"National Mourning" is a song to commemorate the heroic soldiers who died for their country. Qu Yuan defeated us in the war, with magnificent materials, grand scenes, tragic and exciting emotions, giving people a strong sense of art. "Fucking Wu Gexi was caught by rhinoceros armour, and the car was picked up by short soldiers at the wrong hub." "With a long sword and a A Qin bow, I won't be punished for leaving my head." What vivid three-dimensional figures and heroic spirit! A few words, let us appreciate the bloody scene of fierce fighting on the ancient battlefield, and also let us see the fearless spirit of Chu Bing who would rather die than surrender, despite the defeat. This selection fully embodies Qu Yuan's love for Chu and sincere feelings of infinite admiration for Chu soldiers, and successfully shapes the collective image of heroic soldiers.
Second, use a variety of techniques to vividly reproduce the tragic battle scene.
This poem gives a wonderful description of the battle scene. The first part describes the battle process. There are not many poems, but they are rich in content and flexible in brushwork. In just ten poems, it describes the whole process of Chu Jun's going into battle in disguise, fighting with the enemy and being defeated and killed. It is written that the enemy is numerous, powerful and fierce. He also wrote that the morale of the Chu army was high and the anti-Japanese war was fierce. There are detailed descriptions of hand-to-hand combat and arrow falling, as well as the atmosphere of complaining and lying dead in the night of Yuan Dynasty. He not only wrote that the soldiers were determined to kill the enemy, but also wrote that the generals helped beat gongs and drums and gave orders at the last minute. In writing, the author adopted three combinations: general description combined with specific description, dynamic description combined with still pictures, hidden description of enemy brutality combined with plain description of Chu army's bravery and fierceness, which made them complement each other and make the battle scenes at that time stand out in front of readers like relief. In addition, the poem also uses rhetorical devices such as exaggeration and metaphor to describe the strength of the enemy and render the fighting atmosphere, which plays a role in setting off the spirit of soldiers not afraid of strong enemies.
Thirdly, the central idea of this poem is fully expressed by echoing praise.
As the name implies, "National Mourning" is a song to mourn the dead martyrs. However, this poem written by Qu Yuan is not only for mourning the dead and expressing grief, but more importantly, it uses the fighting spirit and heroism of the fallen soldiers to inspire people's morale, inspire people to share the same enemy, wash away shame, and thus revitalize Chu. Around this theme, this poem adopts the method of close combination of echo, narration and praise in writing. The first part of this poem describes the war situation, and the second part praises the achievements and spirit of the martyrs. The content of the former narrative is the basis of the latter praise, and the latter praise is the deepening of the former narrative. The two are organically related, which set each other off and become interesting, perfectly showing the central idea of the poem.
Fourthly, the neat and concise sentence patterns enhance the solemnity of the whole poem.
Most of Qu Yuan's works are full of romantic language, gorgeous words and gorgeous flowers. However, in the poem "Mourning the Country", due to the solemn sense of the theme, Qu Yuan adopted a simple, popular and firm sentence. The sentence pattern is neat and concise, with seven words and one sentence, and the fourth word of each sentence adopts the same sentence pattern of "Xi", which not only enhances the rhythm of the whole poem, but also makes the emotional expression more solemn, especially the last two sentences of "ghosts and ghosts", which pushes the author's reverence for patriotic soldiers to a climax and enhances the tragic beauty of the whole poem.