I was about to take a long trip by boat when I heard someone singing and seeing me off. Although the Peach Blossom Lake is as deep as thousands of feet, it is not as deep as the friendship that Wang Lun gave me.
words explanation
Trecci: Sing and beat the time with your feet.
Taohuatan: In Jingxian County, Anhui Province.
Appreciation of poetry and prose
In 755 AD, Li Bai left Chang 'an because he was excluded. In the past ten years, he has traveled all over the country and made friends everywhere. Wang Lun is one of them. This poem was written when the poet left Wang Lun. Wang Lun patted his foot and threw the white away. Seeing this scene, Li Bai shed tears excitedly and wrote the poem "To Wang Lun" on the spot as a thank you.
The first two sentences of this poem are narrative, while the last two are lyrical, praising the sincere and profound friendship. The beauty lies in the use of metaphor in the summary sentence, which transforms the invisible friendship into a vivid image, ethereal, natural and intriguing.
10. foil poem 1. Cold and warm contrast
Bears, dragons, and storms on mountains and rivers have disturbed forests, made highlands tremble, darkened clouds by the darkness of rain, paled streams by the pallor of fog, the god of thunder and lightning, the collapse of hills, and the rocks in caves have vented in the deep pit of heaven, an impenetrable shadow, but now the sun and the moon illuminate a golden and silver platform. (Li Bai's Tianmu Sleepwalking and Farewell)
Bears are roaring, dragons are roaring, rocks are shaking, clear springs are jingling, deep forests are shaking, and mountains are shaking. Dark clouds are rolling and raindrops will fall. The water is foggy and smoky. Lightning and thunder, the peak cracked and the ground shook. The author laid out dark colors and earth-shattering sounds as much as possible, and painted a cold and dark picture before the opening of Tianmen from two aspects of vision and hearing. But as soon as Tianmen was opened, the scenery changed, the sky was blue and transparent, the sun and the moon shone together, and the golden pagoda and silver platform hung in the air, which was really brilliant and dazzling. Warm and bright tones. Taking Tianmen as the boundary, the colder and darker the front, the warmer and brighter the back, and the cold and dark are in harmony with the warm and bright. In the contrast of hue, the poem forms a wave from low to high in momentum, which renders a magical background for the appearance of the fairy behind.
Second, dynamic and static phase contrast
The moonlight in the pine forest, the crystal stone in the stream, the whisper in the bamboo forest, the laundry girl went home, and the lotus leaf gave in before the fishing boat. (Wang Wei's Autumn Night in the Deep Mountains)
The four verbs "Zhao", "Liu", "Noisy" and "Move" describe the dynamic mountain scenery that is fresh, natural and picturesque: the pine forest on the mountain is spotless, the bright moonlight leaves mottled shadows in the forest through the cracks in the leaves, and the white spring water slowly flows out from the cracks in the stone, like a beautiful sonata ringing around. Laughter and laughter in the bamboo forest. When the lotus leaf swayed on the water, the fishing boat went down the river. But this dynamic scene gives people the feeling of being quiet and extraordinary. The dynamic description of the scenery makes the static scenery have a reference and become quieter, which is the so-called "stillness in motion", which has the same effect as "the cicada forest is quieter and Tonamiyama is quieter", which depends on the role of foil.
Third, music contrasts with sadness.
Gou Jian, the king of Yue, defeated Wu Gui, and the soldiers all surrendered. Ladies-in-waiting are like flowers in Man Chun Hall, but only partridges are flying today. (Li Bai's "Yue revisits the ancient times")
In the first three sentences, the poet showed us two pictures: one is a soldier triumphing, wearing golden clothes and showing off his exploits to the people of China; The other is a maid-in-waiting as beautiful as flowers and jade, enjoying herself in the palace. The poet tried to render the victorious posture of the Vietnamese army and the prosperity and joy of the palace with thick ink. The last sentence, accompanied by a stroke, introduces the desolate scene in front of us. The first three sentences are full of sad scenes in the last sentence, with strong contrast and huge contrast, which contains the poet's deep historical thinking and makes people feel the sudden change of personnel and the ups and downs of ancient and modern times. This is exactly what A Qing Wang Fuzhi said.
Fourth, size comparison.
The breeze rippled on the grass bank, through the night, blowing to my motionless tall mast, the stars tilted down from the empty place, and the moon came from the upper reaches of the river. (Du Fu's Love Night)
In the distance, the starry sky is low and vilen is boundless. Not far away, under the bright moonlight, the river is surging and running. Far away, near, in the sky and underground, space expands infinitely. In such an environment, how small a boat is and how lonely a poet is inside! With the vast environment as the background, humble people are just a drop in the ocean, giving people a strong visual impact and infinite emotion and melancholy.
V. Contrast between sound and silence
There are no words in the ancient sunset road, and the autumn wind listens to Ma Si. (Wang Shifu's Farewell Pavilion)
Late autumn, dusk, green hills and sparse forests, light smoke dim, blocking Yingying's sight. Yingying said goodbye to Zhang Sheng who had left. The original whispering and whispering words on the ancient sunset road have now fallen into silence, but it happened that the neigh of horses came at this moment, breaking the silence on the ancient sunset road and tearing Yingying's already broken heart. Avaghoa is where Zhang Sheng is. Hearing the voice of Avaghoa. The sound and silence set each other off, highlighting the desolation of the environment and Yingying's sadness.