Poems by Zhou Bangyan, a poet in the Northern Song Dynasty

# Poetry Appreciation # Introduction Zhou Bangyan's works mostly write about boudoir, wandering and chanting things. The meter is rigorous, the language is beautiful and elegant, and the long tune is especially good at narration. Later, influenced by metrical poets, his works have always been regarded as "authentic" among graceful and restrained poets. Let's study the poems of Zhou Bangyan, a poet in the Northern Song Dynasty. Welcome to read!

1. Who are you sad for? But the bee-mediated butterfly succeeded, and sometimes it knocked on the window. -Zhou Bangyan's "Six Ugliness, Rose Xie Hou Zuo"

2. The powder wall is low, the plum blossoms are fragrant, and the old taste is still there. -Zhou Bangyan's "Flower Offender, Low Powder Wall"

Gold is thin and weak. The autumn wind is gentle, and sweet-scented osmanthus blooms. -Zhou Bangyan's "Drunk, Fine and Weak"

Because of thinking about the past, the wedding banquet is a cold food. -Zhou Bangyan's "Ruihexian Warm Smoke Cage and Fine Willow"

The curved corner fence is a group of dry finches. After the Qingming Festival. The wind combs the willows in front of the pavilion —— Zhou Bangyan's "Fisherman's Passion, Grey, Warm, Fragrant, Melted and Sold Forever"

6. Thousands of colors. Sunny weather. -Zhou Bangyan's "Wan Li Spring, Colorful"

7. Liu Yin is straight and smoky. -Zhou Bangyan's "Heroes Lan Ling Liu"

8. It's a moonless night, dark and cold. -Zhou Bangyan's "Should last forever, the wind is warm."

9. The wind faded crimson wax, red lotus dew and bright lights. Liu Guihua, Washington. -Zhou Bangyan's "Xie Yuhua Shangyuan"

10. How can I love you, a wisp of acacia, constantly separated from the mountain. -Zhou Bangyan's "Yue Bai is slow, and the night urges more"

1 1. Wandering around looking for traces of the old days, mourning the strings while drinking wine, and leaving brightly. Pear blossom and elm fire urge cold food. -Zhou Bangyan's "Heroes Lan Ling Liu"

12. I hate spring. I don't agree with people. Make the night, idle pear blossoms and snow everywhere. -Zhou Bangyan's "Waves Slow and Clouds Heavy"

Further Reading: A Brief Introduction to Zhou Bangyan

China was a poet in the Northern Song Dynasty. The word Meicheng was born in Qiantang (now Hangzhou, Zhejiang). , Tai, Professor Luzhou, Zhilishui County, etc. When I was a teenager, my personality was scattered, but I liked reading quite much. When he was in Song Shenzong, he wrote an essay "Bian Du Fu", praising the new law. When Hui Zong was a Yi Hui Pavilion, it promoted the Sheng Da Building. Proficient in melody, he created many new tones. Most of his works are based on boudoir love and travel, and there are also works of chanting things. Strict rules, beautiful and elegant language. Long tunes are particularly good at narration. It was later occupied by metrical poets. In the old ci theory, he was called "the crown of ci poets". There is a collection of Muslim laity, which was later renamed Pian Yu Collection.

Li Guan is a scholar, the master book of the country, the emblem of the exhibition hall to be produced soon, and the promotion of Sheng Da Palace (the organization that manages music). Poetry and prose are omnipotent. But hidden under the name of the word, many poems are scattered but not passed on. Among them, "Biandu Fu" is a famous book, which is 7000 words long and has been passed down to this day. The ancient poems "Heaven-sent White" and "Passing the Left Tomb" are awe-inspiring. Zhou Bangyan was recognized as a poet with negative pronouns in Song Dynasty, which had great influence. Most of the great words describe the love between men and women, reminisce about the past and set foot on travel clothes, with narrow content and low realm. However, they are famous for their artistic creativity, and their words are good at narration, that is, they infiltrate narration into the lyric of scenery, create another realm, form a tortuous cycle, and develop the slow words of Liu Yong and Zhang Xian. In addition, beautiful language and allusions form a rich, elegant and meticulous artistic style. Famous works such as Youth Journey are like water. A few sentences of 565,438+0, not only write stories to reproduce the realm at that time, but also write dialogues, such as meeting the people in the words, smelling their words and vividly describing the characters' personality and mentality, which is really original between the lines. Another article [Youth Travel], "Scattering Light Silk in Clouds", is better written.

A poem wrote two stories, only connected by a sentence "Today is a beautiful day, a beautiful house". It compares the reminiscences of love in Two Realms of Life and A Beautiful House with those in Shanghai Beach and Down the Beach, and feels the same sentiment in the two stories: gathering is more meaningful than missing. Another example is the long tune "Flower Offender" and "Low Powder Wall", which pays great attention to care, tidy up and open and close. After Qin Lou, the time, place, characters and feelings have changed several times, which constitutes the context of the emotional development of all events and characters; [Warrior Lan Ling] Willow combines feelings of parting, thoughts of going, residents and travelers, old hatred and new sorrow, people and things, feelings and circumstances. Bangyan's ci is rigorous in rhythm, exquisite in style and innovative in style. Therefore, he is regarded as the master of graceful and restrained school and the founder of metrical school, and initiated the metrical school of Jiang Kui and Wu Wenying in the Southern Song Dynasty. Zhou Bangyan's poetry collection includes three poems: Yang Zemin, Fang and Chen. Today, there are 10 volumes of Pian Yu Ci and Qiang Yi series. In addition, there are 2 volumes of halal anthology, with external text 1 volume and Siyinzhai lettering edition.

Extended reading: the position of ci history

Wang Guowei believes: "Mr. (Zhou) has done everything in poetry and prose, but he has not tried his best to get rid of the ancients." I have written all my life and put Yuefu in the first place. Poets A and B, Song people have long been conclusive. Only Zhang Shuxia (zhangyan) is not interested in this. However, people in Song Dynasty, such as Europe, Soviet Union, Qin and Huang, were as tall as they were, as refined as they were, and as broad as they were. Therefore, compared with Tang poetry, Dongpo seems to be too white, parsley seems to rub, and it seems that music and square harmony are like ten sons. Jia Xuan in the Southern Song Dynasty is comparable to Changli, and Lao Du in the ci is a gentleman. In the past, the Qing dynasty was better than Shaoling, which was inappropriate. "It means that Zhou Bangyan is the" master "of Ci in the Northern Song Dynasty.

Zhou Bangyan's ci can be seen from three aspects: from the search and textual research of his ci, he has made contributions to integration and innovation; As far as his writing skills are concerned, he is good at understanding love, describing skillful weeks, integrating thousands of poems and refining words properly and neatly; In terms of creative style, Muslim Ci is unique because it can gather the achievements of Northern Song Ci from Liu Yong to Qin Guan and He Zhu. He developed Liu Yong's narrative technique with Fu as his ci, and took the beauty and magnificence of Qin Ci, forming his elegant style of being good at sketching, tailoring and exquisiteness.