The Original Text and Appreciation Articles of Su Dongpo's Nanxiangzi (Pan Chun Cup)

Nanxiangzi (looking forward to the Spring Cup)

Set sentences

I look forward to sending Du Cup in spring, and I can go back to Du Fu several times every spring. Spending a lot of time in Cheng Chun, far from Xu Hun, still hurts, not to mention urging Liu Yuxi.

Li Shangyin, a homesick station, broke off diplomatic relations, and Wan Li returned to Xu Hun alone. The scenery began to see Du Mu at leisure, wandering, even if this bright flame of love, only ashes? Li shangyin

Distinguish and appreciate

Choose the sentences made by predecessors and combine them into a set sentence. This book is one of the earliest poems of Fu Xian's Seven Classics in the Western Jin Dynasty. Shi Yannian, Wang Anshi and Wen Tianxiang in the Song Dynasty all loved poetry. Du Ji's 200 poems are the most famous in Tian Xiang. Wang Anshi also took set sentences as words, which were integrated into the opening remarks. Su Shi wrote three "Nanxiangzi Collected Sentences", which is the second one. The poems in his poems are all from the Tang Dynasty. Carefully examine the meaning of words, such as the relegation of Huangzhou period.

"Looking forward to sending a cup of spring scenery", I took a poem from Du Mu's "Xi Chun" and ordered wine to hurt spring. Looking at this cup of wine to send spring, I feel more hurtful than wine. The second sentence directly expresses the injury to spring, so it hurts the old. "When you are old, spring comes several times", take a sentence from Du Fu's "Nine quatrains are all happy". Du Fu wrote this poem while wandering in Chengdu. Being old means being sad. Every spring is happy. How many times? Another kind of sadness. It is not only sadness, but also turning the joy of spring into sadness. The twists and turns of a sentence make the pen tip dull and old-fashioned The predecessors said that Du Fu's poetic style was old, and he was absolutely right. Dongpo's use of this sentence is a wonderful portrayal of his similar mood of relegating Huangzhou after the Wutai Poetry Case. Dongpo's Huangzhou poem "Looking for Spring in ankokuji" says that "looking at flowers and sighing about the old and remembering the little, worrying about the old and drinking" can fulfill the meaning of this sentence. At this time, it is the time to look at the flowers and sigh for the old, so I am a drunkard, so the next sentence says: "Cheng Chun is full of flowers." This sentence is taken from Xu Hun's poem "Don't be friends with Chikulingi". In spring, it is said that bloom is full. Exile in huangzhou, is Cheng Chun. Stay away from the old country, don't worry! These flowers filled Cheng Chun, shocking and sad. It's really a Spring Festival with thousands of worries! Take this sentence and really cut yourself. The word chuncheng permeates the deep meaning of the political background of the poet's persecution and relegation, and is hidden, so the words and expressions are not the same as those in the original work of Xie Chun's separation. This can reflect the wisdom of the set of sentences. "Sorrow", short rhyme and extremely heavy, contains all kinds of pains away from the old days and spring. The last one used the word "self-casting", so the collection of Tang poems was further integrated into its own. "In addition, the urgent task is to clear the silk and urge it", which is taken from Liu Yuxi's poem "Send Han Cheng Yu". Sad people have no arms, not to mention the music in the wine feast can only aggravate unbearable sadness. Zhou Bangyan's "Man Fang Ting" says: "The withered south of the Yangtze River is tired of guests, so I can't bear to listen, and I am anxious to play the strings." The meaning is similar. If you know people well and talk about things, then Dongpo's sentence is really painful. According to reports, "Dongpo came to Huangzhou, and the two gentlemen (referring to the satrap and the general) gave it, and there was no intention of moving. You show off your house and cups are popular, mostly for the lyrics. " (Book of Poems of Su Shi, Volume XXI, Notes to Ishihara, "The satrap Xu Jun ordered Meng not to drink and write poems") The wine Xi Juan tube written in the word should be designed by the satrap of Huangzhou for Dongpo.

Try to write homesickness. "Broken Homesickness Platform" is taken from Li Shangyin's poem "Give Jinchang at once when you come back late". Yishanyuan's poem says, "Take the south further and break the homesickness platform." Although this is the second sentence, there are actually the above sentences. Dongpo's official tour did not forget Shu, and his "Drunk, Yang Su on the Table" said: "So the mountain is still promising for life, looking west at Emei and looking forward to flying cranes." Returning home after retirement is almost a complex that has haunted Dongpo all his life. If people are poor, they will return to their roots, not to mention the farther they go south. How can you not be more homesick when you drink and climb mountains! It reads vertically below: "Wan Li returned to his heart and came up alone." This sentence is taken from Xu Hun's poem "Going to Yuewangtai in Winter". The poet turned to Wan Li to feast with the gentleman. Who would have the intention to come here? The word "independence" highlights the poet's loneliness. Dongpo Huangzhou's poem "My nephew comes to sit at night for a holiday" says: "Where is homesickness at night?" It means the same thing. It's deep. Wanli's homecoming was born of official travel and became more and more urgent because of exile. That unavoidable sense of exile is further revealed in the next sentence. "You can see the scenery when you are free", which is taken from Du Mu's "Four Rhymes of Long Sentences after Changing to Suixi Pavilion on August 12th", which has profound implications. The original poem said: "Leisure comes to see the scenery, and leisure visitors are willing to wander." There are three function words in two sentences. Dongpo's taking his poems is the combination of the whole place and the secret of his own will. Spring scenery, just because of this, I have been idle, I have come to watch it calmly. Although this sentence is to visit the scenery, it has actually turned to look at itself. The word "leisure" is full of great pain of being demoted to inaction. Nian Nu Jiao (No Return to the River), a poem written by Dongpo Huangzhou, expresses disillusionment and "Life is like a Dream" (the first one is Dream on Earth, and the third one in this set of Nanxiangzi Collected Sentences can be simply called Dream on Earth). This sentence is precisely to regret the pain and resentment that can't be done. However, what can the poet do at this time? "hey." This word is also the only self-created language in the next film, but it has a lot of news, suggesting that the poet's mentality is changing from extroversion to introversion at this time. Wandering, reflective heart, this is "even if this bright flame of love is only ashes?" . The conclusion is a poem in Li Yishan's Untitled (Misty Rain Coming from the East Wind), which is extremely painful and inclusive. Dongpo Huangzhou's poem "Two Cold Foods and Rain" says: "Your door is nine deep, and your grave is in Wan Li. I'm going to cry and be poor, too. " It is an excellent footnote for the ending pen and even the whole word. You can't get in the door, and the country can't go back. Cold ash-like acacia. A sad knot is endless. Although Dongpo is in Huangzhou, he also has another side of his mind, which is famous for his broad-minded side (Nian Nujiao, Red Wall Fu). This word profoundly reflects one aspect of Dongpo's mentality at that time.

This word is written on the banquet, and homesickness is written in the middle. Even this bright flame of love is only ashes? S's reflection shows a process of mental activity from looking at the appearance to listening to the audience and then looking back at the heart. Turning from extroversion to introversion is one of the characteristics of this word. This is extremely striking. In the Northern Song Dynasty, Chao Bu called Dongpo's ci "outstanding, so naturally it can't be tied in tune" (Notes on Changing Zhai, Volume 16). This word proves that Dongpo's ci is not only horizontal, but also restrained and graceful. If we further understand people and explore the world, Dongpo's ideological trend at that time has actually changed from more outward force in the early days to more inward force. In the third year of Yuanfeng (1080) in the Chronicle of Mr. Dongpo in the Southern Song Dynasty, it was recorded: "When I went to Huangzhou, I had no intention, so I had to meditate on the Book of Changes and The Analects of Confucius and stay in deep thought. If I get something, I will get something. " It can be seen that it is no accident that this word reflects the inner characteristics. At the same time, all the poems in the Tang Dynasty are not suitable for the poet's present situation, fate and mentality. Through his aura, he has become a new chapter and a new life. Another feature of this word is that the collection of sentences is a word, which is handy and natural, such as writing it yourself. Dongpo's Huangzhou poem "Five Poems of Confucius Ancient Sentences" says that "the world speaks well, and the bright moon is complacent" and "how to use it in my ears, starting with it, will make you lose your soul", which is exactly what the master and the teacher said. The success of Dongpo's first set of ci shows that he is knowledgeable and knowledgeable, and that his thoughts are free and flexible. Mr. Chen Yinque's "On Rebirth" said: "The Tianshui generation in the Six Dynasties had the freest thoughts, so their articles were also good." He also said: "If you don't have flexible and free thoughts, just use them, that is, a thousand words pile up into a dead sentence. "You can comment on the word dongpo. A good set of sentences is no different from writing. Poetry in Song Dynasty generally adopted French style, such as allusion, implication, parallelism and ancient rhyme. From an inferior point of view, it is just a humble skill. But from the wise point of view, it embodies a cultural spirit of taking the ancient as the new, being good at inheriting the tradition, being friends with the ancients and recognizing them, which can be said to be the progress of technology.