It is often heard that the immortals in Xiangshui are good at playing the piano and singing.
Beautiful music makes Feng, the river god, dance and dance, which is unbearable for travelers who travel far away.
Deep and sad melody, even hard stones are moved by sadness; The sonorous, high-pitched musical tone is so penetrating that it has been flying to lofty places.
Cangwu complains, and Angelica dahurica is fragrant.
Running water flows to Pu, and I hate Taiwan crossing Dongting.
The music is quiet, but there is no drums of the water god. The river disappears, revealing several peaks, which are green and charming.
This is a trial poem. Try to paste a poem (also called "poem with a topic") with strict restrictions: it must be five words and twelve sentences, six rhymes, and eight sentences in the middle must be dual. Its titles are mostly idioms from ancient books, and the titles rhyme. For example, the title of this poem is taken from the poem "Make Xiang Ling Drum and Hai Ruo Dance Feng Yi" in the "Journey" of Chu Ci, which is also called "Giving Spirit". Due to strict restrictions and improvisation, I seldom try to paste poems. Qian Qi's poem is regarded by later generations as a masterpiece of "100 million can't be unified". Lu Xun also said in the Untitled Draft that "this poem can be regarded as a good poem in the Tang Dynasty".
What's good about poetry? Fortunately, the imagination is rich, and every sentence is related to the characteristics of the immortals who play the piano, with endless charm. The general format of trial poems is to point out the topic and set the tone, describe it in detail and reveal the aftertaste. The first two sentences of this poem summarize the theme with inverted sentences (not inverted sentences), which are both practical and eye-catching and meet the rhyme requirements of the word "Ling". Legend has it that Yao's daughter and Shun's wife. After Shun died in Cangwu, they also drowned themselves and became the goddess of Xiang water. This happened to the perfume goddess, so what kind of music should they play with the best clouds and the harp made of sycamore? The last two sentences set the tone of the sound: wonderful, so that Feng Yi, the water god, could not help dancing, while Feng Yi was ignorant and did not understand the artistic conception of music, so he said "empty" and jumped up himself; Their voices are sad, and only the ghosts of poets who have been relegated to the waterfront of Hunan for thousands of years can understand Samadhi. They listened to the sad voice with bitterness and added sadness to it, so they said it was "unbearable" Then four sentences, the poet carefully describes this sad tone. It is by no means found in the world: "Bitter tone mourns the stone", and the bitterness and sadness of the timbre of writing instruments can not be expressed by ordinary musical instruments such as human clocks (stones); "Voiced sound enters the shadow", and the sound line goes straight into the space, which is higher than the music of Han E, a master of human music, and higher than Qin Qing's "Zhenlin is extremely sonorous". "Cangwu came to complain", and the reason why the sable cried and complained was because it was not the mortal who mourned, but the undead of the good emperor and husband Shun buried on Cangwu Mountain. "Angelica dahurica moves incense", and the appeal of writing sounds makes the ignorant vegetation move, emitting elegant fragrance. The two sentences of "Running Water" have been slightly changed, and they are no longer written directly, but "more words are told in silence than in sound". Legend has it that Cangwu is the burial place of Shun. Baili Dongting is also the second son of E Huang Nv Ying. The water of Xiaoxiang originates from Cangwu, flows into Dongting and connects the two places. After reading these two sentences, people seem to feel the lingering sound of the tune, the eternal regret expressed by the tune, which is integrated in the sobbing sound of water and the whispering breeze, permeating the whole foothills of Jiuyi Mountain, the banks of Xiangjiang River and Dongting Lake. Although the last two sentences return to reality from the mythical world, they still closely echo the meaning of the problem: at the end of the song, the Iraqi people disappeared, leaving only the clear river, reflecting the shadows of the nine Qingfeng Mountains, how quiet, how relaxed and intoxicating! Nine times out of ten, ordinary post-trial poems are vulgar "begging" or "praising saints", but this poem is abnormal and far-reaching.
(Money) recommended the guest room from the countryside and living in the rivers and lakes. I heard a saying in the court: "At the end of the song, people are scattered, and the river is green." Yes, I saw nothing. Next year (Tianbao Decade), Cui Kun will try the poem "Xianggulingse", which is regarded as the last sentence from the beginning. People think this is a ghost story. (Ji Gong's Chronicle of Tang Poetry, Volume 30)
In the Tang Dynasty, many people were famous for their poems. It is often because an article is good and a sentence is clever. First, a celebrity reaches out and talks about expanding his reputation, and then he becomes famous. "When the song ends, people disappear, and the peak on the river is green", hence the name Qian Qi. (Ge Lifang's Rhyme in Yang Qiu, Volume 4)
Qian Zhongwen's "Provincial Examination of Ancient Lingse" says: "At the end of the song, people are scattered, and the mountains and rivers are green." Pick the last sentence, plain language, and put the two sentences together, which is extremely subtle. ([Ming] "Four Poems" Volume 4)