The representative figures are: Ouyang Xiu in the Northern Song Dynasty, whose work "Butterfly Loves Flowers": "How deep is the courtyard?" The willow piles up smoke, but the curtain is not heavy. Yule carved an saddle to patrol the metallurgical department, and the building is not high on Zhangtai Road. March storm. It closes at dusk, and there is no plan to stay in spring. Tears ask flowers silently, and red flies over the swing. "
It is a typical "realm with me"; Another example is Qin Guan's "Walking on the Sand": "The fog is lost, the moon is lost, and Taoyuan is nowhere to be found. The lonely pavilion closes the moon in Joan Hinton, and the cuckoo sounds in the setting sun. Plum blossoms are sent by mail, and fish live long. This hatred has no weight. Chen Qiang was lucky enough to go to Chen Shan. Who did he go to Xiaoxiang for? " It is also a typical "realm follows me."
In fact, there were many people who wrote ci in ancient times, such as Liu Yong, whose works Lin Yuling (cold wind chimes), iris (looking at dangerous buildings) and crane to the sky (golden list) all belong to this type.
According to his view of literature and art, Guowei divided various artistic realms into three basic forms: "Those who reach the top have vague ideas and vague realms;" Second, win by the environment; Still win meaningfully. Wang Guowei scientifically analyzed the relationship between "scenery" and "emotion" as well as various phenomena, and put forward the issues of "creation and description of scenery", "ideal" and "realism" for the first time in the history of China literary criticism.
"Creating a world" is the author's ultimate display of "creative ability", giving full play to his imagination, making everything driven away by me, and "taking the life of a slave as romance", which is the basic feature of romantic creation method. "Scenery" is the author's flamboyant talent, which can be euphemistic about things, "can worry about flowers and birds", and the objectivity and truth are highly valued, which is the basic feature of realistic creative methods.
Wang Guowei also pointed out that "idealism" and "realism" are often combined to form a new creative method. However, the artistic realm created by this method cannot be categorically defined as "idealism" or "realism".
In this realm, "it is difficult to distinguish between the two, because the environment created by great poets must conform to nature, and the environment written must be adjacent to the ideal." Nature and ideal are integrated in one furnace, and "scenery" and "emotion" are integrated. Wang Guowei believes that this is a first-class artistic realm, and only great poets can create this realm of "muddy artistic conception".
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